The controversial lawyer looks back on his life and career, describing his most famous cases, from the Chicago Seven to the World Trade Center bombing

"Michael Ratner (1943-2016) was one of America's leading human rights lawyers. He worked for more than four decades at the Center for Constitutional Rights (CCR) becoming first the Director of Litigation and then the President of what Alexander Cockburn called "a small band of tigerish people." He was also the President of the National Lawyers Guild. Ratner handled some of the most significant cases In American history. This book tells why and how he did it. His last case, which he worked on until he died, was representing truth-telling whistleblower and now political prisoner Julian Assange, the editor of WikiLeaks. Ratner "moved the bar" by organizing some 600 lawyers to successfully defend habeas corpus, that is, the ancient right of someone accused of a crime to have a lawyer and to be brought before a judge. Michael had a piece of paper taped on the wall next to his desk at the CCR. It read: 4 key principles of being a radical lawyer: 1. Do not refuse to take a case just because it is long odds of winning in court. 2. Use cases to publicize a radical critique of US policy and to promote revolutionary transformation. 3. Combine legal work with political advocacy. 4. Love people. Compelling and instructive, Moving the Bar is an indispensable manual for the next generation of activists and their lawyers"--Publisher's description.

Traces the life of the flamboyant lawyer who made a career of representing unpopular people and causes, including the Chicago Seven, and Leonard Peltier and the American Indian Movement.

Michael Mansfield, QC, is Britain's most high-profile defence lawyer, whose unparalleled commitment to his clients and radical approach to forensics, evidence and disclosure have made him a scourge of the establishment and a champion of the individual in many miscarriages of justice cases. Passionate about unveiling corruption and unafraid to challenge received wisdom, he has taken on many of the most controversial cases of our times, including the Bloody Sunday Inquiry, Angela Cannings, Jill Dando and Barry George, Dodi Fayed and Princess Diana, Stephen Lawrence, Arthur Scargill and the miners and, most recently, the tragic death of Jean Charles de Menezes. Dissecting these cases with incisive intelligence, subtlety and humour, and interspersing revealing personal reminiscences he offers a fascinating insight into the idiosyncrasies of the English legal system and how it has changed from the late 1960s to the present.

The defense attorney in such cases as the Chicago Seven, the World Trade Center bombing, the Central Park jogger case, and the flag-burning case, William Kunstler tells his story.

The “engrossing, thoroughly researched look at women who are in romantic relationships with incarcerated men”—fully updated with twenty-first-century cases (Publishers Weekly). In 1991, Sheila Isenberg’s classic study Women Who Love Men Who Kill asked the provocative question, “Why do women fall in love with convicted murderers?” Now, Isenberg returns to the same question in the age of smart phones, social media, mass shootings, and modern prison dating. The result is a compelling psychological study of prison passion in the new millennium. Isenberg conducts extensive interviews with women who seek relationships with convicted killers, as well as conversations with psychiatrists, social workers, and prison officials. She shows that many of these women know exactly what they are getting into—yet they are willing to sacrifice everything for the sake of a love without hope, promise, or consummation. This edition of Women Who Love Men Who Kill includes gripping new case studies and an absorbing look at how the digital age is revolutionizing this phenomenon. Meet the young women writing “fan fiction” featuring America’s most sadistic murderers; the killer serving consecutive life sentences for strangling his wife and smothering his toddler daughters—and the women who visit him in prison; the high-powered journalist who fell in love and risked it all for “Pharma Bro” Martin Shkreli; and many other women absorbed in online and real-life dalliances with their killer men.

Inspired by a colleague's involvement in the Mississippi Summer Project of 1964, Wall Street attorney Donald A. Jelinek traveled to the Deep South to volunteer as a civil rights lawyer during his three-week summer vacation in 1965. He stayed for three years. In White Lawyer, Black Power, Jelinek recounts the battles he fought in defense of militant civil rights activists and rural African Americans, risking his career and his life to further the struggle for racial equality as an organizer for the Student Nonviolent Coordinating Committee and an attorney for the Lawyers Constitutional Defense Committee of the American Civil Liberties Union. Jelinek arrived in the Deep South at a pivotal moment in the movement's history as frustration over the failure of the 1964 Civil Rights Act to improve the daily lives of southern blacks led increasing numbers of activists to question the doctrine of nonviolence. Jelinek offers a fresh perspective that emphasizes the complex dynamics and relationships that shaped the post-1965 black power era. Replete with sharply etched, complex portraits of the personalities Jelinek encountered, from the rank-and-file civil rights workers who formed the backbone of the movement to the younger, more radical, up-and-coming leaders like Stokely Carmichael and H. "Rap" Brown, White Lawyer, Black Power provides a powerful and sometimes harrowing firsthand account of one of the most significant struggles in American history. John Dittmer, professor emeritus of American history at DePauw University and author of Local People: The Struggle for Civil Rights in Mississippi, provides a foreword.

Genet…Beckett…Burroughs…Miller…Ionesco, Ōe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian “erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset. Rosset was the antidote to the trope of the “gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way—he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever. Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature—and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more. At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.