Een beschrijving van het schrijven van pornografie met daarnaast een overzicht van de sm-subcultuur.

Men from a variety of sexual orientations and ethnic backgrounds overturn myths about male sexuality and desire! Male sexuality comes of age in this provocative collection of personal essays and poetry. Male Lust's nearly 60 contributors explore emotional, social, and political aspects of sex and desire from a diversity of backgrounds, perspectives, and sexual orientations. Answering the long-standing challenge for men to finally theorize the complexity of their own sexual desires, Male Lust (a 2001 Lambda Gay Studies Literary Award Finalist) delves into topics such as commercial sex, sadomasochism, feminism, and white supremacy without lapsing into reactionary, knee-jerk or misogynist stances. This book offers a positive sexual vision that moves far beyond the narrow messages offered in mainstream media. Male Lust reveals thoughtful, detailed realities of gay, straight, bisexual, transgender, and same-gender-loving men's personal experiences with sex that lurk behind the stereotypes. Among the many topics that the essays, stories, and poems herein chronicle are: various facets of men's and women's experience with commercial sex, both as consumers and providers social and hormonal phenomena involved in transitioning from female to male handling the impact of white supremacy on male lust as a man of color the transformational possibilities of S/M women's responses to the lusts of the men in their lives coming of age with a “deviant” gender or sexual orientation healing from rape and other forms of sexual abuse coming to terms with loving and desiring women within a misogynist culture lust and desire within a disabled body Together, the contributors break the noisy silence surrounding male lust, challenge the dominant images of men as unemotional sexual predators, and expose the live, beating hearts, minds, and souls of real men loving, healing, and revealing themselves, each other, and the women in their lives. Male Lust heralds the next generation of thinking men--a must-read for anyone seeking cutting-edge ideas on sexuality and desire.

Although erotica has always existed, "pornography" is a recent phenomenon: as late as the eighteenth century the word did not exist. From the secret museums to the pornography trials of Madame Bovary and Lady Chatterly's Lover, to Mapplethorpe, cable TV, and the Internet, Walter Kendrick explores how conceptions of pornography relate to issues of freedom of expression and censorship. He provides, too, a fascinating portrait gallery of the jurists, artists, guardians of public morality, sleaze merchants, and civil libertarians who have played roles in the changing definitions of pornography.

This book is a collection of essays highlighting different disciplinary, topical, and practical approaches to the study of kink and popular culture. The volume is written by both academics and practitioners, bringing the essays a special perspective not seen in other volumes. Essays included examine everything from Nina Hartley fan letters to kink shibari witches to kink tourism in a South African prison. The focus is not just on kink as a sexual practice, but on kink as a subculture, as a way of living, and as a way of seeing popular culture in new and interesting ways.

Coming home to find yourself: a gay man sets down roots in native soil.

A three volume reference guide to the available literature concerning pornography and sexual representation in America.

Should western beauty practices, ranging from lipstick to labiaplasty, be included within the United Nations understandings of harmful traditional/cultural practices? By examining the role of common beauty practices in damaging the health of women, creating sexual difference, and enforcing female deference, this book argues that they should. In the 1970s feminists criticized pervasive beauty regimes such as dieting and depilation, but some ‘new’ feminists argue that beauty practices are no longer oppressive now that women can ‘choose’ them. However, in the last two decades the brutality of western beauty practices seems to have become much more severe, requiring the breaking of skin, spilling of blood and rearrangement or amputation of body parts. Beauty and Misogyny seeks to make sense of why beauty practices are not only just as persistent, but in many ways more extreme. It examines the pervasive use of makeup, the misogyny of fashion and high-heeled shoes, and looks at the role of pornography in the creation of increasingly popular beauty practices such as breast implants, genital waxing and surgical alteration of the labia. It looks at the cosmetic surgery and body piercing/cutting industries as being forms of self-mutilation by proxy, in which the surgeons and piercers serve as proxies to harm women’s bodies, and concludes by considering how a culture of resistance to these practices can be created. This essential work will appeal to students and teachers of feminist psychology, gender studies, cultural studies, and feminist sociology at both undergraduate and postgraduate levels, and to anyone with an interest in feminism, women and beauty, and women’s health.

Challenging prevailing assumptions about gay history and society, Murray questions conventional wisdom about the importance of World War II and the Stonewall riots for conceiving and challenging the notion of a shared oppression. He reviews gay complicity in the repathologizing of homosexuality during the early years of the AIDS epidemic. Discussing recent demands for inclusion in the "straight" institutions of marriage and the U.S. military, he concludes that these are new forms of resistance, not attempts to assimilate. Finally, Murray examines racial and ethnic differences in self-representation and identification.

Solitary Pleasures is the first anthology to address masturbation, exploring both the history and artistic representation of autoeroticism. Masturbation today enjoys a highly equivocal and contradictory status among cultural discourses relating to sexuality. On the one hand, it is the subject of much popular treatment, especially in sexual self-help books, advice columns, and in pop culture--for example, Madonna's "Like a Virgin" performance, a recent Roseanne episode, and David Russell's movie Spanking the Monkey. On the other hand, masturbation is still a taboo subject for most people in everyday conversation. Perhaps more surprising, it has been largely dismissed by academics as a trivial, humorous topic and the "history of a delusion." It was not until the eighteenth century that "onanism" was portrayed as a morbid act of epidemic proportions that produced pox, hair loss, blindness, insanity, impotence and a horrible. Its prevention and treatment warranted diverse and often cruel measures: surveillance, diets, drugs, corsets, electrical alarms, urethral cauterization, clitoridectomy, and labial sewing. This literature's apocalyptic warnings about the personal and social morbidity of "pollution-by-the-hand" are largely unknown to most people today, but the ghostly echoes of these admonitions still inform and preserve the present taboo of the subject. Why did this apparently innocuous activity become so overpoweringly stigmatized? Why was the eradication of masturbation one of the most important goals of 19th century public hygiene? Why, even after the "sexual revolution," is masturbation still shrouded in shame?

Gordon Merrick and the Great Gay American Novel is the first biography of Gordon Merrick, the most commercially successful writer of gay novels in the twentieth century. This book shows how Merrick’s novels were largely based on his own life and time as a Princeton theater star, a Broadway actor, a New York reporter, an OSS spy, and the friend of countless artists and celebrities as an expatriate in France, Greece, and Sri Lanka. He lived much of his life as an openly gay man with his longtime partner, Charles Hulse. His 1970 novel, The Lord Won’t Mind, broke new ground by showing that an affirming, explicitly gay novel could be a bestseller. His subsequent gay novels were both a cultural phenomenon and a lightning rod for literary critics. This book also examines the complex, often conflicting responses to Merrick’s novels by gay readers and critics, and it thus recovers the early post-Stonewall debates over the definition of “gay literature.” By reconstructing Merrick’s life and critical fortunes, this book expands our understanding of what it means to be a gay man in the twentieth century.