A duke sets out to seduce an utterly uncouth lady in this historical romance by a RITA finalist . . . The year is 1725. Lady Gloriana Baniard is a beautiful fish out of water. Brought up on the mean streets of London, she is a brash, blunt, obscene force of nature. But thanks to a brief marriage to a disgraced aristocrat, she is forced to live with his noble family and endure the humiliating process of learning proper ladylike behavior. Rebelling, she runs away to Yorkshire, where she intends to be a blacksmith, a skill at which she excels. She knows she’ll need a manservant to front for her. When John Thorne appears, she hires him, stirred as much by his irresistible attraction as by his strength. John Havilland, Duke of Thorneleigh, is an arrogant, indolent gambler and womanizer. Having seen Gloriana just once, he yearns to make her his own. When he learns she has run away from her family, he makes a wild bet with his wastrel companions—he will find the lady and bed her. Disguised as a humble servant, he becomes her assistant, learning the blacksmith trade. The clash of wills between these two proud people creates more sparks than a blacksmith’s anvil. As Gloriana learns to be a lady, Thorne learns humility—and desire deepens to love . . .

The year is 1587. The Spanish are preparing to launch the Armada against the English and Queen Elizabeth. Ex-soldier David Becket, now responsible for the Queen's Ordnance discovers that large quantities of gunpowder are going astray. Can someone in the heart of the English government be selling it to the Spanish? Unaccountably he is plagued by vivid dreams of England invaded, an alternative story where the Armada is victorious. Patricia Finney's brilliant reworking of the Armada legend is an imaginative tour de force. Thrilling, intricate, and inspiring, this is a tale of courage, of love, and, ultimately, redemption

Ten feminist-materialist explorations of the oppression of women in England from the early Renaissance to the 1650s, draw on women's place in courtesy books, royal office, drama, and other social, political, and literary arenas. Annotation copyrighted by Book News, Inc., Portland, OR

"A fable satirizing Spenser's 'The Fairie Queen' and reflecting the real life of Elizabeth I, tells of a woman who ascends to the throne upon the death of her debauched and corrupted father, King Hern. Gloriana's reign brings the Empire of Albion into a Golden Age, but her oppressive responsibilities choke her, prohibiting any form of sexual satisfaction, no matter what fetish she tries. Her problem is in fact symbolic of the hypocrisy of her entire court. While her life is meant to mirror that of her nation - an image of purity, virtue, enlightenment and prosperity - the truth is that her peaceful empire is kept secure by her wicked chancellor Monfallcon and his corrupt network of spies and murderers, the most sinister of whom is Captain Quire, who is commissioned to seduce Gloriana and thus bring down Albion and the entire empire." -- Goodreads.com.

A whimsical cross between Kubrick and Kafka, "The Mouse That Roared" is a quirky classic of world literature, a poignant tale of political morality, and a hilarious, ultimately triumphant portrait of international relations from the perspective of the little guy.

Though the gender-coded soul-body dynamic lies at the root of many negative and disempowering depictions of women, Sarah Johnson here argues that it also functions as an effective tool for redefining gender expectations. Building on past criticism that has concentrated on the debilitating cultural association of women with the body, she investigates dramatic uses of the soul-body dynamic that challenge the patriarchal subordination of women. Focusing on two tragedies, two comedies, and a small selection of masques, from approximately 1592-1614, Johnson develops a case for the importance of drama to scholarly considerations of the soul-body dynamic, which habitually turn to devotional works, sermons, and philosophical and religious treatises to elucidate this relationship. Johnson structures her discussion around four theatrical relationships, each of which is a gendered relationship analogous to the central soul-body dynamic: puppeteer and puppet, tamer and tamed, ghost and haunted, and observer and spectacle. Through its thorough and nuanced readings, this study redefines one of the period’s most pervasive analogies for conceptualizing women and their relations to men as more complex and shifting than criticism has previously assumed. It also opens a new interpretive framework for reading representations of women, adding to the ongoing feminist re-evaluation of the kinds of power women might actually wield despite the patriarchal strictures of their culture.

Can she withstand the storms of life that blow her way? Gloriana Womack's family is much smaller since scarlet fever killed her mother and two of her siblings. She's dedicated her modest life in Duluth, Minnesota, to holding the remains of her fractured family together, caring for her father and younger brother. But it is hard not to be overrun by worry when her father is often gone on long fishing trips, their livelihood coming from the waters of the temperamental and sometimes deadly Lake Superior. Luke Carson has come to Duluth to help shepherd the arrival of the railroad to the city's port, and he's eager to be reunited with his brother and sister-in-law, who recently moved there and are expecting their first child. Competition for the railroad is fierce, with the neighboring city of Superior, Wisconsin, fighting for the tracks to come through their town instead. But the real danger lies in a man who has followed Luke across the country with revenge on his mind. When tragedy brings Gloriana and Luke together, they help each other through their grief and soon find their lives inextricably linked. If they survive the trials ahead, could it be possible they've been destined for each other all along? "Peterson delivers a touching tale of love built out of shared grief in this enjoyable first installment of the Ladies of the Lake series. . . . Peterson creates a memorable romance between Luke and Gloriana that's rooted in mutual hardship and renewed faith. This series is off to a strong start."--Publishers Weekly