Following on from the author's autobiography, The Life of My Choice, this book provides a record of Thesiger's 30 years in Kenya. Since his first visit to Kenya in 1960, Thesiger has made a series of long journeys on foot with camels to Lake Turkana, Marsabit and other remote areas.

Elspeth Huxley captivated readers throughout the world with her 'memories of an African childhood' in THE FLAME TREES OF THIKA and THE MOTTLED LIZARD. In this final volume of her trilogy she tells the story of her adult life in Africa, in which the vigorously evoked personalities - from the pioneer Lord Delamere and Baroness Blixen to Jomo Kenyatta - blend with her supurb description of the social, cultural and political upheavals of the time. 'An accomplished story-teller, she weaves anecdotes, character sketches, political history together without losing her thread or the readers momentum. ' SUNDAY TIMES 'She evokes it all lovingly but astringently, especially the glittering, often scandelous life of the young aristocrats who lived in Happy Valley. ' DAILY EXPRESS

This diaspora novel is a celebration of Indian and African culture seen through the eyes of a young woman. As a member of an Indian minority in a small African country, Shaza’s life is complicated. She lives in a lively house full of relatives. Later, she meets Idi Amin, the bloodthirsty Ugandan dictator and has a narrow escape… Shaza goes to a convent school. Despite the strict rules, the girls are beginning to discover the opposite sex. Shaza is part of a Muslim family that emigrated from India, the old ways still rule. No one in Kenya dates, they just sneak around. Shaza falls for a Hindu boy, Sameer is smitten but they come from two different religions. Shaza is torn between her sense of duty and longing for Sameer. Will the relationship survive her family’s disapproval and a long separation? They live in difficult times in a turbulent African country; Shaza’s cousin is almost killed by thugs and Kenya has a coup d’état where the Indian minority is targeted. The saga follows Shaza’s life from the 1960’s to the 1980’s showing the political upheavals in Kenya and her move to the United States. Nairobi Days is a coming of age story, a love story, a political novel and above all a celebration of life.

*A New York Times Notable Book* *A New York Times Book Review Editors' Choice* *A Publishers Weekly Top Ten Book of the Year* Binyavanga Wainaina tumbled through his middle-class Kenyan childhood out of kilter with the world around him. This world came to him as a chaos of loud and colorful sounds: the hair dryers at his mother's beauty parlor, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson—all punctuated by the infectious laughter of his brother and sister, Jimmy and Ciru. He could fall in with their patterns, but it would take him a while to carve out his own. In this vivid and compelling debut memoir, Wainaina takes us through his school days, his mother's religious period, his failed attempt to study in South Africa as a computer programmer, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood. Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties. Resolutely avoiding stereotype and cliché, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.

Written by celebrated author M. M. Kaye, Death in Kenya is a wonderfully evocative mystery... When Victoria Caryll is offered a position at Flamingo, her aunt's family estate in Kenya's Rift Valley, she accepts-knowing full well that the move will give her a chance to see Eden DeBrett once again, the man she was previously engaged to. But she doesn't realize that coming to her aunt's home will introduce her to an unstable region still recovering from the bloody Mau Mau revolt, and to a household thrown into grief by a recent murder. Distinguished by its mystery, romance, and exotic setting, Death in Kenya is as graceful as it is chilling-it is the beloved novel of one of our finest and most accomplished writers.

Since independence from Great Britain in 1963, Kenya has survived five decades as a functioning nation-state, holding regular elections; its borders and political system intact and avoiding open war with its neighbours and military rule internally. It has been a favoured site for Western aid, trade, investment and tourism and has remained a close security partner for Western governments. However, Kenya's successive governments have failed to achieve adequate living conditions for most of its citizens; violence, corruption and tribalism have been ever-present, and its politics have failed to transcend its history. The decisions of the early years of independence and the acts of its leaders in the decades since have changed the country's path in unpredictable ways, but key themes of conflicts remain: over land, money, power, economic policy, national autonomy and the distribution of resources between classes and communities.While the country's political institutions have remained stable, the nation has changed, its population increasing nearly five-fold in five decades. But the economic and political elite's struggle for state resources and the exploitation of ethnicity for political purposes still threaten the country's existence. Today, Kenyans are arguing over many of the issues that divided them 50 years ago. The new constitution promulgated in 2010 provides an opportunity for national renewal, but it must confront a heavy legacy of history. This book reveals that history.

The Samburu of northern Kenya struggle to maintain their pastoral way of life as drought and the side effects of globalization threaten both their livestock and their livelihood. Mirroring this divide between survival and ruin are the lines between the self and the other, the living and the dead, "this side" and inia bata, "that side." Cultural anthropologist Bilinda Straight, who has lived with the Samburu for extended periods since the 1990s, bears witness to Samburu life and death in Miracles and Extraordinary Experience in Northern Kenya. Written mostly in the field, Miracles and Extraordinary Experience in Northern Kenya is the first book-length ethnography completely devoted to Samburu divinity and belief. Here, child prophets recount their travels to heaven and back. Others report transformations between persons and inanimate objects. Spirit turns into action and back again. The miraculous is interwoven with the mundane as the Samburu continue their day-to-day twenty-first-century existence. Straight describes these fantastic movements inside the cultural logic that makes them possible; thus she calls into question how we experience, how we feel, and how anthropologists and their readers can best engage with the improbable. In her detailed and precise accounts, Straight writes beyond traditional ethnography, exploring the limits of science and her own limits as a human being, to convey the significance of her time with the Samburu as they recount their fantastic yet authentic experiences in the physical and metaphysical spaces of their culture.

★ “This simple story of discovery, sport, and friendship is filled with likable characters and innocently joyful moments...Delightful.”—Kirkus Reviews, starred review Kenyan orphans, Kitoo and Nigosi, spend their days studying, playing soccer, helping their elders with chores around the orphanage and reading from the limited selection of books in their library. When the librarian gives Kitoo a copy of Sports Around the World he becomes fascinated by an image of the Canadian national men's ice hockey team. Then one day the fates align and Kitoo finds a pair of beat up old roller blades, he teaches himself to skate and dreams of one day playing hockey like the men in his book. But you can’t play ice hockey in Kenya, can you?

A People Pick! “One of the year’s must-reads.” –ELLE “[A] provocative, heart-breaking, and frequently hilarious collection.” –GLAMOUR “Essential, vital, and urgent.” –HARPER’S BAZAAR In the vein of Roxane Gay’s Bad Feminist and Issa Rae’s The Misadventures of Awkward Black Girl, but wholly its own, a provocative, humorous, and, at times, heartbreaking collection of essays on what it means to be black, a woman, a mother, and a global citizen in today's ever-changing world. Black women have never been more visible or more publicly celebrated than they are now. But for every new milestone, every magazine cover, every box office record smashed, every new face elected to public office, the reality of everyday life for black women remains a complex, conflicted, contradiction-laden experience. An American journalist who has been living and working in London for a decade, Kenya Hunt has made a career of distilling moments, movements, and cultural moods into words. Her work takes the difficult and the indefinable and makes it accessible; it is razor sharp cultural observation threaded through evocative and relatable stories. Girl Gurl Grrrl both illuminates our current cultural moment and transcends it. Hunt captures the zeitgeist while also creating a timeless celebration of womanhood, of blackness, and the possibilities they both contain. She blends the popular and the personal, the frivolous and the momentous in a collection that truly reflects what it is to be living and thriving as a black woman today.