My Home is Far Away is the most precisely autobiographical of Powell’s fifteen novels. In this family chronicle set in early twentieth century Ohio, young Marcia Willard’s family struggles to keep up with the rapidly changing times, and Marcia endures disillusionment, cruelty, and betrayal to forge a survivor’s sense of independence. John Updike has compared Powell with Theodore Dreiser, Willa Cather, Sherwood Anderson, “and those other Midwestern writers who felt something epic in the national shift from rural to urban, from provincial sequestration to metropolitan liberation.” By 1941, when Powell set to work on My Home Is Far Away, she was better known for the smart, boozy, bawdy, hilarious send-ups of Manhattan high and low life. She had begun to attain a reputation for high sophistication and nothing could be less “sophisticated” – in the glittering, all-knowing, furiously present-tense, big-city manner Powell had perfected – than My Home Is Far Away. This was the month of cherries and peaches, of green apples beyond the grape arbor, of little dandelion ghosts in the grass, of sour grass and four-leaf clovers, of still dry heat holding the smell of nasturtiums and dying lilacs. This was the best month of all and the best day. It was not birthday, Easter, Christmas, or picnic, but all these things and something else, something wonderful, something utterly unknown. The two little girls in embroidered white Sunday dresses knew no way to express their secret joy but by whirling each other dizzily over the lawn crying, “We’re moving, we’re moving! We’re moving to London Junction!” My Home Is Far Away is one of the very few examples of a book written for adults, with an adult command of the language, that maintains the vantage point of a hungry, serious child throughout. It might be likened to a memoir that has been penned not with the usual tranquility of distance but rather with the sense that everything happening to the characters is happening right now, without any promise of eventual escape, without any assurance that childhood, too, shall pass away. My Home is Far Away had been out of print for sixty years when Steerforth reissued it in 1995. It received immediate widespread acclaim, and was featured on the cover of the New York Times Book Review, where Terry Teachout called it “one of the permanent masterpieces of childhood, comparable with David Copperfield, What Maisie Knew and the early reminiscences of Colette,” and where he proclaimed Powell to be “one of this country’s least recognized great novelists.”

A beautifully written, courageous memoir of a wartime childhood behind enemy lines. (SEE QUOTES. Use #2 if not too long.)

Lara Galian is a hauntingly beautiful sixteen-year-old from a poor village in Armenia. A corrupt local rich man seduces her family with an offer to manage her through a wonderful modeling career, but when her mother accepts the offer, Lara is whisked away, raped and sent to Moscow. Forced into prostitution, Lara refuses to accept her fate as she's moved from Moscow to Dubai and eventually sold into the harem of a local VIP. With unlikely allies, the courage of her family, and a spirit that never dies, Lara's fate is far from sealed, but escape will not be easy.--From publisher description.

The New York Times bestselling "master" (Stephen King) of American thriller writing returns with an electrifying new novel about a mother seeking to reconnect with her children after a terrible trial tears their family apart. Nina Morgan’s bloodstained car was found a decade ago on a lonely Florida road. Forensic evidence suggested she’d been murdered, although her body was never found. Her disappearance left her infant children to the care of their father. Once a pilot, mother, wife, and witness to a gruesome crime, Nina had to flee her old life to save her family. She reinvented herself as Leah Trenton, a guide in the Allagash Wilderness in northern Maine. She never expected to see her children again, but now tragedy has returned them to her—only they have no idea that she’s their mother—and delivered all of them back into danger. “Aunt Leah” will need some help, and an old ally has a suggestion: an enigmatic young hitman named Dax Blackwell. Never Far Away is a thrilling collision between old sins and new dreams, where the wills and ingenuity of a broken family will be tested against all odds.

Karl and Rosa's family watch in horror as Hitler's troops parade down the streets of their home city -- Vienna. It has become very dangerous to be a Jew in Austria, and after their uncle is sent to Dachau, Karl and Rosa's parents decide to send the children out of the country on a Kindertransport, one of the many ships carrying refugee children away from Nazi danger. Isolated and homesick, Karl ends up in Millisle, a run-down farm in Ards in Northern Ireland, which has become a Jewish refugee centre, while Rosa is fostered by a local family. Hard work on the farm keeps Karl occupied, although he still waits desperately for any news from home. Then he makes friends with locals Peewee and Wee Billy, and also with the girls from neutral Dublin who come to help on the farm, especially Judy. But Northern Ireland is in the war too, with rationing and air-raid warnings, and, in April 1941 the bombs of the Belfast Blitz bring the reality of war right to their doorstep. And for Karl and Rosa and the other refugees there is the constant fear that they may never see their parents again. Based on a true story -- there was a refugee farm at Millisle and among its occupants was a young boy called Karl.

Aislynn Maher trusted the wrong man. To conceal her disgrace, she leaves her home and turns to the contentious US marshal of the Wyoming Territory, Orrin Sage, who is hiding a secret of his own. In Cheyenne, with its prejudice and lawlessness, it's not just difficult to do what you believe is right ─ it's potentially deadly.

A book about life, loss, and the secrets families keep, reminiscent of Sharon Creech's Walk Two Moons, by National Book Award nominee Lisa Graff. CJ's Aunt Nic is a psychic medium who tours the country speaking to spirits from Far Away, passing on messages from the dearly departed. And CJ knows firsthand how comforting those messages can be -- Aunt Nic's Gift is the only way CJ can talk to her mom, who died just hours after she was born. So when CJ learns that she won't be able to speak to her mother anymore, even with Aunt Nic's help, she's determined to find a work-around. She sets off on road trip with her new friend Jax to locate the one object that she believes will tether her mother's spirit back to Earth . . . but what she finds along the way challenges every truth she's ever known. Ultimately, CJ has to sort out the reality from the lies. National Book Award nominee Lisa Graff has written a poignant, heartfelt novel that explores the lengths we go to protect those we love -- and the power secrets have to change our worlds. Praise for Far Away: * "Graff nimbly crafts a credible novel from the unlikely, shaping layered characters and unforeseen plot twists while exploring issues of truth and illusion--and the emotion-infused miasma that separates the two. A genuinely moving and memorable story." --Publishers Weekly, *STARRED REVIEW* "The story is a genre blend of mystery and realistic family drama . . . Graff never shies away from difficult topics, and this is as brave as expected." --Booklist

The classic story of an immigrant child adjusting to her new home, now with new illustrations.

A National Book Award Finalist An Edgar Award Finalist A California Book Award Gold Medal Winner A dark, contemporary fairy tale in the tradition of Neil Gaiman. Jeremy Johnson Johnson hears voices. Or, specifically, one voice: the ghost of Jacob Grimm, one half of The Brothers Grimm. Jacob watches over Jeremy, protecting him from an unknown dark evil whispered about in the space between this world and the next. But Jacob can't protect Jeremy from everything. When coltish, copper-haired Ginger Boultinghouse takes a bite of a cake so delicious it’s rumored to be bewitched, she falls in love with the first person she sees: Jeremy. In any other place, this would be a turn for the better for Jeremy, but not in Never Better, where the Finder of Occasions—whose identity and evil intentions nobody knows—is watching and waiting, waiting and watching. . . And as anyone familiar with the Brothers Grimm know, not all fairy tales have happy endings. Veteran writer Tom McNeal has crafted a young adult novel at once grim(m) and hopeful, full of twists, and perfect for fans of contemporary fairy tales like Neil Gaiman's The Graveyard Book and Holly Black's Doll Bones. The recipient of five starred reviews, Publishers Weekly called Far Far Away "inventive and deeply poignant."