From the New York Times bestselling author of War Letters, a marvellously vivid and moving account of the American experience in World War I, centred on an intimate portrait of General Pershing, drawing on a rich trove of newly uncovered letters. My Fellow Soldiers tells the story of the American experience in World War I with General John Pershing in the foreground against a landscape of extraordinary voices, to convey the grassroots perspective of American doughboys, war nurses, and their families with extraordinary intimacy and power.

From the New York Times bestselling author of War Letters and Behind the Lines, Andrew Carroll’s My Fellow Soldiers draws on a rich trove of both little-known and newly uncovered letters and diaries to create a marvelously vivid and moving account of the American experience in World War I, with General John Pershing featured prominently in the foreground. Andrew Carroll’s intimate portrait of General Pershing, who led all of the American troops in Europe during World War I, is a revelation. Given a military force that on the eve of its entry into the war was downright primitive compared to the European combatants, the general surmounted enormous obstacles to build an army and ultimately command millions of U.S. soldiers. But Pershing himself—often perceived as a harsh, humorless, and wooden leader—concealed inner agony from those around him: almost two years before the United States entered the war, Pershing suffered a personal tragedy so catastrophic that he almost went insane with grief and remained haunted by the loss for the rest of his life, as private and previously unpublished letters he wrote to family members now reveal. Before leaving for Europe, Pershing also had a passionate romance with George Patton’s sister, Anne. But once he was in France, Pershing fell madly in love with a young painter named Micheline Resco, whom he later married in secret. Woven throughout Pershing’s story are the experiences of a remarkable group of American men and women, both the famous and unheralded, including Harry Truman, Douglas Macarthur, William “Wild Bill” Donovan, Teddy Roosevelt, and his youngest son Quentin. The chorus of these voices, which begins with the first Americans who enlisted in the French Foreign Legion 1914 as well as those who flew with the Lafayette Escadrille, make the high stakes of this epic American saga piercingly real and demonstrates the war’s profound impact on the individuals who served—during and in the years after the conflict—with extraordinary humanity and emotional force.

The president of the United States traditionally serves as a symbol of power, virtue, ability, dominance, popularity, and patriarchy. In recent years, however, the high-profile candidacies of Hillary Clinton, Sarah Palin, and Michelle Bachmann have provoked new interest in gendered popular culture and how it influences Americans' perceptions of the country's highest political office. In this timely volume, editors Justin S. Vaughn and Lilly J. Goren lead a team of scholars in examining how the president and the first lady exist as a function of public expectations and cultural gender roles. The authors investigate how the candidates' messages are conveyed, altered, and interpreted in "hard" and "soft" media forums, from the nightly news to daytime talk shows, and from tabloids to the blogosphere. They also address the portrayal of the presidency in film and television productions such as Kisses for My President (1964), Air Force One (1997), and Commander in Chief (2005). With its strong, multidisciplinary approach, Women and the White House commences a wider discussion about the possibility of a female president in the United States, the ways in which popular perceptions of gender will impact her leadership, and the cultural challenges she will face.

In the spring of 1974, Second Lieutenant Hiroo Onoda of the Japanese army made world headlines when he emerged from the Philippine jungle after a thirty-year ordeal. Hunted in turn by American troops, the Philippine police, hostile islanders, and successive Japanese search parties, Onoda had skillfully outmaneuvered all his pursuers, convinced that World War II was still being fought and that one day his fellow soldiers would return victorious. This account of those years is an epic tale of the will to survive that offers a rare glimpse of man's invincible spirit, resourcefulness, and ingenuity. A hero to his people, Onoda wrote down his experiences soon after his return to civilization. This book was translated into English the following year and has enjoyed an approving audience ever since.

In life, trials and tribulations are designed to destroy us. But with God, my challenges with abuse, drug addiction, hardship, betrayal, and loneliness could not break me. As I recount my life’s journey, His presence has been with me through it all. According to Romans 8:28 (AMP), “And we know [with great confidence] that God [who is deeply concerned about us] causes all things to work together [as a plan] for good.” Hope and trust in God always, and you, too, will find yourself still standing.

Now a Major Motion Picture Directed by American Sniper Writer Jason Hall and Starring Miles Teller No journalist has reckoned with the psychology of war as intimately as David Finkel. In The Good Soldiers, his bestselling account from the front lines of Baghdad, Finkel embedded with the men of the 2-16 Infantry Battalion as they carried out the infamous “surge”. Now, in Thank You for Your Service, Finkel tells the true story of those men as they return home from the front-lines of Baghdad and struggle to reintegrate--both into their family lives and into American society at large. Finkel is with these veterans in their most intimate, painful, and hopeful moments as they try to recover, and in doing so, he creates an indelible, essential portrait of what life after war is like--not just for these soldiers, but for their wives, widows, children, and friends, and for the professionals who are truly trying, and to a great degree failing, to undo the damage that has been done. Thank You for Your Service is an act of understanding, and it offers a more complete picture than we have ever had of two essential questions: When we ask young men and women to go to war, what are we asking of them? And when they return, what are we thanking them for? “Finkel sketches a panoramic view of postwar life....A book that every American should read.” —Jake Tapper, Los Angeles Times Finalist for the National Book Critics Circle Award, the Los Angeles Times Book Prize, and the New York Public Library Helen Bernstein Award for Excellence in Journalism. One of Ten Favorite Books of 2013 by Michiko Kakutani (The New York Times), a Washington Post Top Ten Book of the Year, and a New York Times Book Review Notable Book of the Year

“Brave, honest, and necessary.”—Nancy Pearl, NPR Seattle Kayla Williams is one of the 15 percent of the U.S. Army that is female, and she is a great storyteller. With a voice that is “funny, frank and full of gritty details” (New York Daily News), she tells of enlisting under Clinton; of learning Arabic; of the sense of duty that fractured her relationships; of being surrounded by bravery and bigotry, sexism and fear; of seeing 9/11 on Al-Jazeera; and of knowing she would be going to war. With a passion that makes her memoir “nearly impossible to put down” (Buffalo News) Williams shares the powerful gamut of her experiences in Iraq, from caring for a wounded civilian to aiming a rifle at a child. Angry at the bureaucracy and the conflicting messages of today’s military, Williams offers us “a raw, unadulterated look at war” (San Antonio Express News) and at the U.S. Army. And she gives us a woman’s story of empowerment and self-discovery.

Winner of the Christopher Medal and a "heart-wrenching" Al Roker's Book Club selection on the Today Show. Zulaikha hopes. She hopes for peace, now that the Taliban have been driven from Afghanistan; a good relationship with her hard stepmother; and one day even to go to school, or to have her cleft palate fixed. Zulaikha knows all will be provided for her--"Inshallah," God willing. Then she meets Meena, who offers to teach her the Afghan poetry she taught her late mother. And the Americans come to her village, promising not just new opportunities and dangers, but surgery to fix her face. These changes could mean a whole new life for Zulaikha--but can she dare to hope they'll come true?

These two volumes focus on a American Expeditionary Forces soldier's experiences in France during World War I.