The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father’s will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed “widow” who flouts the conventional marriage plot. The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman’s perspective.

Maria Soroka is a survivor of the Holodomor in Ukraine. During the winter of 1932-1933 Maria was a young girl who experienced great hardships after soldiers seized all the food from her family and the entire village. The complex political background of the Holodomor is personalized in this story of the Soroka family's struggle to survive with nothing to eat. In December 2012, a large bottle full of grain was accidentally found under a tree near the Village of Velyki, near the City of Vinnytsia, Vinnytsia Province, Ukraine. Elderly villagers remembered the Soroka family had been hiding bottles of grain before the winter of the Holodomor. The bottle of grain is the tangible artifact around which this story is built.

This is the first book monograph devoted to Anglophone Ukrainian Canadian children’s historical fiction published between 1991 and 2021. It consists of five chapters offering cross-sectional and interdisciplinary readings of 41 books – novels, novellas, picturebooks, short stories, and a graphic novel. The first three chapters focus on texts about the complex process of becoming Ukrainian Canadian, showcasing the experiences of the first two waves of Ukrainian immigration to Canada, including encounters with Indigenous Peoples and the First World War Internment. The last two chapters are devoted to the significance of the cultural memory of the Holodomor, the Great Famine of 1932-1933, and the Second World War for Ukrainian Canadians. All the chapters demonstrate the entanglements of Ukrainian and Canadian history and point to the role Anglophone children’s literature can play in preventing the symbolical seeds of memory from withering. This volume argues that reading, imagining, and reimagining history can lead to the formation of beyond-textual next-generation memory. Such memory created through reading is multidimensional as it involves the interpretation of both the present and the past by an individual whose reality has been directly or indirectly shaped by the past over which they have no influence. Next-generation memory is of anticipatory character, which means that authors of historical fiction anticipate the readers – both present-day and future – not to have direct links to any witnesses of the events they discuss and to have little knowledge of the transcultural character of the Ukrainian Canadian diaspora.

Tranquillity and a Collection of Other Science Fiction and Fantasy Stories is a collection of seven short stories that stimulate the reader's imagination.

One of the most striking features of life in the Catholic Church today is the ever-widening gap between its official teaching on marriage and sexual morality and the practice of most of its lay members. The book seeks to bridge this gap in two ways: It considers some of the tacit assumptions about marriage and sexual morality in today's society, since these affect Catholics as much as everybody else. It also considers the Church's teaching in some of these areas and explores new ways of putting it across so that it can make sense to ordinary lay Catholics. In doing so the author draws on contemporary writing as well as bringing her own reflections and experience of living the Church's teaching to bear on the subject. The book is aimed at married couples, those considering marriage as well as clergy and those involved in marriage preparation and counselling. Anita Dowsing was born in Copenhagen in 1944. She was brought up as a member of Denmark's tiny Catholic community, but has spent most of her adult life in the United Kingdom. She has an M.A. in English Language and Literature from Copenhagen University, and a Ph.D. in Old English from the University of Wales. Anita Dowsing has spent most of her working life in Adult Religious Education in the Diocese of East Anglia as Co-ordinator of the Norwich Deanery Team, a member of the Diocesan Religious Education Commission and, currently, the Diocesan Marriage and Family Life Commission. She was a member of the East Anglia Steering Group for the Bishops' Conference of England and Wales 'Listening 2004' project (listening to family experience in every diocese), and was one of the facilitators at the Bishops Conference Working Group which produced resource material on marriage and family life for parish use. She is married with an adult daughter.

Influenced by Virgils great epic with its tragic tale of the love of Queen Dido for Aeneas comes this new and passionate story of a separate love affair between two lesser people. Didos sister Anna and one of Aeneas captains are thrown together by chance or destiny after years of wandering as refugees in a hostile world. Caught up in the web and dictates of history, they struggle to maintain the integrity of their love against the demands of the world. Events over which they have little or no control lead to nearly insurmountable challenges of loyalty to family and devotion to duty. This is their story. It is the story of love held hostage to the fate of others of far greater importance then themselves. Rising out of the dim pages of history, Didos Sister is a love story as modern as it is universal.