A must-have notebook for kids to craft their page-turner tales, with story prompts and writing tips, and activity pages for making up words, sketching characters and building the best short story. Created by award-winning children's author Christopher Edge.

17-year-old Faye Aldright has never had it easy, but life gets a whole lot more complicated when her mind starts playing tricks on her. Like when she thinks she hears the radio say her name. It tells her to turn left and it keeps her from colliding with a deer in the road. But the radio couldn't have saved her life. Could it? Whatever is going on in Faye's head, it definitely doesn't feel 'super'. Unless, of course, you count feeling 'super' awkward because you think you heard someone say one thing--like ask you out--but then, actually, it turns out they definitely didn't ask you out at all. So, mostly, Faye just feels 'super' confused. And she ends up saying all the wrong things and then everything ends up so much worse. So how can what's happening to her be anything but bad news? Faye's got to get to the bottom of some stuff: What's the deal with her Mom's new boyfriend? What is going on with Faye's quirky teacher? And, most importantly, what's up with the new guy and all his secrets? Not that she cares about that guy. Not at all. As life gets more intense and snowballs out of control, Faye needs to put the pieces together in order figure out what's going on in her little town. But to do that, she must somehow embrace the super-weird, super-awkward ability she's developing and learn to trust in herself.

This heart-pounding mystery-adventure follows three kids who get lost in the woods at night and experience something they cannot quite explain. Secrets, spies, or maybe even a monster . . . what lies in the heart of the woods? Charlie Noon and Dizzy Heron are determined to find out. When their nemesis, Johnny Baines, plays a prank on them and night falls without warning, all three end up lost in the woods, trapped in a nightmare. Unforeseen dangers and impossible puzzles lurk in the shadows. Like it or not, Charlie and Dizzy must work with Johnny if they are to find a way out. But time can be tricky. . . . What if the night never ends?

Global warming has transformed the Earth, and it's about to get even hotter. The Arctic Ice Cap has all but melted, and the international community is racing desperately to claim the massive amounts of oil beneath the newly accessible ocean. Enter the Gaia Corporation. Its two founders have come up with a plan to roll back global warming. Thousands of tiny mirrors floating in the air can create a giant sunshade, capable of redirecting heat and cooling the earth's surface. They plan to terraform Earth to save it from itself—but in doing so, they have created a superweapon the likes of which the world has never seen. Anika Duncan is an airship pilot for the underfunded United Nations Polar Guard. She's intent on capturing a smuggled nuclear weapon that has made it into the Polar Circle and bringing the smugglers to justice. Anika finds herself caught up in a plot by a cabal of military agencies and corporations who want Gaia Corporation stopped. But when Gaia Corp loses control of their superweapon, it will be Anika who has to decide the future of the world. The nuclear weapon she has risked her life to find is the only thing that can stop the floating sunshade after it falls into the wrong hands. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Learn your first 500 Korean words and thousands of related words and expressions that you can start using right away in your everyday conversations in Korean!

Penelope Tredwell is the feisty thirteen-year-old orphan heiress of Victorian Britain's bestselling magazine, the Penny Dreadful. Her spine-chilling tales—concealed under the pen name Montgomery Finch—are gripping the public. One day she receives a letter from the governor of the Bedlam madhouse requesting Finch's help to investigate the asylum's strange goings-on. Every night at precisely twelve minutes to midnight, the inmates all begin feverishly writing-incoherent ramblings that Penelope quickly realizes are frightening visions of the century to come. But what is causing this phenomenon? In the first book of this smart new series, Penelope is drawn into a thrilling mystery more terrifying than anything she could ever imagine!

This is an authoritative book from the word experts at Oxford to get budding writers crafting brilliant stories. It will help you think about how to develop an idea into a gripping and powerful story, with examples and tips from the best known authors to show you how it's done. For childrenaged 11 and over, it covers all the key elements of plot, characterization, building a believable world, thinking about tone and style, weaving description into stories, through to endings and editing your work. Practical tips will get any struggling writer to beat the fear of the blank page andinspirational advice will help young authors to achieve their creative writing goals. It includes information on sharing stories and how to get people reading your work.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

"I loved this book! So helpful!" -- Courtney Milan, New York Times Best Selling author of The Governess Affair "Have you ever wanted to double your daily word counts? Do you feel like you're crawling through your story, struggling for each paragraph? Would you like to get more words every day without increasing the time you spend writing or sacrificing quality? It's not impossible, it's not even that hard. This is the story of how, with a few simple changes, I boosted my daily writing from 2000 words to over 10k a day, and how you can, too." Expanding on her highly successful process for doubling daily word counts, this book--a combination of reworked blog posts and new material--offers practical writing advice for anyone who's ever longed to increase their daily writing output. In addition to updated information for Rachel's popular 2k to 10k writing efficiency process, 5 step plotting method, and easy editing tips, this new book includes chapters on creating characters that write their own stories, story structure, and learning to love your daily writing. Full of easy to follow, practical advice from a commercial author who doesn't eat if she doesn't produce good books on a regular basis, 2k to 10k focuses not just on writing faster, but writing better, and having more fun while you do it. *New for Fall 2013! This Revised Edition includes updates and corrections for all chapters!*

This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!