If you're a dinosaur, all of your friends are dead. If you're a pirate, all of your friends have scurvy. If you're a tree, all of your friends are end tables. Each page of this laugh-out-loud illustrated humor book showcases the downside of being everything from a clown to a cassette tape to a zombie. Cute and dark all at once, this hilarious children's book for adults teaches valuable lessons about life while exploring each cartoon character's unique grievance and wide-eyed predicament. From the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant owners (like you), All My Friends Are Dead presents a delightful primer for laughing at the inevitable.

I see dead people...and so does everyone else, because more and more teenagers who have returned from the grave are converging on the small town of Oakvale, Connecticut, inspired by the words the "voice" of Generation Dead, Tommy Williams, writes on his blog MySoCalledUndeath.com. Tommy's people-Mal, Karen, Sylvia, Takayuki, Tayshawn, Colette, Popeye, Melissa and the gang at the Haunted House-aren't zombies that want to eat your brains or feast on your entrails, they just want to do the same things everyone else does-create, make friends, play sports, have fun, fall in love-live. But not everyone in Oakvale-especially Reverend Mathers and his flock at One Life Ministries-is willing to stand idly by and let them do any of those things. Not when so many members of the community would approve of the undead being "reterminated" and sent back to the graves they worked so hard to climb out of... Generation Dead Book 4: My Best Friends Are Dead contains, for the first time in print: The collected My So-Called Undeath blog Generation Dead: Stitches Three brand new Generation Dead stories, and one new bonus story set in the world of Break My Heart 1,000 Times

From the authors of the breakout best seller All my friends are dead comes a brand-new illustrated compendium of the humorous existential ruminations of people, animals, legendary monsters, and inanimate objects.

Stephenie Meyer meets John Green in this original supernatural romance! Love knows no boundaries . . . even death. Phoebe Kendall is just your typical goth girl with a crush. He's strong and silent . . . and dead. All over the country, a strange phenomenon is occurring. Some teenagers who die aren't staying dead. But when they come back to life, they are no longer the same. Feared and misunderstood, they are doing their best to blend into a society that doesn’t want them. The administration at Oakvale High attempts to be more welcoming of the 'differently biotic'. But the students don’t want to take classes or eat in the cafeteria next to someone who isn’t breathing. And there are no laws that exist to protect the 'living impaired' from the people who want them to disappear—for good. When Phoebe falls for Tommy Williams, the leader of the dead kids, no one can believe it; not her best friend, Margi, and especially not her neighbor, Adam, the star of the football team. Adam has feelings for Phoebe that run much deeper than just friendship; he would do anything for her. But what if protecting Tommy is the one thing that would make her happy? The first book in the bestselling Generation Dead series. Also by Daniel Waters: The Kiss of Life Passing Strange

For months, Cass has heard her best friend, Julia, whisper about a secret project. When Julia dies in a car accident, her drama friends decide to bring the project?a musical called Totally Sweet Ninja Death Squad?to fruition. But Cass isn't a drama person. She can?t take a summer of painting sets, and she won?t spend long hours with Heather, the girl who made her miserable all through middle school and has somehow landed the leading role. So Cass takes off. In alternating chapters, she spends the first part of summer on a cross-country bike trip and the rest swallowing her pride, making props, and?of all things?falling for Heather. This is a story of the breadth of love. Of the depth of friendship. And of the most hilarious musical one quiet suburb has ever seen.

Soon to be a major motion picture. This ENHANCED DIGITAL EDITION features TONS of TOTALLY AWESOME ’80s bonus materials—including Satanic Panic educational pamphlets, a do-it-yourself exorcism cheat sheet, a Spotify playlist of awesome ’80s tunes, animated cover artwork, and much more! From the New York Times best-selling author of The Southern Book Club's Guide to Slaying Vampires, this unholy hybrid of Beaches and The Exorcist blends teen angst and unspeakable horrors into a pulse-pounding supernatural thriller. The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act…different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries—and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil?

Monsen and Jory deliver an affectionate skewering of the cult of New York as the center of everything--from fashion to baseball to finance to soft pretzels.

If you suspected your best friend, the person you were closest to in the whole world, was a murderer, what would you do? Would you confront her? Would you help keep her secret? Or would you begin to feel afraid? Most importantly, why don't you feel safe now that she's dead? From the author of The French Girl comes a novel full of secrets, suspense, and deadly twists. Georgie, Lissa, and Bronwyn have been inseparable since dominating their college swim team; swimming has always been an escape from their own problems, but now their shared passion has turned deadly. How can it be true that Lissa, the strongest swimmer they know, drowned? Granted, there is something strange about Kanu Cove, where Lissa was last seen, swimming off the coast of the fabulous island resort she owned with her husband. Lissa’s closest friends gather at the resort to honor her life, but Georgie and Bron can’t seem to stop looking over their shoulders. Danger lurks beneath the surface of the crystal-clear water, and even their luxurious private villas can’t help them feel safe. As the weather turns ominous, trapping the funeral guests together on the island, nobody knows who they can trust. Lissa’s death was only the beginning....

A young girl named Maria is lifted from her beloved Africa and relocated to her native Greece. She struggles with the transition, hating everything about Athens: the food, the air, the school, her classmates and the language. Just as she resigns herself to misery, Anna arrives. Though Anna's refined, Parisian upbringing is the exact opposite of Maria's, the two girls instantly bond over their common foreignness, becoming inseparable in their relationship as each other's best friend, but also as each other's fiercest competition; with boys, talents and politics.

First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.