There is no doubt that Ancient Near Eastern divination is firmly rooted in religion, since all ominous signs were thought to have been sent by gods, and the invocation of omens was embedded in rituals. Nonetheless, the omen compendia display many aspects of a generally scientific nature. In their attempt to note all possible changes to the affected objects and to arrange their observations systematically for reference purposes, the scholars produced texts that resulted in a rather detailed description of the world, be it with respect to geography (the urban or rural environment on earth, or celestial and meteorological phenomena observed in the sky), biology (the outer appearance of the bodies of humans or animals, or the entrails of sheep), sociology (behavior of people) or others. Based on different divination methods and omen compendia, the question discussed during this workshop was whether the scholars had a scientific approach, presented as religion, or whether Ancient Near Eastern divination should be considered purely religious and that the term “science” is inappropriate in this context. The workshop attracted a large audience and lively discussion ensued. The papers presented in this volume reflect the focus of the sessions during the workshop and are likely to generate even more discussion, now that they are published.

This in-depth exploration of emotions in the ancient Near East illuminates the rich and complex worlds of feelings encompassed within the literary and material remains of this remarkable region, home to many of the world’s earliest cities and empires, and lays critical foundations for future study. Thirty-four chapters by leading international scholars, including philologists, art historians, and archaeologists, examine the ways in which emotions were conceived, experienced, and expressed by the peoples of the ancient Near East, with particular attention to Mesopotamia, Anatolia, and the kingdom of Ugarit, from the Late Uruk through to the Neo-Babylonian Period (ca. 3300–539 BCE). The volume is divided into two parts: the first addressing theoretical and methodological issues through thematic analyses and the second encompassing corpus-based approaches to specific emotions. Part I addresses emotions and history, defining the terms, materialization and material remains, kings and the state, and engaging the gods. Part II explores happiness and joy; fear, terror, and awe; sadness, grief, and depression; contempt, disgust, and shame; anger and hate; envy and jealousy; love, affection, and admiration; and pity, empathy, and compassion. Numerous sub-themes threading through the volume explore such topics as emotional expression and suppression in relation to social status, gender, the body, and particular social and spatial conditions or material contexts. The Routledge Handbook of Emotions in the Ancient Near East is an invaluable and accessible resource for Near Eastern studies and adjacent fields, including Classical, Biblical, and medieval studies, and a must-read for scholars, students, and others interested in the history and cross-cultural study of emotions.

This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another. This broad treatment makes this collection of interest to historians, archaeologists, philologists and musicians, providing them with a multi-faceted volume which guides them towards a fuller understanding of ancient societies and which heightens the awareness of the importance of music as a transversal phenomenon.

Disputation literature is a type of text in which usually two non-human entities (such as trees, animals, drinks, or seasons) try to establish their superiority over each other by means of a series of speeches written in an elaborate, flowery register. As opposed to other dialogue literature, in disputation texts there is no serious matter at stake only the preeminence of one of the litigants over its rival. These light-hearted texts are known in virtually every culture that flourished in the Middle East from Antiquity to the present day, and they constitute one of the most enduring genres in world literature. The present volume collects over twenty contributions on disputation literature by a diverse group of world-renowned scholars. From ancient Sumer to modern-day Bahrain, from Egyptian to Neo-Aramaic, including Latin, French, Middle English, Armenian, Chinese and Japanese, the chapters of this book study the multiple avatars of this venerable text type.

Mesopotamian Medicine and Magic. Studies in Honour of Markham J. Geller is a thematically focused collection of 34 brand-new essays bringing to light a representative selection of the rich and varied scientific and technical knowledge produced chiefly by the cuneiform cultures. The contributions concentrate mainly on Mesopotamian scholarly descriptions and practices of diagnosing and healing diverse physical ailments and mental distress. The festschrift contains both critical editions of new texts as well as analytical studies dealing with various issues of Mesopotamian medical and magical lore. Currently, this is the largest edited volume devoted to this topic, significantly contributing to the History of Ancient Sciences.

The Ancient Near East provides a particularly striking example for the dynamics of knowledge transfer throughout space and time. The civilizations that emerged here, at the dawn of history, attest to continuous processes of exchange, adaption, and negotiation, to the emergence of content and its reconfiguration, to diffusion, disappearance and resurgence of themes, concepts, topics and ideas. In the late fourth millennium the creation and implementation of supraregional notational systems in southern Mesopotamia triggers a cognitive revolution: within a few centuries the use of writing becomes a dominant cultural technique and over the subsequent millennia the technique of wedge-writing spreads throughout southwest Asia. Numerous indigenous cuneiform subcultures came into being in a wide variety of times and places, but these distinct instantiations were held together (and preserved the possibility of common legibility) through shared practices of teaching and learning, a common core of textual materials and, not least, a systematic instrumentarium for representing speech and notation. This repertoire is part of each of these streams of tradition, which characterise the cuneiform cultures as a whole. In light of the centuries of tradition, the great effort that has gone into its construction and maintenance as well as the preservation of original linguistic materials and their translation into more familiar languages, the validity of this scientific tradition, broadly conceived, cannot be disputed. Still, even if the historical processes of transmission within the cuneiform world and the difficulties of translating cuneiform sources into non-cuneiform traditions prevented a general and far-reaching mobilisation of the cuneiform sources as vehicles for scientific reflection, these same factors also ensured its continued survival in Mesopotamia and Syria for not centuries, but rather millennia. One of the most important components of this process was the awareness of practitioners about language, its role for and its impact on the generation of knowledge, and specifically about linguistic patterns. Among the literally innumerable textual artefacts from the ancient Near East, there are some that both explicitly and implicitly encode traces of this distinctively linguistic awareness. It was in pursuit of these traces of (meta)linguistic awareness that the participants in this volume came together.

The aulos, an extinct musical instrument consisting of a cylindrical-bore pipe with finger holes and a double reed for a mouthpiece, was a very popular wind instrument during antiquity (c.1000 BC-AD 600). Through a comprehensive analysis of written, archaeological, and iconographic sources, this book presents a holistic view of this musical instrument, its past, and its consequential history. This study is further substantiated by ethnographic data from Sardinia and Egypt, where the launeddas and the arghul were explored respectively. A new understanding of the history of the aulos is presented through the establishment of parallels between past and contemporary music-related practices.

The cuneiform script, the writing system of ancient Mesopotamia, was witness to one of the world's oldest literate cultures. For over three millennia, it was the vehicle of communication from (at its greatest extent) Iran to the Mediterranean, Anatolia to Egypt. The Oxford Handbook of Cuneiform Culture examines the Ancient Middle East through the lens of cuneiform writing. The contributors, a mix of scholars from across the disciplines, explore, define, and to some extent look beyond the boundaries of the written word, using Mesopotamia's clay tablets and stone inscriptions not just as 'texts' but also as material artefacts that offer much additional information about their creators, readers, users and owners.

Mercury's Wings: Exploring Modes of Communication in the Ancient World is the first-ever volume of essays devoted to ancient communications. Comparable previous work has been mainly confined to articles on aspects of communication in the Roman empire. This set of 18 essays with an introduction by the co-editors marks a milestone, therefore, that demonstrates the importance and rich further potential of the topic. The authors, who include art historians, Assyriologists, Classicists and Egyptologists, take the broad view of communications as a vehicle not just for the transmission of information, but also for the conduct of religion, commerce, and culture. Encompassed within this scope are varied purposes of communication such as propaganda and celebration, as well as profit and administration. Each essay deals with a communications network, or with a means or type of communication, or with the special features of religious communication or communication in and among large empires. The spatial, temporal, and cultural boundaries of the volume take in the Near East as well as Greece and Rome, and cover a period of some 2,000 years beginning in the second millennium BCE and ending with the spread of Christianity during the last centuries of the Roman Empire in the West. In all, about one quarter of the essays deal with the Near East, one quarter with Greece, one quarter with Greece and Rome together, and one quarter with the Roman empire and its Persian and Indian rivals. Some essays concern topics in cultural history, such as Greek music and Roman art; some concern economic history in both Mesopotamia and Rome; and some concern traditional historical topics such as diplomacy and war in the Mediterranean world. Each essay draws on recent work in the theory of communications.