Musikalisches Opfer Musical Offering Authentic Text And Version For Practical Performance Prepared By Hans T David For String And Wind Ensembles With Keyboard Instrument
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Author |
: Johann Sebastian Bach |
Publisher |
: |
Total Pages |
: 104 |
Release |
: 1944 |
ISBN-10 |
: UOM:39015007787966 |
ISBN-13 |
: |
Rating |
: 4/5 (66 Downloads) |
Synopsis Musikalisches Opfer. Musical offering; authentic text and version for practical performance prepared by Hans T. David for string and wind ensembles with keyboard instrument by : Johann Sebastian Bach
Author |
: Library of Congress |
Publisher |
: |
Total Pages |
: 712 |
Release |
: 1969 |
ISBN-10 |
: UOM:39015082905467 |
ISBN-13 |
: |
Rating |
: 4/5 (67 Downloads) |
Synopsis The National Union Catalog, Pre-1956 Imprints by : Library of Congress
Author |
: New York Public Library. Reference Department |
Publisher |
: |
Total Pages |
: 796 |
Release |
: 1964 |
ISBN-10 |
: UOM:39015024176227 |
ISBN-13 |
: |
Rating |
: 4/5 (27 Downloads) |
Synopsis Dictionary Catalog of the Music Collection by : New York Public Library. Reference Department
Author |
: University of California (System). Institute of Library Research |
Publisher |
: |
Total Pages |
: 876 |
Release |
: 1972 |
ISBN-10 |
: STANFORD:36105117235031 |
ISBN-13 |
: |
Rating |
: 4/5 (31 Downloads) |
Synopsis University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Subjects by : University of California (System). Institute of Library Research
Author |
: |
Publisher |
: |
Total Pages |
: 652 |
Release |
: 1942 |
ISBN-10 |
: UIUC:30112083013380 |
ISBN-13 |
: |
Rating |
: 4/5 (80 Downloads) |
Synopsis A Catalog of Books Represented by Library of Congress Printed Cards Issued to July 31, 1942 by :
Author |
: University of California (System). Institute of Library Research |
Publisher |
: |
Total Pages |
: 876 |
Release |
: 1972 |
ISBN-10 |
: STANFORD:36105117247630 |
ISBN-13 |
: |
Rating |
: 4/5 (30 Downloads) |
Synopsis University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Authors & titles by : University of California (System). Institute of Library Research
Author |
: Yonit Lea Kosovske |
Publisher |
: Indiana University Press |
Total Pages |
: 238 |
Release |
: 2011-07-11 |
ISBN-10 |
: 9780253001450 |
ISBN-13 |
: 0253001455 |
Rating |
: 4/5 (50 Downloads) |
Synopsis Historical Harpsichord Technique by : Yonit Lea Kosovske
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
Author |
: William Henry Francis Jameson Rowbotham |
Publisher |
: Library of Alexandria |
Total Pages |
: 467 |
Release |
: 2020-09-28 |
ISBN-10 |
: 9781465585271 |
ISBN-13 |
: 1465585273 |
Rating |
: 4/5 (71 Downloads) |
Synopsis Story-Lives of Great Musicians by : William Henry Francis Jameson Rowbotham
Author |
: John Denison Champlin |
Publisher |
: |
Total Pages |
: 508 |
Release |
: 1893 |
ISBN-10 |
: HARVARD:HN38DE |
ISBN-13 |
: |
Rating |
: 4/5 (DE Downloads) |
Synopsis Cyclopedia of Music & Musicians by : John Denison Champlin
Author |
: Erik Levi |
Publisher |
: Springer |
Total Pages |
: 316 |
Release |
: 1996-04-15 |
ISBN-10 |
: 9781349245826 |
ISBN-13 |
: 1349245828 |
Rating |
: 4/5 (26 Downloads) |
Synopsis Music in the Third Reich by : Erik Levi
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.