Music is played and heard in time, yet it is also embodied in space by musical scores. The observation of a musical score turns time into space and allows musicians to embrace the flow of time in a single glance. This experience constitutes a symbol for the Eternal Present, the simultaneous knowledge of all time outside time. This book analyzes the implications of this view through a variety of interdisciplinary perspectives, linking theology, philosophy, literature, and music. It also studies how this theme has been foreshadowed in the writings of Dante and J. R. R. Tolkien, demonstrating the connections between their masterpieces and the aesthetics of their times. The result is a fascinating itinerary through the history of culture, thought, and music, but also a deeply theological and spiritual experience.

Holy Scripture requires holy reading. Encounter an ancient but fresh way of reading the Bible. Learn from Augustine, Anselm of Canterbury, Bernard of Clairvaux, and others. Experience a structured and simple way to focus on Christ, listen to the Spirit, and rest in God's love. Jesus is the point of reading the Bible. Christians read Scripture to encounter Christ and be conformed to his image. Scripture is no mere human text; it is God's living word. So how should we read it? For Christians throughout the centuries, the answer has been lectio divina—"divine reading." em Lectio divina is a sacramental reading. It aims to take us more deeply into the life of God. Through practicing the four movements of emlectio divina—attentive reading, extended meditation, prayerful reflection, and silent resting—we have a structured and simple way to focus on Christ, listen to the Spirit, and rest in God's love. We no longer simply read the words of Scripture; instead, we read the face of God in the eternal Word.

The Lord of the Rings and other works of J.R.R. Tolkien have had a far-reaching impact on culture in the late twentieth and early twenty-first centuries. In print and on film, Tolkien’s works seem to be incredible epics, but religious aspects are less obvious. Yet Tolkien himself stated in his letters that the chief conflicts of his epic works were “about God, and His sole right to divine Honour,” and whether Sauron can wrest and destroy all that is good in Middle-earth. It is from this that readers awaken to the theological truths that imbue Tolkien’s works. In Theology and Tolkien: Constructive Theology, an international group of scholars consider how Tolkien’s works (and Jackson’s interpretations) can help us build better theologies for use in our world today. From essays on the music of creation in the Ainulindalë, to angels, demons, and Balrogs, to Tolkien’s theology of God, providence, evil, and love, to the eschatology of the Final Chord of the Great Music, this book invites the reader to journey through Middle-earth as the contributors engage the theology of Tolkien’s works and its impact on the world.

The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.

What is it that makes sound become music? "....sound, in and of itself, has no meaning; it is simply sound. It is descriptive or evocative of nothing more than what is present in the heart and mind of the listener." But for those who are open to it, able to respond to it, the power of music to influence us is extraordinary. And this mysterious quality of harmony reacts alike on the composer, the musician, and the listener. In this self-help book of theory and practical exercises, the author explains how we can put music to good use in our daily life; make it a part of our living experience; let it penetrate our soul so that we truly become One with the tones, rhythm, harmonics, the cadence of the music.

George Egerton: Terra Incognitas is the first published work to focus solely on Egerton and her literary legacy. It covers the range and extent of Egerton's life and literary career from her emergence into the milieu of London publishing in 1893 to her dramatic works (both original and in translation) and their performance history into the 1920s. This work is an essential addition to ongoing recovery projects and is the first to focus on her 'lost' and unpublished works, mentorship of younger writers, her experiments with characterisations and themes, sociopolitical stances, innovations with form and content, and ultimately, her literary legacy. In doing so, George Egerton: Terra Incognitas reassesses Egerton's broader contribution to fin-de-siècle and early-twentieth-century literature and drama and repositions her as among the most important of the literary innovators of period, and a noteworthy precursor to later female literary modernisers, including Katherine Mansfield, Dorothy Richardson, Elizabeth Bowen and Virginia Woolf.

The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.

This is a book about the work I have been doing with horses over the last thirteen years. I believe that the healing work I do with horses is a gift, it comes naturally. I have been asked so many times to explain how this kind of communication, this kind of healing works: Can anyone do this? Are you talking to the horse? Are you a horse whisperer? Are you a shaman? So the idea grew of writing a book that would be entertaining, and informing, which would have general appeal: The case histories I offer in this book are unembellished. That's how they happened! In the book I make mention of a belief I hold, which is that a healing can occur in the simplest way: simply by recognizing the suffering of another living being, and just for a moment, sharing that suffering... My role is to simply witness the unfolding of that memory, that trauma. This is often enough to effect healing, releasing of what has been held inside, and what is holding back that creature of God from fully enjoying its life.

In The Beat Stops Here: Lessons on and off the Podium for Today's Conductor, master conductor Mark Gibson addresses the technique of conducting as an extension of intimate knowledge of the score to the hands and arms. He employs a variety of everyday activities and motions (brushing the dog, Tinkerbelle, the "door knob") to describe the physical aspects of the role. He advocates a comprehensive, detailed approach to score study, addressing major works bar-by-bar in terms of both musical analysis and conducting method. Finally, Gibson explores the various roles a conductor plays, as a teacher, a scholar and a member of the musical community. His writing is highly focused, with an occasionally tongue-in-cheek, discussing everything from motivic development in Brahms to how to hold a knife and fork in public. In short, The Beat Stops Here is a compendium of style and substance in the real world of today's conductor.