Unlike most books on rock music, Music of Yes does not focus on personalities, but instead on musical structures, lyrical vision, and cultural and historical context. Bill Martin situates one of the most creative groups from the progressive rock period, Yes, within the utopian ideals of the sixties and the experimental trend in rock music initiated by the Beatles and taken up by groups such as King Crimson, Jethro Tull, Pink Floyd, and others. Working against the seemingly entrenched cynicism and "blues orthodoxy" among rock music critics, Martin demonstrates the power of Yes's romantic, utopian, "Blakean," ecological, multicultural, and feminist perspective, showing how this vision is developed through extended musical works. "I think this book will stand out as the most definitive study of Yes, and anyway, how could I not like a book that compares my ability to that of John Coltrane and Jimi Hendrix?" —Chris Squire Co-founder of Yes "Yes fans will flock to this paean to the world of 1960s 'art rock'. . . Martin's points about the artistic aspirations of '60s and '70s 'progressive' music are thought-provoking." —Booklist

Lifelong Yes listener, Simon Barrow, examines the band that came to define Progressive Rock, and how they have survived fifty years of intense devotion and strong criticism. This book illustrates the capacity of honest musical appreciation to remake us, rather than simply to confirm our prejudices.

An account of the origins of hip-hop music as presented by its founders and stars traces the work of such performers as DJ Kool Herc, Grandmaster Flash, and DMC.

Yes have now been on the rock circuit for an incredible 34 years. Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire and Bill Bruford are just some of the star players who helped to make the band one of the greatest-ever names in classic rock. Their turbulent story spans the early days of pub and club gigs, international supergroup status in the heyday of rock, and various line-ups since.Chris Welch's definitive biography of Yes is once again updated to include the historic return of Rick Wakeman to the classic Yes line up during 2002 and their subsequent highly successful tour of America.

The creator of "Grey's Anatomy" and "Scandal" details the one-year experiment with saying "yes" that transformed her life, revealing how accepting unexpected invitations she would have otherwise declined enabled powerful benefits.

Around about August 1948, Mr and Mrs Cyril Wakeman had an early night and some time later, at Perivale in Middlesex, Mrs Wakeman produced a bonny baby son. They named him Richard, but he quickly became known as Rick. Rick was a likeable little fellow who had a talent for the piano and for making trouble. Music became Rick's life - he joined a popular music group called Yes and became a legend. Much later he became a Grumpy Old Man who appears on Countdown, hosts a hugely popular radio show on Planet Rock and performs a one-man show telling stories about his rather extraordinary life. Which is where this book you are holding comes in. Mr Wakeman is simply one of the great storytellers of our age - let's face it, he has some fabulous material. It seemed a shame that some of the funniest yarns should not be more widely known. So he accepted some cash and here we are. Curl up by the fire with a Grumpy Old Rock Star and your nearest and dearest. We defy you not to want to read it aloud and laugh.

(Guitar Recorded Versions). Note-for-note guitar transcriptions for 12 songs from this definitive English progressive rock band: And You and I * Changes * Clap * I've Seen All Good People * It Can Happen * Long Distance Run Around * Love Will Find a Way * Mood for a Day * Owner of a Lonely Heart * Rhythm of Love * Roundabout * Starship Trooper.

Poetry. African & African American Studies. Latinx Studies. Women's Studies. Diannely Antigua's debut collection, UGLY MUSIC, is a cacophonous symphony of reality, dream, trauma, and obsession. It reaches into the corners of love and loss where survival and surrender are blurred. The poems span a traumatic early childhood, a religious adolescence, and, later, a womanhood that grapples with learning how to create an identity informed by, yet in spite of, those challenges. What follows is an exquisitely vulgar voice, unafraid to draw attention to the distasteful, to speak a truth created by a collage of song and confession, diary and praise. It is an account of observation and dissociation, the danger of simultaneously being inside and outside the experiences that mold a life. UGLY MUSIC emerges as a story of witness, a realization that even the strangest things exist on earth and deserve to live. "Diannely Antigua's UGLY MUSIC is a beautiful disturbance of erotic energy. This debut counters the pull of thanatos with the effervescent allure of pure imagination, and everything is dangerously alive. Antigua's seduction is both intellectual and physical, a force strong enough to counter the emotional pains recounted here--an abandoning father, trespassed bodies, pregnancies lost, wanted, feared. At times, the speaker of these poems trespasses on her own body, as if to say a body is both precious and to be ruined, used, used up. At its deepest song, this is a theological protest and investigation by a speaker wrestling with faith and fathers, with unapologetic desire. These poems have found a way to circumvent the most precarious silences, to boast and to rue." --Catherine Barnett

"Carolyn is in a wheelchair, but she doesn't let that stop her! She can do almost everything the other kids can, even if sometimes she has to do it a little differently"--