On the oeuvre of Nobuo Uematsu, the Beethoven of video game music. Japanese musician and composer Nobuo Uematsu has built his career and reputation on his soundtracks to the enduring Final Fantasy video game series, which are notable for their remarkable cinematic feel. Today Uematsu is one of Japan's most beloved living composers, credited with inspiring a new generation of classical music fans. This volume, the first book-length study of the music of Uematsu, takes a variety of different analytical approaches to his body of work. It offers readers interested in ludomusicology--the study of and research into video game music--a variety of ways with which to understand Uematsu's compositional process and the role that video game music has in the overall gaming experience.

Terra the magical half-human. Shadow the mysterious assassin. Celes the tough, tender general. Kefka the fool who would be god. Each of the many unforgettable characters in Final Fantasy VI has made a huge impression on a generation of players, but why do we feel such affection for these 16-bit heroes and villains as so many others fade? The credit goes to the game’s score, composed by the legendary Nobuo Uematsu. Armed with newly translated interviews and an expert ear for sound, writer and musician Sebastian Deken conducts a critical analysis of the musical structures of FF6, the game that pushed the Super Nintendo’s sound capabilities to their absolute limits and launched Uematsu’s reputation as the “Beethoven of video game music.” Deken ventures deep into the game’s lush soundscape—from its expertly crafted leitmotifs to its unforgettable opera sequence—exploring the soundtrack’s lasting influence and how it helped clear space for game music on classical stages around the world.

(Piano Solo Selections). A dozen favorites from the hit video game series in piano solo notation, including: Aeris's Theme * Eyes on Me * Melodies of Life * The Prelude * The Promise * Theme of Love * Tifa's Theme * Zanarkand * and more.

A full-color, oversized, hardcover tome that faithfully adapts the original Japanese material, detailing the creation of the most recent entry in the Final Fantasy saga! Final Fantasy XV's world of Eos is filled with wonderous scenery, larger-than-life creatures, diverse cultures, and treacherous foes. Experience hundreds of pieces of detailed design work composed lovingly for fans of the unique sci-fi fantasy world. This volume collects complex lore, insightful commentary, comprehensive data, and dazzling concept art, all beautifully bound in this richly detailed hardcover! Square Enix and Dark Horse Books present a superbly curated collection of Final Fantasy XV content that any fan will cherish.

Music in the Role-Playing Game: Heroes & Harmonies offers the first scholarly approach focusing on music in the broad class of video games known as role-playing games, or RPGs. Known for their narrative sophistication and long playtimes, RPGs have long been celebrated by players for the quality of their cinematic musical scores, which have taken on a life of their own, drawing large audiences to live orchestral performances. The chapters in this volume address the role of music in popular RPGs such as Final Fantasy and World of Warcraft, delving into how music interacts with the gaming environment to shape players’ perceptions and engagement. The contributors apply a range of methodologies to the study of music in this genre, exploring topics such as genre conventions around music, differences between music in Japanese and Western role-playing games, cultural representation, nostalgia, and how music can shape deeply personal game experiences. Music in the Role-Playing Game expands the growing field of studies of music in video games, detailing the considerable role that music plays in this modern storytelling medium, and breaking new ground in considering the role of genre. Combining deep analysis with accessible personal accounts of authors’ experiences as players, it will be of interest to students and scholars of music, gaming, and media studies.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

"Embedded in my soul forever." A time-travel adventure powered by the mysterious musical forces that connect two women across time through their cello. The two gifted composers are transposed into each other's world and find their souls have somehow intertwined. In 2018, an aspiring young cellist dreams of joining the National Arts Centre Orchestra in Ottawa. But after a crushing rejection, a new hope emerges in the form of a long lost music score from her dying grandmother in Scotland. In Book I of the Song for a Lost Kingdom series, Adeena Stuart plays this music on the oldest surviving cello made in the United Kingdom, and she's connected to another woman from the past, Katharine Carnegie. Katharine living in 18th century Scotland is also a cellist and a composer. Their connection is augmented by the love of the same man doomed to die after the Battle of Culloden in 1746. In Book II, James Drummond fights alongside Prince Charles Edward Stuart in the 1746 Jacobite uprising. Though their cause is doomed, and James is destined to die shortly after the Battle of Culloden, Adeena's determination to save him never wavers. Left behind in the present, Adeena's friends and families are equally determined to return her to 2019 before the expanding growth in her head becomes fatal. But even they are deceived by the truth of what is about to unfold. In Book III, the final instalment of the series, Adeena and Katharine Carnegie search for the music that neither can complete on their own. Finding themselves living three centuries apart and each assuming the identity of the other, they must overcome their own unique challenges, all the while hiding the truth of who they really are from those around them. The box set is specially priced and also includes the Prequel to the series plus bonus goodies such as the sheet music and lyrics to three original songs featured in the books. (Song for a Lost Kingdom, The Heart Beats in Time and A Foolish Man). Other bonus features include character profiles and a forward by series editor Lara Clouden. The Song for a Lost Kingdom boxset includes: Book I: Music is Not Bound by Time Book II: Love Never Surrenders Book III: The Heart Beats in Time The Prequel: A Kingdom is Lost, A Song is Born. Get swept away in this historical time-slip fantasy-adventure powered by classical music that refuses to be bound by time - and an impossible love that defies the tragic fate already determined by history.

Video games open portals to fantastical worlds where imaginative play and enchantment prevail. These virtual settings afford us considerable freedom to act out with relative impunity. Or do they? Sound Play explores the aesthetic, ethical, and sociopolitical stakes of people's creative engagements with gaming's audio phenomena-from sonorous violence to synthesized operas, from democratic music-making to vocal sexual harassment. William Cheng shows how video games empower their designers, composers, players, critics, and scholars to tinker (often transgressively) with practices and discourses of music, noise, speech, and silence. Faced with collisions between utopian and alarmist stereotypes of video games, Sound Play synthesizes insights across musicology, sociology, anthropology, communications, literary theory, philosophy, and additional disciplines. With case studies spanning Final Fantasy VI, Silent Hill, Fallout 3, The Lord of the Rings Online, and Team Fortress 2, this book insists that what we do in there-in the safe, sound spaces of games-can ultimately teach us a great deal about who we are and what we value (musically, culturally, humanly) out here. Foreword by Richard Leppert Video Games Live cover image printed with permission from Tommy Tallarico