In the 1950s, Hammer Film Productions, a small British filmmaking company, introduced the world to a new genre of motion picture. Referred to by some as "horror," by others as "fantasy," Hammer films had a unique look and feel that many other studios would later attempt—and fail—to capture. Hammer films also had a unique sound. For although the studio was small and the budgets limited, those involved in making the Hammer films recognized that the musical score was just as important as the set, the actors, and the script in telling the story. Consequently, Hammer Films Productions recruited the best musical talent to make its films come alive. Those artists and the work they did are chronicled here in careful detail by Randall D. Larson. From the studio's fledging days, through its great successes of the 60s and early 70s, Music from the House of Hammer offers an inside look at how the "Hammer sound" was developed and nurtured.

With access to Leni Riefenstahl's personal archives and film collection, the author explores the contraversial filmmaker's career.

This is a revealing and inspirational memoir by Casey Hammer, sole granddaughter of the American billionaire, industrialist, art collector and philanthropist Armand Hammer. SURVIVING MY BIRTHRIGHT is a story of hope, love, and the reclamation of empowerment. Casey's is a journey of discovery - recounting many years of blocked memories, violence, nightmares, hazardous behavior, guilt and feeling unworthy of joy or happiness. By taking responsibility for her life, no longer being prepared to accept the role of victim and by facing the truth, Casey began to heal. Hopefully, her story will inspire many others to do the same.

In its heyday during the Fifties, Sixties and early Seventies, Hammer Films produced a legacy of horror films such as Dracula, The Curse of Frankenstein and The Quatermass Experiment, featuring stars who included Christopher Lee, Peter Cushing, Bette Davis, Ursula Andress, Raquel Welch, Stephanie Beacham and Julie Ege. This book provides a chronological, film-by-film history of the studio, from its obscure beginnings in the 1930s to its decline and virtual disappearance five decades later. It includes coverage of the pre-horror, science-fiction films of the 1950s, and post-horror comedy of the 1980s, with complete credits for all Hammer films.

Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.

Dracula and Frankenstein. Christopher Lee and Peter Cushing. These are just a few of the icons of Hammer Films. To horror fans, the name “Hammer” conjures visions of hissing vampires and buxom beauties in low-cut negligees. But Britain’s Hammer Film Productions, Ltd., was much more than just a fright factory. For more than thirty years, the company turned out neatly crafted entries in a variety of genres, ranging from comedies to pirate yarns, murder mysteries to war pictures. At the heart of Hammer’s remarkable success was its access to American financing and American theaters. But more than that, the individuals behind the scenes knew how to make good films on tight budgets. These pictures have withstood the test of time and continue to be enjoyed all over the world. The Encyclopedia of Hammer Films details the surprising story of Britain’s most successfulindependent film company and includes Entries on all of Hammer’s feature films, featurettes, and television episodes, including staff, production details, US and UK release data, cast, synopses, reviews, behind-the-scenes quotes, and US financial participation Capsule biographies of directors, producers, technicians, and actors––including the lovely ladies of Hammer glamour Special entries on Hammer-related topics, including “tax shelter” companies, Hammerscope, the British Board of Film Censors, and the recent Hammer reboot An annotated appendix of more than 150 unrealized Hammer projects A chronological, annotated listing of every production and coproduction from the company’s inception in 1934 An invaluable resource, this volume includes snapshots of the men and women who made the studio a success—including Peter Cushing, Terence Fisher, Christopher Lee, Ingrid Pitt, and Jimmy Sangster—as well as such iconic films as The Curse of Frankenstein, The Devil Rides Out, Dracula Has Risen from the Grave, and Vampire Circus. With more than six hundred entries, The Encyclopedia of Hammer Films is a must-have for every fan of this unique studio.

Millard Fuller had come face-to-face with the reality of the American dream: a millionaire workaholic with a marriage on the skids. The cure -- the Fullers sold their business, donated all the money to charity, and went in search of a new dream. Today Fuller and his wife are sharing that dream: Habitat for Humanity.

From the author of Ready Player One, a rollicking alien invasion thriller that embraces and subverts science-fiction conventions as only Ernest Cline could. Zack Lightman has never much cared for reality. He vastly prefers the countless science-fiction movies, books, and videogames he's spent his life consuming. And too often, he catches himself wishing that some fantastic, impossible, world-altering event could arrive to whisk him off on a grand spacefaring adventure. So when he sees the flying saucer, he's sure his years of escapism have finally tipped over into madness. Especially because the alien ship he's staring at is straight out of his favorite videogame, a flight simulator callled Armada--in which gamers just happen to be protecting Earth from alien invaders. As impossible as it seems, what Zack's seeing is all too real. And it's just the first in a blur of revlations that will force him to question everything he thought he knew about Earth's history, its future, even his own life--and to play the hero for real, with humanity's life in the balance. But even through the terror and exhilaration, he can't help thinking: Doesn't something about this scenario feel a little bit like...well...fiction? At once reinventing and paying homage to science-fiction classics as only Ernest Cline can, Armada is a rollicking, surprising thriller, a coming-of-age adventure, and an alien invasion tale like nothing you've ever read before.

Celebrate the life and legacy of Martin Luther. With witty dialog and catchy tunes, this upper elementary/middle school musical is sure to educate and entertain.