Music from a Speeding Train explores the uniquely Jewish space created by Jewish authors working within the limitations of the Soviet cultural system. It situates Russian- and Yiddish- language authors in the same literary universe—one in which modernism, revolution, socialist realism, violence, and catastrophe join traditional Jewish texts to provide the framework for literary creativity. These writers represented, attacked, reformed, and mourned Jewish life in the pre-revolutionary shtetl as they created new forms of Jewish culture. The book emphasizes the Soviet Jewish response to World War II and the Nazi destruction of the Jews, disputing the claim that Jews in Soviet Russia did not and could not react to the killings of Jews. It reveals a largely unknown body of Jewish literature beginning as early as 1942 that responds to the mass killings. By exploring works through the early twenty-first century, the book reveals a complex, emotionally rich, and intensely vibrant Soviet Jewish culture that persisted beyond Stalinist oppression.

A ticket on the Magic Train takes the reader from outer space to underwater to a land of cakes.

A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.

Winner, 2023 J. G. Ragsdale Book Award from the Arkansas Historical Association Because Johnny Cash cut his classic singles at Sun Records in Memphis and reigned for years as country royalty from his Nashville-area mansion, people tend to associate the Man in Black with Tennessee. But some of Cash’s best songs—including classics like “Pickin’ Time,” “Big River,” and “Five Feet High and Rising”—sprang from his youth in the sweltering cotton fields of northeastern Arkansas. In Country Boy, Colin Woodward combines biography, history, and music criticism to illustrate how Cash’s experiences in Arkansas shaped his life and work. The grip of the Great Depression on Arkansas’s small farmers, the comforts and tragedies of family, and a bedrock of faith all lent his music the power and authenticity that so appealed to millions. Though Cash left Arkansas as an eighteen-year-old, he often returned to his home state, where he played some of his most memorable and personal concerts. Drawing upon the country legend’s songs and writings, as well as the accounts of family, fellow musicians, and chroniclers, Woodward reveals how the profound sincerity and empathy so central to Cash’s music depended on his maintaining a deep connection to his native Arkansas—a place that never left his soul.

With Love, Grief and Fury contains love poems, for people and the planet; grief poems brimming with compassion, sharing tears and mourning what was and contemplating what could be; and poems of fire and fury that will kick some ass, tell the truth and inspire change and hope. Over thirty years after she first stormed the UK poetry scene, the trailblazing and award-winning writer Salena Godden has produced her most audacious and definitive collection to date. Like a big sister’s arm around your shoulder, With Love, Grief and Fury is important and nourishing for the soul.

Award-winning composer, arranger, pianist, and recording artist Mark Hayes has crafted a delightful addition to his popular vocal solo series. 10 Folk Songs for Solo Voice offers traditional tunes from Scotland, Wales, and the United States, ranging from the plaintive (I Know Where I'm Going) to the passionate (Aura Lee); from the Civil War (Goober Peas) to the nineteenth century American frontier (Railroad Medley); and from comic courting songs (Billy Boy) to early popular song (Stephen Foster's Beautiful Dreamer). Available in both medium high and medium low voicings. Titles: * Railroad Medley (The Wabash Cannon Ball / She'll Be Comin' 'Round the Mountain / I've Been Working on the Railroad) * I Know Where I'm Going * Simple Gifts * Beautiful Dreamer * The Erie Canal * The Ash Grove * The Arkansas Traveler * Aura Lee * Billy Boy * Goober Peas

This gripping historical novel is based on true stories. It has been longlisted for the 2022 Guernica Prize for Literary Fiction. The sweeping saga narrates a Jewish girl, Nina, goes through many wars by six mighty rivers in six countries. Nina is born by the Rhine River in Germany. She is only eight when the notorious Kristallnacht occurs on November 9, 1938. Immediately after, Nina escapes from Nazi Germany to London alone by British Kindertransport program, and lives near the Thames River in UK. Nina never knows she will struggle and grow up in the Shanghai ghetto by the Huangpu River in China during WWII. Nina can't imagine she will confront more deadly wars in Israel, US, and Canada. Even though she experiences the romance from her first love to faulty love, to true love all in extraordinary ways, does Nina survive those serious life or death challenges? Nina’s fascinating life coincides with some of the major historical events of the twentieth century, from WWII to the attack of 9/11. The Girl From Shanghai Ghetto is like a cinematic epic legend, which looks back at history and shows humanity’s glory that transcends hatred and pursues peace.

How do you define rockabilly? Who were the original "outlaws" of Country music? Where can you go to hear great music in Austin, Texas? My Country Roots answers all these questions and hundreds more! It is a resource that will help you fill your mp3 player with the essential Country songs, while impressing your friends with your knowledge of the ultimate outsider art. Containing 100 recommended playlists for downloading, this book is the best and most unique way to explore the Country music genre in a modern easy, convenient way. Each playlist walks you through the history, culture, and relevance of Country music, revealing the authenticity and raw truth that represents Country. Whether you are a long-time lover of Country music or just discovering the genre, this book will help you not only organize your music, but explore, evaluate, and critique the music while learning about the basics of Country?what we sound like, what we believe in, where we've come from, and where we're goin'. This guide also provides a behind the scenes look at some of the cities that have spawned the greatest music of the genre and films that have contributed to the mystique which defines Country. For all you music lovers, mp3 users, or folks who are interested in discovering or rediscovering your country roots, this is a book you can't live without!

The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical’s artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty different archives across the United States. Individual in both its approach and coverage, The American Musical traces the form’s creative journey from its 19th century beginnings, through its 20th century maturation, and to the turn of the 21st century, shedding new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. This book actively addresses the form’s often overlooked female and African-American artists, provides an in-depth accounting of such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque, and explores the dynamic relationship between the form and the consciousness of its country. The American Musical is a fascinating and insightful read for students, artists, and afficionados of the American musical, and anyone with an interest in this singular form of entertainment.