When the lyrics of modern songs extol cop killing, deviant sexual behavior, Satanism, and suicide, and when rock concerts sometimes turn violent, lives are lost, and communities trashed in the aftermath, people begin to wonder about the link between music and morals. Does Scripture reveal anything applicable in this area? What does moral theology say about it? Has the Church made any pronouncements relevant to the problem? - Back cover.

“Music has power: It influences our thinking and not only conveys emotions, it produces genuine emotional states in the body. This power has been speculated about for centuries...and now, these speculations have been substantiated by scientific evidence.” –Excerpt from chapter four.Music and Morals examines the effects music has on the listener, putting to rest the myth that music is amoral.You will learn...• scientific evidence proving that music has positive or negative effects on the listener.• why immoral music is more powerful than Christian lyrics.• the difference between moral and immoral music techniques.• the underlying meanings of certain types of rhythms.and much more! A mini-reference guide to different musical styles and their origins and a CD with example clips of moral and immoral music are included.

H. R. Haweis's Music and Morals explores the relationship between music and the human experience. This timeless book delves into the many ways in which music can shape our emotions, perceptions, and actions. Haweis describes the ways in which different types of music can evoke specific responses in individuals, and the social and moral implications of these responses. With its thoughtful analysis and elegant prose, Music and Morals is an essential read for anyone interested in the power of music to shape our lives. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Reprint of the original, first published in 1871.

H. R. Haweis's Music and Morals explores the relationship between music and the human experience. This timeless book delves into the many ways in which music can shape our emotions, perceptions, and actions. Haweis describes the ways in which different types of music can evoke specific responses in individuals, and the social and moral implications of these responses. With its thoughtful analysis and elegant prose, Music and Morals is an essential read for anyone interested in the power of music to shape our lives. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book traces the role played by music within asylums, the participation of staff and patients in musical activity, and the links drawn between music, health, and wellbeing. In the first part of the book, the author draws on a wide range of sources to investigate the debates around moral management, entertainment, and music for patients, as well as the wider context of music and mental health. In the second part, a series of case studies bring to life the characters and contexts involved in asylum music, selected from a range of public and private institutions. From asylum bands to chapel choirs, smoking concerts to orchestras, the rich variety of musical activity presents new perspectives on music in everyday life. Aspects such as employment practices, musicians’ networks and the purchase and maintenance of musical instruments illuminate the ‘business’ of music as part of moral management. As a source of entertainment and occupation, a means of solace and self-control, and as a device for social gatherings and contact with the outside world, the place of music in the asylum offers valuable insight into its uses and meanings in nineteenth-century England.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The comprehensive introduction to Catholic moral theology by the leading theologian and author of The Moral Virtues and Theological Ethics. In Introduction to Moral Theology, Father Romanus Cessario, O.P. presents and expounds on the basic and central elements of Catholic moral theology written in the light of Veritatis splendor. Since its publication in 2001, this first book in the Catholic Moral Thought series has been widely recognized as an authoritative resource on such topics as moral theology and the good of the human person created in God’s image; natural law; principles of human action; determination of the moral good through objects, ends, and circumstances; and the virtues, gifts of the Holy Spirit, and the Beatitudes. The Catholic Moral Thought series is designed to provide students with a comprehensive presentation of both the principles of Christian conduct and the specific teachings and precepts for fulfilling the requirements of the Christian life. Soundly based in the teaching of the Church, the volumes set out the basic principles of Catholic moral thought and the application of those principles within areas of ethical concern that are of paramount importance today.