Four artists are drawn into a web of rivalry and desire at an elite art school and on the streets of New York in this “gripping, provocative, and supremely entertaining” (BuzzFeed) debut “Captures the ache-inducing quality of art and desire . . . a deeply relatable and profoundly enjoyable read, one drenched in prismatic color and light.”—Kristen Arnett, New York Times bestselling author of With Teeth FINALIST FOR THE MINNESOTA BOOK AWARD • ONE OF THE BEST BOOKS OF THE YEAR: Glamour, PopSugar, Debutiful It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarefied bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance. When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now all must struggle to find new identities in art, in society, and among each other. In the process, they must find either their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether. With a canny, critical eye, Sirens & Muses overturns notions of class, money, art, youth, and a generation’s fight to own their future.

The action-based guide to powerful, influential organizational storytelling Circle of the 9 Muses captures the best practices of the world's most influential story consultants and knowledge workers to help you find, tell, and draw value from your organizational stories as impetus for action. This rich toolbox is loaded with fun, graphical instructions and dozens of unique, replicable, and facilitated processes that require no special training or expertise. You'll discover your organization's hidden narrative assets, use different templates and frameworks to tell the stories of your past, present, and future and then draw team members into rich meaning-making dialogue that translates into action. These activities can be exercised in endless permutations, and expert advice steers you toward the right activity for a specific purpose, including managing change, setting strategy, onboarding, defining the brand, engaging supporters or customers, merging cultures, building trust, and much more. Organizational storytelling is a powerful managerial tool and an essential change management technique. This is about your influence as a leader. Knowing the right story to tell and how to deliver it effectively gives you and your organization enormous influence, and helps connect employees to strategy by providing understanding, belief, and motivation in their personal contribution. This book is the ultimate field guide to becoming an influential storyteller, with concrete, actionable guidance toward all the storytelling fundamentals. Identify your organization's "narrative assets" Craft an elegant, well-constructed organizational story Capture, bank, and share stories with extraordinary engagement Facilitate a dialogue to draw out meaning and induce change The growing interest surrounding organizational storytelling has many change agents focused on "trying to tell better stories," but goals are useless without a plan of action. Circle of the 9 Muses helps you weave narrative wisdom into organizational development activities, engaging employees and driving change.

Meet the unexpected, overlooked and forgotten models of art history. Who was Picasso's 'Weeping Woman'? Why was Grace Jones covered in graffiti? How did Francis Bacon meet the burglar who became his muse? The perception of the muse is that of a passive, powerless model, at the mercy of an influential and older artist. But is this trope a romanticised myth? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity and practical help to artists. Muse tells the true stories of the incredible muses who have inspired art history's masterpieces. From Leonardo da Vinci's studio to the covers of Vogue, art historian, critic and writer Ruth Millington uncovers the remarkable role of muses in some of art history's most well-known and significant works. Delving into the real-life relationships that models have held with the artists who immortalised them, it will expose the influential and active part they have played and deconstruct reductive stereotypes, reframing the muse as a momentous and empowered agent of art history.

The Nine Modern Day Muses (and a Bodyguard) are actually 10 powerful creativity principles in the guise of wise and playful Muses. This is the third edition of a popular book published in 2003 now updated expanded with new sections. These modern day Muses provide empowering, playful but practical tools and concepts, quotes and a dazzling experience of returning to, deepening or discovering ones creativity. The Muses are designed to bust through every block that stands in the way of a mortals' creative fulfillment in all aspects of their lives from business to parenting and from art to writing. Move through procrastination, overwhelm, perfectionism, self-sabotage, lack of focus to the joy of the creative process and its validation of our soul and spirit.

For centuries, artists have been inspired by muses to create poignant works of art and literature; this beautifully illustrated volume is a celebration of these women and the artists they influenced. American Lee Miller was a successful New York fashion model before traveling to Paris to become the apprentice, lover, and muse of surrealist artist and photographer Man Ray; Nancy Cunard, British writer, heiress, and political activist, captivated numerous members of the twentieth century's art and literary circles, including Ezra Pound and T.S. Eliot; and Parisian-born artist and poet Dora Maar had a profound influence on the work of her notorious lover, Pablo Picasso.

Since drawing his first muse as a student of Fine Arts until today, Conrad Roset (Terrassa, 1984) has been tracing his style about women0;s bodies with this desire to fix a own style, a unique and non-transferable aesthetic, which has already located as a world reference illustrator. Technique, game, trial and error, the beauty of the female body, the merge in this book that brings together the work of an artist who has fascinated people from all over the world.

Cultivating the Muse looks beyond the secure and benign images traditionally associated with inspiration in classical literature and scholarship. In contrast to the shapeless collectivity of the Muses in ancient accounts, this collection aspires to redeem their shape in other more vitalforms, closer or more distant incarnations of the ever-elusive maiden. Protagonists -- or victims -- in a complex game of cultural exploration, the alternative Muses and muse-like figures of this book are manipulated, abused, or effaced, but at the same time they also advocate or resist their fatesand explore their own powers of persuasion. Inspiration is here not so much explored in its traditional cultic dimensions, but rather invoked for its capacity to trigger fervent debates about power, desire, knowledge, identity, and gender in the societies of ancient Greece and Rome.

Thomas Taylor on the Muses that harmonise our triune energies by elevating them to the Noetic Unity of Spirit. Philosophy causes our psychical powers to be moved harmoniously, in symphony with real beings, and in accordance with the orderly motions of celestial orbs. Philosophy is the Greatest Music. Muses are the sources of the variety of harmonies. They impart to souls the investigation of Truth, and to bodies a multitude of powers. The Musagetes himself unfolds Truth to souls according to One Intellectual Simplicity. The Muses, the Celestial Spheres, the sensible world, the whole soul of the universe, and the souls of ordinary men, had a consubsistent progression. Ralph Emerson on Plato domesticating the soul in nature. George Mead on gods and their shaktis. Muses are intoxicated with the nectar of divine knowledge. They dance around Apollo, the splendour of one Invisible Sun. They are the powers of remembrance of spiritual knowledge enjoyed by the soul in past births. While Muses are the beneficent use of awakened spiritual powers, Sirens are the allurements of opened psychic powers. Madame Blavatsky explains how inferior goddesses emanate from superior deities.

Throughout history the poetic muse has tended to be (a passive) female and the poet male. This dynamic caused problems for late Victorian and twentieth-century women poets; how could the muse be reclaimed and moved on from the passive role of old? Parker looks at fin-de-siècle and modernist lyric poets to investigate how they overcame these challenges and identifies three key strategies: the reconfiguring of the muse as a contemporary instead of a historical/mythological figure; the muse as a male figure; and an interchangeable poet/muse relationship, granting agency to both.

The Skin of the System objects to the idea that there is only one modernity—that of liberal capitalism. Starting from the simple conviction that whatever else East German socialism was, it was real, this book focuses on what made historical socialism different from social systems in the West. In this way, the study elicits the general question: what must we think in order to think an other system at all? To approach this question, Robinson turns to the remarkable writer Franz Fühmann, the East German who most single-mindedly dedicated himself to understanding what it means to transform from fascism to socialism. Fühmann's own serial loyalties to Hitler and Stalin inform his existential meditations on change and difference. By placing Fühmann's politically alert and intensely personal literary inventions in the context of an inquiry into radical social rupture, The Skin of the System wrests the brutal materiality of twentieth-century socialism from attempts to provincialize both its desires and its failures as antimodern ideological follies.