Friar-sleuth Brother Athelstan is caught in a politically charged race against time! He must uncover the truth behind numerous gruesome murders in this tense historical mystery set in medieval London. Normandy, 1358: The Free Company of the 'Via Crucis - the Way of the Cross' sweeps into the peaceful village of Avranches, like the riders from the Apocalypse, leaving nothing but death and hellish destruction in their wake. London, 1382: Brother Athelstan is summoned to unpick the ugly truth behind a number of killings afflicting the great city. Some carried out like clean, efficient assassinations, all bearing the message 'Justitia Fiat - let there be justice', others inflicting torture and humiliation upon the bodies. But the victims all have one thing in common - they were all once members of Via Crucis. With every new gruesome discovery, Brother Athelstan, with the help of Coroner Cranston, uncovers more clues which make up a most complicated riddle - but can he put together the last piece before the fate of the whole country is decided? A skilfully plotted and researched medieval mystery which will appeal to fans of C.J. SANSOM

DIVA young mother resorts to smuggling cocaine into Iceland, as she struggles to keep custody of her son, with devastating results ... First in the addictive, award-winning Reykjavik Noir Trilogy by the Queen of Iceland Noir. ***Longlisted for the CWA International Dagger*** 'Stylist, taut and compelling' Daily Express 'Snare will ensnare you' Marie Claire 'A taut, gritty, thoroughly absorbing journey into Reykjavik's underworld' Booklist ––––––––––––––––––––––––––––––––– After a messy divorce, young mother Sonia is struggling to provide for herself and keep custody of her son. With her back to the wall, she resorts to smuggling cocaine into Iceland, and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer, whose years of experience frustrate her new and evermore daring strategies. Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash. Set in a ReykjavÍk still covered in the dust of the EyjafjallajÖkull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Snare is an outstandingly original and sexy Nordic crime thriller, from one of the most exciting new names in crime fiction. ––––––––––––––––––––––––––––––––––––– 'A tense thriller with a highly unusual plot and interesting characters' The Times 'Tense, edgy and delivering more than a few unexpected twists and turns' Sunday Times 'Sharp shocks of chapters hit with increasing energy ... a towering powerhouse of read and I gobbled it up in one intense sitting' LoveReading 'The intricate plot is breathtakingly original, with many twists and turns you never see coming. Thriller of the year' New York Journal of Books 'This first novel of a planned trilogy is stylish, taut and compelling and a film adaptation is in the pipeline. With characters you can't help sympathising with against your better judgement, Sigurdardottir takes the reader on a breathtaking ride' Daily Express 'Lilja Sigurdardottir delivers a diabolically efficient thriller with an ultrarealistic plot ... We cannot wait for Sonja's next adventure' L'Express 'A smart, ambitious, and hugely satisfying thriller. Striking in its originality and written with all the style and poise of an old hand. Lilja is destined for Scandi super stardom' Eva Dolan 'For a small island, Iceland produces some extraordinary writers, and Lilja is one of the best. Snare is an enthralling tale of love and crime that stays with you long after you have turned the last page' Michael Ridpath 'Zips along, with tension building and building ... thoroughly recommended' James Oswald 'Crisp, assured and nail-bitingly tense, Snare is an exceptional read, cementing Lilja’s place as one of Iceland’s most outstanding crime writers’ Yrsa Sigurdardottir ‘Clear your diary. As soon as you begin reading Snare, you won’t be able to stop until the final page’ Michael Wood ‘Snare is a great read and the finale is both shocking and unexpected … a Wizard-of-Oz ending, without the laughs. Terrific and original stuff' European Literature Network/div

The author of the beloved Deverry series ("Dragonspell, Darkspell") turns her hand to a new kind of tale with this epic fantasy of religious pilgrims on a hostile desert planet.

Award-winning historian Mary Beth Norton reexamines the Salem witch trials in this startlingly original, meticulously researched, and utterly riveting study. In 1692 the people of Massachusetts were living in fear, and not solely of satanic afflictions. Horrifyingly violent Indian attacks had all but emptied the northern frontier of settlers, and many traumatized refugees—including the main accusers of witches—had fled to communities like Salem. Meanwhile the colony’s leaders, defensive about their own failure to protect the frontier, pondered how God’s people could be suffering at the hands of savages. Struck by the similarities between what the refugees had witnessed and what the witchcraft “victims” described, many were quick to see a vast conspiracy of the Devil (in league with the French and the Indians) threatening New England on all sides. By providing this essential context to the famous events, and by casting her net well beyond the borders of Salem itself, Norton sheds new light on one of the most perplexing and fascinating periods in our history.

Trials for murder and manslaughter in ancient Athens are preserved in a singularly full and revealing record. The earliest surviving speeches were written for such proceedings, and the laws governing such trials - laws that tradition ascribes to Draco himself - also survive in large part. These documents bear witness to the birth of the jury trial and of democratic rhetoric. This book, the first study of its kind, offers a systematic interpretation of Draco's law and the legal reasoning that grew out of it. The author outlines the historical development (7th to 4th centuries BCE), and then analyses the surviving speeches to unravel the underlying issues and practical consequences.

George Lawrence Stone's Stick Control is the original classic, often called the bible of drumming. In 1993, Modern Drummer magazine named it one of the top 25 drumming books of all-time. In the words of the author, this is the ideal book for improving "control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution, and muscular coordination," with extra attention given to the development of the weak hand. This indispensable book for drummers of all types includes hundreds of basic to advanced rhythms and moves through categories of single-beat combinations, triplets, short roll combinations, flam beats, flam triplets and dotted notes, and short roll progressions.

Elizabeth Young, a retired English teacher, loves her job as an edZOOcator volunteer at New Orleans' Audubon Zoo. Then on the Satuirday morning following the white-tie-and-tails fund-raiser known as the ZOO-To-Do, Elizabeth, to her horror, discovers a woman's body in the pool of her favorite animal, the great white tiger, Suri. It is soon clear that a killer has defiled the "new zoo" that has become the pride and joy of the Crescent City. To add to her shock, Elizabeth discovers that the NOPD lieutenant in charge of this homicide is none other than Albert Breaux, a former student and class clown. However, soon Elizabeth is forced to admit that the adult Albert is indeed a competent, compassionate policeman, and gradually the two join forces to catch the killer. Elizabeth and her friend, 80 year old Dr. Jenny Alexander who runs the ZOO-mobile both have premonitions that there will be another murder. Their fears become reality when a second victim is discovered near the sea lions pavilion. Yet, neither of them are prepared for the fact that the third victim may well be Elizabeth herself.

The Economics of Empire: Genealogies of Capital and the Colonial Encounter is a multidisciplinary intervention into postcolonial theory that constructs and theorizes a political economy of empire. This comprehensive collection traces the financial genealogies associated with the colonial enterprise, the strategies of economic precarity, the pedigrees of capital, and the narratives of exploitation that underlay and determined the course of modern history. One of the first attempts to take this approach in postcolonial studies, the book seeks to sketch the commensal relation—a symbiotic "phoresy"—between capitalism and colonialism, reading them as linked structures that carried and sustained each other through and across the modern era. The scholars represented here are all postcolonial critics working in a range of disciplines, including Political Science, Sociology, History, Peace and Conflict Studies, Legal Studies, and Literary Criticism, exploring the connections between empire and capital, and the historical and political implications of that structural hinge. Each author engages existing postcolonial and poststructuralist theory and criticism while bridging it over to research and analytic lenses less frequently engaged by postcolonial critics. In so doing, they devise novel intersectional and interdisciplinary frameworks through which to produce more greatly nuanced understandings of imperialism, capitalism, and their inextricable relation, "new" postcolonial critiques of empire for the twenty-first century. This book will be an excellent resource for students and researchers of Postcolonial Studies, Literature, History, Sociology, Economics, Political Science and International Studies, among others.