A feisty young widow with Brenda Starr bravado and a fixation with following in Agatha Christie's footsteps, Paige wants to pen a memorable mystery. But first she must solve the murder of a 24-year-old beauty queen.

From the national bestselling author of Murder on a Hot Tin Roof. Paige Turner’s skills as a crime reporter and mystery novelist have earned her an intriguing job opportunity. Sabrina Stanhope of Gramercy Park wants her to look into the murder of Virginia Pratt, a young secretary whose naked body was found in Central Park—with the understanding that Paige keeps her exclusive investigation off the record and out of her work for Daring Detective magazine. Virginia was more than a secretary—she worked nights as a high priced call girl in Sabrina’s employ. Should word get out, the resulting scandal could be devastating not only to Sabrina’s secret enterprise, but to some of Manhattan’s wealthiest movers and shakers. Now, Paige must become a daring detective herself, even if it means going undercover to entice the interest of a killer. Praise for the Paige Turner Mysteries “Prepare to be utterly charmed by the irrepressible Paige Turner.”—Dorothy Cannell “Great writing by a fresh talent.”—Nelson DeMille “Funny, fast, and suspenseful.”—Max Allan Collins

From the national bestselling author of Murderers Prefer Blondes. All Paige Turner wants for Christmas is to make it through the season alive. New York City in 1954 can be bad for a girl’s health, especially if she’s a staff writer for a pulp mystery magazine who can’t help getting a little too involved in her work. Not that she’s looking for trouble this time; Detective Dan Street, her new love, has forbidden her from ever making like Sam Spade again. But what’s a girl to do when her late husband’s army buddy turns up with a tale like something out of Daring Detective magazine? His sister murdered. A stash of diamonds to die for hidden in a box of oatmeal. The mystery is a Christmas present Paige can’t resist opening. But with the killer hot on her trail, Paige faces the chilling possibility that this Christmas might be her last. “Paige Turner is the liveliest, most charming detective to emerge in crime fiction in a long time. . . . She is irresistible, a force of nature.”—Ann Waldron, author of The Princeton Murders “1950s New York City comes alive. . . . This is great writing by a fresh talent.”—Nelson DeMille “Prepare to be utterly charmed by the irrepressible Paige Turner.”—Dorothy Cannell

Samantha Jellicoe is enjoying her new legitimate career and her romance with billionaire Richard Addison. Of course, this doesn't mean she's gotten over the urge to steal, but she's been able to fight it off––most of the time. Then she spies someone she never thought she'd see again ––her father, Martin Jellicoe. Sam thought Martin had died in prison years before, but now that he's back, she knows he's up to no good. Her worst fears come true when a new painting that Rick purchased goes missing. Sam knows her father is behind it, but with the police focused on her checkered past, this won't be easy to prove. Between keeping her father's return a secret, searching for the missing art, and saving their reputations, Rick and Samantha's relationship will be tested like never before.

Romantic history of girl who prefers a saxophone player to a millionaire as told by Lorelai.

Teenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines. But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them—for good?

The hotel was her refuge, but scandal is afoot—and a killer stalks the halls in this charming series debut perfect for fans of Rhys Bowen and Ashley Weaver. It’s 1958 and Evelyn Elizabeth Grace Murphy has not left the Pinnacle Hotel in fourteen months. She suffers from agoraphobia, and what’s more, it’s her father’s hotel, and everything she needs is there. Evelyn’s always been good at finding things, she discovered her mother dead in a Manhattan alleyway fifteen years earlier. Now she’s finding trouble inside her sanctuary. At a party for artist Billie Bell, his newest work is stolen, and Evelyn’s fake boyfriend (and real best friend), movie star Henry Fox, is accused of the theft. But just as Evelyn sets out to prove Henry’s innocence, she finds Billie Bell dead. The murder weapon links the crime to the hotel’s chief of security. But why would he use a knife with his initials on the handle? With her beloved home in disarray, Evelyn joins up with hotel employee (and her secret crush) Mac Cooper to get to the bottom of the case. As Mac picks locks and Evelyn snoops around the hotel, they discover the walls around them contain more secrets than they previously knew. Now, Evelyn must force herself to leave the hotel to follow the clues—but when she and Mac set off to chase a lead, their car crashes and they barely escape with their lives. Someone snipped Evelyn’s brake lines, and now the stakes have become dangerously high. Evelyn’s knack for sleuthing—and her playful imagination—are always hard at work, and she throws an elaborate party at the hotel where every guest is a suspect. But will the killer emerge from the glamorous lineup? If not, Evelyn just might find herself…next in line for murder.

Crime magazine reporter and mystery novelist Paige Turner and her neighbor Abby give their regards to Broadway as they investigate the murder of Abby's actor friend after his performance in "Cat on a Hot Tin Roof." Original.

When Washington’s splendid Union Station opened its doors in 1908, the glorious structure epitomized capital stylishness. Today, restored and refurbished, the station is again a hub of activity where the world’s most famous and infamous people meet–and often collide. Now, in Margaret Truman’s new Capital Crime novel, this landmark locale becomes the scene of a sensational shooting whose consequences ricochet from seedy bars to the halls of Congress. Historic Union Station means nothing to the elderly man speeding south on the last lap of what turns out to be a one-way journey from Tel Aviv to D.C.–on a train that will soon land him at Gate A-8 and, moments later, at St. Peter’s Gate. This weary traveler, whose terminal destination is probably hell, is Louis Russo, former mob hit man and government informer. Two men are at the station to meet him. One is Richard Marienthal, a young writer whose forthcoming book is based on Russo’s life. The other is the man who kills him. Russo has returned to help promote Marienthal’s book, which, although no one has been allowed to read it, already has some people shaking in their Gucci boots. The powerful fear the contents will not only expose organized crime’s nefarious business, but also a top-secret assignment abroad that Russo once masterminded for a very-high-profile Capitol Hill client. As news of Russo’s murder rockets from the MPD to the FBI and the CIA, from Congress to the West Wing, the final chapter of the story begins its rapid-fire unfolding. In addition to the bewildered Marienthal and his worried girlfriend, there is an array of memorable characters: rock-ribbed right-wing Senator Karl Widmer; ruthless New York publisher Pamela Warren; boozy MPD Detective Bret Mullin; shoe-shine virtuoso Joe Jenks; dedicated presidential political adviser Chet Fletcher; and President Adam Parmele himself–not to mention freelance snoops, blow-dried climbers, and a killer or two. There’s no place like the nation’s capital, and as her myriad fans know, Margaret Truman always gets it right. Murder at Union Station is a luxury express, nonstop delight.

Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-country, and folk. The book is a graveyard stroll past tombs both well-kept and half-hidden. Murder Ballads Old & New excavates facts about killers, victims, and the folkloric storytellers who disseminated their tales in song. Author Steven L. Jones focuses the tragic ballad as “an act of remembering and a soul-reckoning with the ineffable.” Songs examined range from obscure tunes from the founding days of the United States to familiar canonical songs learned in schoolrooms and honkytonks. Jones tackles each song in a manner that’s equal parts musicological, psychosocial, and genealogical as he uncovers stories that reveal larger contexts and maps the lineages of songs and themes, forebears, and ancestors. Murder Ballads Old & New includes a wide range of songs and performers from the relatively unknown (Boiled in Lead, Freakons, Nelstone’s Hawaiians) to the ironically famous (Johnny Cash, Lou Reed, Sonic Youth). Highlights include tales of Muddy Waters guitar sideman Pat Hare, whose incendiary blues boast “I’m Gonna Murder My Baby” proved grimly prophetic. And honky-tonk pioneer Eddie Noack, whose morbid stab at late-career rebirth, “Psycho,” couldn’t match the bottomless tragedy of his own life. As well as Depression-era holdup man Pretty Boy Floyd, Schubert’s mythical Erlkönig, and the Manson Family. Murder Ballads Old & New is a compelling delve into the perennial American fascination with True Crime. Includes archival and historical black & white images.