Mystery crime fiction written in the Golden Age of Murder "In terms of plot, the novel is almost pure puzzle, making it a prime example of a Golden Age mystery, but Hay injects humor and keen characterization into the mix as well." —Booklist STARRED review When Miss Pongleton is found murdered on the stairs of Belsize Park station, her fellow-boarders in the Frampton Hotel are not overwhelmed with grief at the death of a tiresome old woman. But they all have their theories about the identity of the murderer, and help to unravel the mystery of who killed the wealthy 'Pongle'. Several of her fellow residents—even Tuppy the terrier—have a part to play in the events that lead to a dramatic arrest. This classic mystery novel is set in and around the Northern Line of the London Underground. It is now republished for the first time since the 1930s, with an introduction by award-winning crime writer Stephen Booth.

An unpleasant spinster meets her end on the stairs of the Belsize Park Tube station. All of the residents of the Frampton Private Hotel in Hampstead knew that Euphemia Pongleton was in the habit of walking one stop closer to the center of London to save a penny's fare on the Underground. But they hardly expected to hear that she was found on the stairs at Belsize Park, strangled to death with her terrier's leash on her way to a dental appointment. Her death sends shock waves through the boardinghouse. Betty Watson and Cissie Fain are all agog. Mrs. Daymer regards the murder as fodder for her latest psychological thriller. The landlady, Mrs. Bliss, frets about how she'll get dinner done with the maid, Nellie, crying her eyes out because the police have detained her boyfriend, Bob Thurlow. Gerry Plasher is in a tizzy because the question of whether his fiancee, Beryl Sanders, will or won't inherit her aunt's fortune depends on what vindictive Euphemia wrote in the latest version of her will. Meanwhile, Basil Pongleton, the other claimant to the family fortune, tells the police a cock and bull story about traveling to Hampstead from his own boardinghouse in Tavistock Square when he was actually in Belsize Park at the time of his aunt's death. He's so rattled by his own blunder that he seeks advice from Joseph Slocum, another Frampton tenant whom young Basil regards as a man of the world. All the while, Mr. Blend sits at his table in the living room, cutting his newspaper placidly into strips. How this band of halfwits will solve a murder will surprise, and perhaps amuse, readers of this Golden Age classic.

"This is the most fun I've had with a book this year. Every page is a delight and the mystery got its hooks into me from the first chapter.” – Stuart Turton, bestselling author of The 7½ Deaths of Evelyn Hardcastle The letter was short. A name, a time, a place. Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard. Late one night in April 1958, a filing assistant at Miss Brickett’s receives a letter of warning, detailing a name, a time, and a place. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect. Marion Lane, a first-year Inquirer-in-training, finds herself drawn ever deeper into the investigation. When her friend and colleague is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie-style locked-room murder mystery, with an exciting new heroine detective.

Based on the Turner Classic Movies series, TCM Underground is the movie-lover's guide to 50 of the most campy, kitschy, shocking, and weirdly wonderful cult films you need to see. In the pages of this book, you'll explore this unique order of films—primarily from the 1960s, '70s, and '80s—with insightful reviews, behind-the-scenes stories, subgenre sidebars, and full-color and black-and-white photography throughout. Go along for the ride with new takes on crime films, including The Honeymoon Killers and The Harder They Come. Witness one-of-a-kind horror in Bill Gunn's landmark vampire film Ganja and Hess and Nobuhiko Obayashi’s infamous and indescribable Hausu. Absorb the boundary-pushing documentary-style trilogy The Decline of Western Civilization, which throws you into indelible moments in the punk and metal music scenes. And marvel at pure '80s oddities like Mac and Me and The Garbage Pail Kids. From Possession to Polyester and Beyond the Valley of the Dolls to Xanadu, no two films are alike in this compendium. Just sit back and prepare to be surprised, amused, and entertained by this celebration of the stars, filmmakers, and stories behind fifty of the most beguiling and unforgettable movies ever to hit the screen.

Peter Hamilton, London Underground's managing director, is horrified when his ex-wife is pushed under a train. Following the murder of a second commuter, he receives an anonymous phone call from an organization calling itself Vortex that is dedicated to preventing the privatization of the network: 'You were the intended victim... Next time you won't be so lucky.' Hamilton turns for help to Lyle Revel and Hermione Bradbury, a glamourous couple with a talent for solving murders. But as the death toll rises, the terrorists release a runaway train on the network...

As protesters march in Paris against a government agreement with an oil company suspected of polluting, Aimee Leduc, French-American computer investigator, finds herself with an abandoned infant, a drowned woman, a murdered client and a computer assignment deadline.

Parisian P.I. Aimée Leduc strives to clear the name of a childhood friend, now a policewoman, who's charged with shooting her partner Aimée Leduc is having a bad day. First, she comes home from work at her Paris detective agency to learn that her boyfriend is leaving her. She goes out for a drink with her friend Laure, a police officer, but Laure’s patrol partner, Jacques, interrupts, saying he needs to talk to Laure urgently. The two leave the bar, and when they don’t return, Aimée follows Laure’s path and finds her sprawled on a snowy rooftop, not far from Jacques, who is bleeding from a fatal gunshot wound. When the police arrive, they arrest Laure for murder. No one is interested in helping Aimée figure out the truth. As she chases down increasingly dangerous leads in the effort to free her friend, Aimée stumbles into a web of Corsican nationalists, separatists, gangsters, and artists. Could Jacques’s murder and Laure’s arrest be part of a much bigger cover-up?

A WHOLE NEW REASON TO MIND THE GAP It begins with a dead body at the far end of Baker Street tube station, all that remains of American exchange student James Gallagher—and the victim’s wealthy, politically powerful family is understandably eager to get to the bottom of the gruesome murder. The trouble is, the bottom—if it exists at all—is deeper and more unnatural than anyone suspects . . . except, that is, for London constable and sorcerer’s apprentice Peter Grant. With Inspector Nightingale, the last registered wizard in England, tied up in the hunt for the rogue magician known as “the Faceless Man,” it’s up to Peter to plumb the haunted depths of the oldest, largest, and—as of now—deadliest subway system in the world. At least he won’t be alone. No, the FBI has sent over a crack agent to help. She’s young, ambitious, beautiful . . . and a born-again Christian apt to view any magic as the work of the devil. Oh yeah—that’s going to go well.

In this noir mystery, PI Lew Archer is hired to track down a missing child, but becomes embroiled in a baffling forest fire that threatens an affluent Southern California community.

"Ripley is an unmistakable descendant of Gatsby, that 'penniless young man without a past' who will stop at nothing."—Frank Rich Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).