The year is 1940, and Los Angeles-based private eye Toby Peters has been called before the real-life Wizard of Oz himself -- Louis B. Mayer, legendary studio head of Metro-Goldwyn Mayer. His job: to track down a murderer stalking the back lots of one of Hollywood's most powerful movie companies. It's a treacherous trail of clues that Peters must follow -- one as winding as the Yellow Brick Road, and deadlier than a field of poppies. But does Toby Peters possess enough brains, heart, and courage to solve this bizarre case before he becomes the latest victim of Hollywood's new Wicked Witch of the West . . . ?

When his longtime friend Sheldon Minck is arrested for the murder of his estranged wife, Mildred, private detective Toby Peters is hired by film legend Louis B. Mayer to track down a murderer stalking Clark Gable, Raymond Chandler and Judy Garland.

The year is 1940, and Los Angeles-based private eye Toby Peters has been called before the real-life Wizard of Oz himself -- Louis B. Mayer, legendary studio head of Metro-Goldwyn Mayer. His job: to track down a murderer stalking the back lots of one of Hollywood's most powerful movie companies. It's a treacherous trail of clues that Peters must follow -- one as winding as the Yellow Brick Road, and deadlier than a field of poppies. But does Toby Peters possess enough brains, heart, and courage to solve this bizarre case before he becomes the latest victim of Hollywood's new Wicked Witch of the West . . . ?

Dorothy isn't the happiest of girls. Kansas is pretty damn boring, her aunt and uncle are hicks, and it seems she doesn't much belong. But when her shed gets picked up by a cyclone and dropped in Oz, things begin to get interesting. There's this broad called Glinda who's taken more than a bit of a liking to her, and perverted munchkins who run a tabloid newspaper full of green celebrity snatch. There's also Ozma, who runs Oz's only transgender helpline-and who is toe-curlingly hot by the way. Between silver shoes and matching purses, politics and dildos, lesbian witches and wizards with gambling debts, Dorothy must find her way home (wherever that might be)-and figure out who really makes her heels click.

A bibliography of various mystery novels published between November 1976 and Fall 1992.

In sickness and in health . . . Mystery bookstore owner Annie Laurance and detective Max Darling are finally tying the knot, but a bizarre sequence of events might unravel this blissful marriage before it begins. With the ceremony completed and the champagne goblets emptied, Max sweeps Annie into his arms for an amorous moment . . . when the phone rings and a woman on the other end of the line screams bloody murder! The newlyweds rush to the scene of the crime, only to discover that Ingrid Jones, Annie's bookstore assistant, has vanished, leaving the body of a neighborhood Peeping Tom on her living room rug. As the community of Broward's Rock, including a dotty New Age psychic and Annie's meddling new mother-in-law, mobilizes to find the missing woman, the cold corpse puts the honeymoon plans on the shelf . . . and Annie's love of investigation threatens to bring the big chill to Max's hungry heart.

PULITZER PRIZE FINALIST • The gripping true story of a murder on an Indian reservation, and the unforgettable Arikara woman who becomes obsessed with solving it—an urgent work of literary journalism. “I don’t know a more complicated, original protagonist in literature than Lissa Yellow Bird, or a more dogged reporter in American journalism than Sierra Crane Murdoch.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days In development as a Paramount+ original series WINNER OF THE OREGON BOOK AWARD • NOMINATED FOR THE EDGAR® AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Publishers Weekly When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him. Yellow Bird traces Lissa’s steps as she obsessively hunts for clues to Clarke’s disappearance. She navigates two worlds—that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma. Yellow Bird is an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and—when it serves her cause—manipulative. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing.