Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York for her first London season. But no sooner has Frances begun her new life than the Metropolitan police receive an anonymous letter implicating Frances in her husband's death. Frances assures Inspector Delaney of her innocence, but she's also keen to keep him from learning the scandalous circumstances of Reggie's demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily's behalf, and worrying if Reggie really was murdered, Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst and Frances must unmask the villain before Lily's season, and their lives, come to a most unseemly end.

Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August twelfth, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting-for birds or a second husband-and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns. Instead, she's immersed in a shocking mystery when a friend, Mary Archer, is found murdered. Frances had hoped Mary might make a suitable bride for her cousin, Charles, but their courtship recently fizzled out. Unfortunately, this puts Charles in the spotlight-along with dozens of others. It seems Mary had countless notes hidden in her home, detailing the private indiscretions of society's elite. Frances can hardly believe that the genteel and genial Mary was a blackmailer, yet why else would she horde such juicy tidbits? Aided by her gallant friend and neighbor, George Hazelton, Frances begins assisting the police in this highly sensitive case, learning more about her peers than she ever wished to know. Too many suspects may be worse than none at all-but even more worrying is that the number of victims is increasing too. And unless Frances takes care, she?ll soon find herself among them . . .

It was just another ordinary night. And an ordinary meal to accompany it. A glass of wine, a plate of chicken. And the sound of the ticking clock. But then, the unexpected feeling of disorientation seeps in. Cheryl suddenly felt dizzy and nauseous... Then something far more unexpected happened. And in an instant an ordinary night turned into a night full of incomprehensible mysteries. After witnessing many tragedies throughout her life. And solving cases that appeared unsolvable. FBI Agent Emma Griffin learned the importance of following her instincts and questioning everything she sees. When Bellamy brings a case that involves a sorority sister from Bellamy's past. Emma finds herself thrown into a case involving a possible mysterious illness. An illness that took the life of a young woman. To others, the mystery seems to have solved itself. But Emma isn't convinced that all is as it appears. When bizarre cases of similar circumstance arise. Emma is forced to dig deeper into the young woman's life and break open the people around her. Tick. Tock. As the clock struck twelve. Cheryl Collins took her last breath... Time is an elusive beast. Like death, no one can escape it.

In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man. In When Men Murder Women, Dobash and Dobash - two seasoned researchers and longtime collaborators in the study of violence against women - reveal what they learned from a three-year study that included 866 homicide case files and 200 in-depth interviews with murderers in prison. They focus on intimate partner murder, sexual murder, and the murder of older women, and compare each of these three types with those in which men murder other men. Each type is examined in depth and detail in a separate section that begins with an overview of relevant research, and is followed by a comprehensive examination of the murder event and the lifecourse of the perpetrators. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women. The result is this essential text for students, professionals, policy makers, and researchers studying violence, gender, and crime.

Jack Blackjack is ordered to eliminate a spy in Princess Elizabeth’s household in this engaging Tudor mystery. June, 1554. Former cutpurse and now professional assassin Jack Blackjack has deep misgivings about his latest assignment. He has been despatched to the Palace of Woodstock, where Queen Mary’s half-sister Princess Elizabeth is being kept under close guard. Jack’s employer has reason to believe that a spy has been installed within the princess’s household, and Jack has been ordered to kill her. Jack has no choice but to agree. But he arrives at Woodstock to discover that a murder has already been committed. As he sets out to prove his innocence by uncovering the real killer, Jack finds the palace to be a place steeped in misery and deceit; a hotbed of illicit love affairs, seething resentments, clashing egos and bitter jealousies. But who among Woodstock’s residents is hiding a deadly secret – and will Jack survive long enough to find out?

Not all monsters are fictional… What if Edgar Allan Poe hadn’t died in 1849? In this lushly detailed Gothic mystery the year is 1851 and the Master of the Macabre is the toast of England with his now-popular lecture series. But Poe’s bad luck returns during a stop in Oxford, leaving him implicated in the murder of a chambermaid. In desperation, Poe recruits brilliant young undergraduate Charles Dodgson (soon to be known as Lewis Carroll) to act as Watson to his Holmes. This unlikely pair of detectives must now track down a ruthless killer before Poe hangs for a crime he didn’t commit…

The Time Is Out of Joint presents an examination of Shakespeare's distinctly modern confrontation with time and temporality, the difference between the truth of the fact, that of theory, and that of interpretation and revelatory truth, and finds that Shakespeare anticipated post-metaphysical philosophy and its central concerns at a time when modern metaphysics had not yet reached it speak. Visit our website for sample chapters!