LONGLISTED FOR THE 2018 MAN BOOKER INTERNATIONAL PRIZE The Dinner Guest is Gabriela Ybarra’s prizewinning literary debut: a singular autobiographical novel piecing together the kidnap and murder of her grandfather by terrorists, reflecting on the personal impact of private pain and public tragedy. The story goes that in my family there’s an extra dinner guest at every meal. He’s invisible, but always there. He has a plate, glass, knife and fork. Every so often he appears, casts his shadow over the table, and erases one of those present. The first to vanish was my grandfather. In 1977, three terrorists broke into Gabriela Ybarra’s grandfather’s home, and pointed a gun at him in the shower. This was the last time his family saw him alive, and his kidnapping played out in the press, culminating in his murder. Ybarra first heard the story when she was eight, but it was only after her mother’s death, years later, that she felt the need to go deeper and discover more about her family’s past. The Dinner Guest is a novel, with the feel of documentary non-fiction. It connects two life-changing events – the very public death of Ybarra’s grandfather, and the more private pain as her mother dies from cancer and Gabriela cares for her. Devastating yet luminous, the book is an investigation, marking the arrival of a talented new voice in international fiction.

Mystery West Uist, Scotland. When a body is found floating in Kyleshiffin harbour, it is unclear whether there has been a tragic accident or a cold-blooded murder. A chalked astrological sign on the harbour wall gathers significance when a second body and another sign are discovered. This time there is no doubt - it was murder most foul. There is no shortage of suspects, with tensions running high between the local astronomical and astrological societies. And the signs are that there will be more deaths, unless Inspector Torquil McKinnon and his team can solve the case and find the zodiac killer.

Lives in Transit chronicles the dangerous journeys of Central American migrants in transit through Mexico. Drawing on fieldwork in humanitarian aid shelters and other key sites, Wendy A. Vogt examines the multiple forms of violence that migrants experience as their bodies, labor, and lives become implicated in global and local economies that profit from their mobility as racialized and gendered others. She also reveals new forms of intimacy, solidarity, and activism that have emerged along transit routes over the past decade. Through the stories of migrants, shelter workers, and local residents, Vogt encourages us to reimagine transit as a site of both violence and precarity as well as social struggle and resistance.

When Robert Pomeroy, a young undergraduate at Corpus Christi College, finds a letter slipped under his door in the early hours of a rainy day, he flies into a panic. Hastily readying himself and dashing off a few lines for the porter to summon his friend Nicholas Thorpe, he hurries to the railway station. But he doesn't reach his destination alive. Inspector Colbeck and Sergeant Leeming are called upon to investigate this tragedy on the railway. It soon becomes apparent that Cambridge's hopes of success in the forthcoming Boat Race rested on Pomeroy's shoulders. With academic disputes, romantic interests and a sporting rivalry with Oxford in play, the Railway Detective will have his work cut out to disentangle the threads of Pomeroy's life in order to answer the truth of his death.

Mystery crime fiction written in the Golden Age of Murder "In terms of plot, the novel is almost pure puzzle, making it a prime example of a Golden Age mystery, but Hay injects humor and keen characterization into the mix as well." —Booklist STARRED review When Miss Pongleton is found murdered on the stairs of Belsize Park station, her fellow-boarders in the Frampton Hotel are not overwhelmed with grief at the death of a tiresome old woman. But they all have their theories about the identity of the murderer, and help to unravel the mystery of who killed the wealthy 'Pongle'. Several of her fellow residents—even Tuppy the terrier—have a part to play in the events that lead to a dramatic arrest. This classic mystery novel is set in and around the Northern Line of the London Underground. It is now republished for the first time since the 1930s, with an introduction by award-winning crime writer Stephen Booth.

A real-life thriller in the vein of The Devil in the White City, Kate Winkler Dawson's debut Death in the Air is a gripping, historical narrative of a serial killer, an environmental disaster, and an iconic city struggling to regain its footing. London was still recovering from the devastation of World War II when another disaster hit: for five long days in December 1952, a killer smog held the city firmly in its grip and refused to let go. Day became night, mass transit ground to a halt, criminals roamed the streets, and some 12,000 people died from the poisonous air. But in the chaotic aftermath, another killer was stalking the streets, using the fog as a cloak for his crimes. All across London, women were going missing--poor women, forgotten women. Their disappearances caused little alarm, but each of them had one thing in common: they had the misfortune of meeting a quiet, unassuming man, John Reginald Christie, who invited them back to his decrepit Notting Hill flat during that dark winter. They never left. The eventual arrest of the "Beast of Rillington Place" caused a media frenzy: were there more bodies buried in the walls, under the floorboards, in the back garden of this house of horrors? Was it the fog that had caused Christie to suddenly snap? And what role had he played in the notorious double murder that had happened in that same apartment building not three years before--a murder for which another, possibly innocent, man was sent to the gallows? The Great Smog of 1952 remains the deadliest air pollution disaster in world history, and John Reginald Christie is still one of the most unfathomable serial killers of modern times. Journalist Kate Winkler Dawson braids these strands together into a taut, compulsively readable true crime thriller about a man who changed the fate of the death penalty in the UK, and an environmental catastrophe with implications that still echo today.

This debut of a mystery series starring a sleuthing horse trainer is “a winner right out of the gate” (Fern Michaels, #1 New York Times–bestselling author). When horse trainer Annie Carson rescues a beautiful thoroughbred from a roadside rollover, she knows the horse is lucky to be alive . . . unlike the driver. After rehabilitating the injured animal at her Carson Stables ranch, Annie delivers the horse to Hilda Colbert—the thoroughbred’s neurotic and controlling owner—only to find she’s been permanently put out to pasture. Two deaths in three days is unheard of in the small Olympic Peninsula county, and Annie decides to start sniffing around. She’s confident she can track down a killer . . . but she may not know how ruthless this killer really is . . .

On the evening of October 17, 1961 twenty-thousand Algerians marched in Paris in defiance of and in protest against a curfew imposed by Maurice Papon, chief of the Paris Metropolitan Police. The protesters were met with ferocious and uninhibited violence. Eleven-thousand were arrested; more than one thousand injured; as many as three hundred were killed, many of them thrown into the Seine, from which their bodies were later recovered. In recreating the scene of the atrocities in Murder in Memoriam, his controversial alarum first published in 1984, Didier Daeninckx introduces a fictional observer of the riot, Roger Thiraud, a middle-aged history teacher in a public school, only steps from his home and his waiting, pregnant wife. In the first few minutes of the demonstration, he will be assassinated, in cold blood, by a member of the anti-terrorist secret police. For nearly forty years after October 1961, France would deny the killings. Upon the independence of Algeria in 1962 an amnesty put its perpetrators safely beyond prosecution. The records were buried. In 1981, Bernard Thiraud, Roger's son, is researching the archives in Toulouse, intent on completing his father's history of his birthplace, Drancy, now notorious as the site of a detention and transit camp from which Jews were deported to Auschwitz. One afternoon, after leaving the town hall, he too is murdered -- the victim of what appears to investigating officers to be a professional killing. When inspector Cadin of the Toulouse prefecture learns of the unsolved murder of the young man's father, he suspects a connection. But why would anybody want to kill two bourgeois, politically unconnected history teachers? Didier Daeninckx has located the link between the two murders in the history that France had yet to confront -- in its colonial racism and its complicity in genocide. Daeninckx made this connection in fiction, deliberately provoking its acknowledgment in fact. Murder in Memoriam anticipated by more than a decade the shocking revelations provided by the exposure, trial, and conviction of Maurice Papon -- the Parisian chief of police in 1961, and the never-named villain whose real crimes, unrevealed at the time of its first publication, haunt this account -- for crimes against humanity; for his part in the administration of the deportation of the Jews from Bordeaux to Auschwitz.

A starlet on a transcontinental train fears her director may be trying to kill her in this novel by Mystery Writers of America Grand Master Dorothy B. Hughes. Four years after she arrived in Los Angeles, Kitten Agnew has become a star. Though beautiful and talented, she’d be nowhere without Vivien Spender: Hollywood’s most acclaimed director—and its most dangerous. But Kitten knew what she was getting into when she got involved with him; she had heard the stories of Viv’s past discoveries: Once he discarded them, they ended up in a chorus line, a sanatorium, or worse. She knows enough of his secrets that he wouldn’t dare destroy her career. But he may be willing to kill her. On a train from Los Angeles to Chicago, Kitten learns that Viv is planning to offer her roommate a part that was meant for her. If she lets him betray her, her career will be over. But fight for the part, and she will be fighting for her life as well.

An instant New York Times bestseller! The second gripping novel in the New York Times bestselling Thursday Murder Club series, soon to be a major motion picture from Steven Spielberg at Amblin Entertainment “It’s taken a mere two books for Richard Osman to vault into the upper leagues of crime writers. . . The Man Who Died Twice. . . dives right into joyous fun." —The New York Times Book Review Elizabeth, Joyce, Ron and Ibrahim—the Thursday Murder Club—are still riding high off their recent real-life murder case and are looking forward to a bit of peace and quiet at Cooper’s Chase, their posh retirement village. But they are out of luck. An unexpected visitor—an old pal of Elizabeth’s (or perhaps more than just a pal?)—arrives, desperate for her help. He has been accused of stealing diamonds worth millions from the wrong men and he’s seriously on the lam. Then, as night follows day, the first body is found. But not the last. Elizabeth, Joyce, Ron and Ibrahim are up against a ruthless murderer who wouldn’t bat an eyelid at knocking off four septuagenarians. Can our four friends catch the killer before the killer catches them? And if they find the diamonds, too? Well, wouldn’t that be a bonus? You should never put anything beyond the Thursday Murder Club. Richard Osman is back with everyone’s favorite mystery-solving quartet, and the second installment of the Thursday Murder Club series is just as clever and warm as the first—an unputdownable, laugh-out-loud pleasure of a read.