"A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit"--

Albuquerque's old Sunshine Theater harbors a deep, dark secret from its vaudeville/silent movie days. But Millie and Andy Milliken don't have a clue when they lease the theater so that Andy's garage band will have a place to play for under-21 audiences. The theater is a mess, but the Millikens manage to clean it up and get it opened. Then they are plagued by a series of near catastrophes: a fire in the balcony is narrowly averted...a huge disc shaped lighting fixture falls from the vaulted ceiling during a grunge show. Fortunately, it lands in the unoccupied balcony rather than the mosh pit so no one is hurt. Millie and Andy are beginning to think someone does not want them to succeed. But Millie suspects someone or something is helping to keep the situation from getting out of hand. She believes the theater may be haunted and that, strange as it may seem, a ghost is acting as a kind of guardian angel. She nicknames the ghost BG for "benevolent ghost," unaware that those initials also stand for Bettina Gaylord, a silent movie star who mysteriously disappeared from the theater in 1928 and was never found. Although Bettina's ghost is unable to prevent a second murder, that of a particularly obnoxious road manager during a big grunge rock show, she does help Millie determine who the killer is. She also leads Millie to her hidden bones. But not before an unarmed Millie faces the killer on the theater's dangerously rickety old wooden fly grid, suspended more than sixty feet above the stage floor.

"Gripping . . . Cutter Wood subverts all our expectations for the true crime genre.” —Leslie Jamison, author of The Recovering When a stolen car is recovered on the Gulf Coast of Florida, it sets off a search for a missing woman, local motel owner Sabine Musil-Buehler. Three men are named persons of interest—her husband, her boyfriend, and the man who stole the car. Then the motel is set on fire; her boyfriend flees the county; and detectives begin digging on the beach of Anna Maria Island. Author Cutter Wood was a guest at Musil-Buehler’s motel as the search for her gained momentum. Driven by his own need to understand how a relationship could spin to pieces in such a fatal fashion, he began to talk with many of the people living on Anna Maria, and then with the detectives, and finally with the man presumed to be the murderer. But there was only so much that interviews and transcripts could reveal. In trying to understand how we treat those we love, this book, like Truman Capote’s classic In Cold Blood, tells a story that exists outside documentary evidence. Wood carries the investigation of Sabine’s murder beyond the facts of the case and into his own life, crafting a tale about the dark conflicts at the heart of every relationship.

Written with a wry, witty narrative voice and a plot full of twists and turns, John Keyse-Walker’s Minotaur Books/Mystery Writers of America First Crime Novel Award-winning debut is a pure delight. As a Special Constable, Teddy Creque is the only police presence on the remote, sun-drenched island of Anegada, nestled in the heart of the British Virgin Islands. In all his years on the job, Teddy has never considered the possibility that he might have to address an actual crime on his peaceful island. That is, until he receives a hysterical call about a dead man on the beach. Indeed, Teddy is shocked to discover Paul Kelliher, a biologist who traveled to the island every winter for research, lying dead on the sands of the island’s most remote beach, killed by a single shot to the head. And when the BVI’s “real police” task Teddy with informing Kelliher’s nearest kin of his death, Teddy makes an even more surprising discovery: there’s no record that Paul Kelliher ever existed. Suddenly Teddy’s routine life is thrown into tumult as he tries to track a killer—against his boss’s wishes—while balancing his complicated family life, three other jobs, and the colorful characters populating the island around him.

New York Times Book Review: Editor’s Choice Philadelphia Inquirer: Best Book of the Month World Literature Today: Notable Translation of the Year CrimeReads: Best International Crime Novel of the Year Ms. Magazine: Most Anticipated Book of the Year Washington Independent Review of Books: Favorite Book of the Year Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime. In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly emerge: rich kid Shin Jeongjun, whose car Hae-on was last seen in, and delivery boy Han Manu, who witnessed her there just a few hours before her death. But when Jeongjun’s alibi checks out, and no evidence can be pinned on Manu, the case goes cold. Seventeen years pass without any resolution for those close to Hae-on, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she’s lost, ultimately setting out to find the truth of what happened. Shifting between the perspectives of Da-on and two of Hae-on’s classmates struck in different ways by her otherworldly beauty, Lemon ostensibly takes the shape of a crime novel. But identifying the perpetrator is not the main objective here: Kwon Yeo-sun uses this well-worn form to craft a searing, timely exploration of privilege, jealousy, trauma, and how we live with the wrongs we have endured and inflicted in turn.

When Michael Starks's groom-to-be vanishes with his Matisse painting and then is found murdered, all evidence points to a psychotic Bette Davis impersonator, and Michael, his assistant Robert, and their strapping lesbian friend Monet must go undercover ina drag revue to trap a killer. Reprint.

The powerful and riveting new book in the multimillion-selling Killing series by Bill O'Reilly and Martin Dugard Autumn 1944. World War II is nearly over in Europe but is escalating in the Pacific, where American soldiers face an opponent who will go to any length to avoid defeat. The Japanese army follows the samurai code of Bushido, stipulating that surrender is a form of dishonor. Killing the Rising Sun takes readers to the bloody tropical-island battlefields of Peleliu and Iwo Jima and to the embattled Philippines, where General Douglas MacArthur has made a triumphant return and is plotting a full-scale invasion of Japan. Across the globe in Los Alamos, New Mexico, Dr. J. Robert Oppenheimer and his team of scientists are preparing to test the deadliest weapon known to mankind. In Washington, DC, FDR dies in office and Harry Truman ascends to the presidency, only to face the most important political decision in history: whether to use that weapon. And in Tokyo, Emperor Hirohito, who is considered a deity by his subjects, refuses to surrender, despite a massive and mounting death toll. Told in the same page-turning style of Killing Lincoln, Killing Kennedy, Killing Jesus, Killing Patton, and Killing Reagan, this epic saga details the final moments of World War II like never before.

Here is the first statewide collection of true Florida murders, and as the saying goes, truth is stranger than fiction. The Sunshine State, from Pensacola to Key West, has played host to a memorable and varied array of crimes of passion, greed and revenge. (Taken from back jacket).