In this World War II debut mystery filled with spies, murder, and a touch of romance, newly minted squad leader Dorothy Lincoln is caught in the crosshairs of a devious plot, perfect for fans of Susan Elia MacNeal and Ashley Weaver. Algiers, North Africa, 1943. After her abusive German husband left her for dead and took their daughter with him behind enemy lines, Dottie Lincoln learned that it’s better to be a trained soldier rather than a victim. As a newly minted squad leader in the Women’s Army Auxiliary Corps, she spends her days moving men and materials to the front and her nights attending mandatory dances to boost the morale of the men. Despite the grueling nature of her job, she has found a sanctuary amongst the women in the Army. When Ruth, a member of her squad, is murdered, she’s devastated and determined to get to the bottom of the murder. Dottie’s company is the first group of American women assigned to a combat theater, and with Ruth’s death, the entire operation is being questioned. Determined to do everything she can to help win the war, bring justice to her friend, and hopefully reunite with her daughter, Dottie must rise to the occasion before the killer strikes again. But when her past comes back to haunt her, Dottie must prove she’s not a German spy and put a stop to a deadly conspiracy that threatens the entire American war effort.

A New York Times Book Review Editor’s Choice • Rex Stout meets Agatha Christie with a fresh twist in the new Pentecost and Parker Mystery, a delightfully hardboiled high-wire act starring two daring women sleuths dead set on justice as they set out to solve a murder at a traveling circus “A delight.... It’s a pleasure to watch [Pentecost and Parker] sifting through red herrings and peeling secrets back like layers of an onion.” The New York Times Book Review Someone’s put a blade in the back of the Amazing Tattooed Woman, and Willowjean “Will” Parker’s former knife-throwing mentor has been stitched up for the crime. To uncover the truth, Will and her boss, world-famous detective Lillian Pentecost, travel to the circus, where they find a snake pit of old grudges, small-town crime, and secrets worth killing for. Will called Hart & Halloway’s Traveling Circus and Sideshow home for five years, and Ruby Donner, the circus’s tattooed ingenue, was her friend. To make matters worse, the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go. To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren’t playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink.

NYPD detective Jane Bauer investigates the murder of an African-American undercover cop in a case that leads her from Greenwich Village brownstones to middle-class Queens, as a mastermind of murder resumes operations. Original.

The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city… After a routine delivery, Sarah visits her patient in a rooming house—and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl’s room. She discovers that the victim is from one of the most prominent families in New York—and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy’s help, Sarah begins a dangerous quest to bring the killer to justice—before death claims another victim...

"This is the most fun I've had with a book this year. Every page is a delight and the mystery got its hooks into me from the first chapter.” – Stuart Turton, bestselling author of The 7½ Deaths of Evelyn Hardcastle The letter was short. A name, a time, a place. Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard. Late one night in April 1958, a filing assistant at Miss Brickett’s receives a letter of warning, detailing a name, a time, and a place. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect. Marion Lane, a first-year Inquirer-in-training, finds herself drawn ever deeper into the investigation. When her friend and colleague is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie-style locked-room murder mystery, with an exciting new heroine detective.

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.

On a chilly December afternoon in 1975, Bernard Whitehurst Jr., a 33-year-old father of four, was mistaken for a robbery suspect by Montgomery, Alabama, police officers. A brief foot chase ensued, and it ended with one of the pursuing officers shooting and killing Whitehurst in the backyard of an abandoned house. The officer claimed the fleeing man had fired at him; police produced a gun they said had been found near the body. In the months that followed, new information showed that Whitehurst, who was black, was not only the wrong man but had been unarmed, a direct contradiction of the white officer's statement. What became known as the Whitehurst Case erupted when the local district attorney and the family's attorney each began to uncover facts that pointed to wrongdoing by the police, igniting a year-long controversy that resulted in the resignation or firing of police officers, the police chief, and the city's popular New South mayor. However, no one was ever convicted in Whitehurst's death, and his family's civil lawsuit against the City of Montgomery failed. Now, more than four decades later, Whitehurst's widow and children are waging a 21st-century effort to gain justice for the husband and father they lost. The question that remains is: who decides what justice looks like? In this latter-day exploration of the Whitehurst Case, author Foster Dickson reviews one of Montgomery’s never-before-told stories, one which is riddled with incompatible narratives. Closed Ranks brings together interviews, police reports, news stories, and other records to carry the reader through the fraught post-civil rights movement period when the "unnecessary" shooting of Bernard Whitehurst Jr. occurred. In our current time, as police shootings regularly dominate news cycles, this book shows how essential it is to find and face the truth in such deeply troubling matters.

THE USA TODAY BESTSELLER The Murder List is a new standalone suspense novel in the tradition of Lisa Scottoline and B. A. Paris from award-winning author and reporter Hank Phillippi Ryan. "An exhilarating thrill ride that keeps you turning pages.. Ryan deftly delivers a denouement as shocking as it is satisfying."--Liv Constantine, bestselling author of The Last Mrs. Parrish and The Last Time I Saw You Law student Rachel North will tell you, without hesitation, what she knows to be true. She's smart, she’s a hard worker, she does the right thing, she’s successfully married to a faithful and devoted husband, a lion of Boston's defense bar, and her internship with the Boston DA's office is her ticket to a successful future. Problem is--she’s wrong. And in this cat and mouse game--the battle for justice becomes a battle for survival. The Murder List is a new standalone suspense novel in the tradition of Lisa Scottoline and B. A. Paris from award-winning author and reporter Hank Phillippi Ryan. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“Lee Harris, author of the beloved Christine Bennett holiday mystery series, gives us a new detective and a grittier neighborhood in Murder in Hell’s Kitchen, but her storytelling skill remains top quality.”—Tony Hillerman After twenty years of loyal service, Detective Jane Bauer is just two months and one case away from leaving the NYPD for a cushy desk job. Her last assignment: working for a special unit that tackles unsolved crimes. At a crossroads in her personal life, Jane relishes the chance to lose herself in a challenging investigation. Four years ago, Arlen Quill was found dead in the entryway to his apartment building—leaving no clues, no witnesses, and no leads. When Jane decides to interview Quill’s old neighbors, she makes a startling discovery: Every single occupant at the time of the murder subsequently disappeared. Like any seasoned New Yorker, Jane knows that mere homicide isn’t enough to drive people from their rent-controlled apartments. In Hell’s Kitchen—where a cold case suddenly heats up—Jane soon finds herself face-to-face with a killer. . . . “Lee Harris heads off in an exciting new direction with Murder in Hell’s Kitchen—a page-turner of a police procedural, in which a cold case turns hot and the suspense builds and builds. Detective Jane Bauer is a most welcome addition to the ranks of fictional cops.”—Peter Robinson

After two mysterious deaths at Chicago's Hotel Fairfax during the annual meeting of the Modern Language Association, homicide detective Boaz Dixon enlists the aid of Yale assistant professor Nancy Cook to guide him through the academic world during his in