Star ballerina Leah Siderova becomes a murder suspect when her main rival is found stabbed in the back.

The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city… After a routine delivery, Sarah visits her patient in a rooming house—and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl’s room. She discovers that the victim is from one of the most prominent families in New York—and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy’s help, Sarah begins a dangerous quest to bring the killer to justice—before death claims another victim...

A modern retelling of 20 sensational true crimes, No Place Like Murder reveals the inside details behind nefarious acts that shocked the Midwest between 1869 and 1950. The stories chronicle the misdeeds, examining the perpetrators' mindsets, motives, lives, apprehensions, and trials, as well as what became of them long after. True crime author Janis Thornton profiles notorious murderers such as Frankie Miller, who was fed up when her fiancé stood her up for another woman. As fans of the song "Frankie and Johnny" already know, Frankie met her former lover at the door with a shotgun. Thornton's tales reveal the darker side of life in the Midwest, including the account of Isabelle Messmer, a plucky young woman who dreamed of escaping her quiet farm-town life. After she nearly took down two tough Pittsburgh policemen in 1933, she was dubbed "Gun Girl" and went on to make headlines from coast to coast. In 1942, however, after a murder conviction in Texas, she vowed to do her time and go straight. Full of intrigue and revelations, No Place Like Murder also features such folks as Chirka and Rasico, the first two Hoosier men to die in the electric chair after they brutally murdered their wives in 1913. The two didn't meet until their fateful last night. An enthralling and chilling collection, No Place Like Murder is sure to thrill true crime lovers.

Determined to make the First Edition Library a success, Hayley Burke wasn’t expecting to have to solve an old friend’s murder in this all-new mystery from USA Today bestselling author Marty Wingate. Hayley Burke, curator of Lady Fowling's collection of first edition mysteries, is settling into her position at the First Edition Library in Middlebank House. She's even made progress with Lady Fowling's former secretary, the ornery Miss Woolgar. The women are busily preparing for an exhibition that will showcase Lady Fowling's life and letters. Hayley knows the exhibition is a huge undertaking and decides, against her better judgement, to hire Oona Atherton, her former boss from the Jane Austen Centre to help with the planning. Oona is known for being difficult, but all seems to be going swimmingly until she and Hayley uncover a one-page letter that alludes to a priceless edition of MURDER MUST ADVERTISE signed by several Golden Age of Mystery authors. Oona feels this book could be the focal point of the exhibition and becomes obsessed with finding it. When they find clues that appear to point to the book being somewhere in the First Edition Library, Oona is certain she's unraveled the mystery and texts Hayley the good news, but upon arriving back at Middlebank, Hayley finds her old boss dead at the bottom of the stairs. Did her discovery of the rare book get her killed or was it some angry shadow from her past? Hayley must read between the lines to catch a malicious murderer.

For Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone close to Lucy falls under suspicion. Lucy can't believe it, but in a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and—if the plague doesn't kill the suspect first—public executions draw a large crowd of spectators, Lucy knows she may never find out what really happened. Unless, that is, she can uncover the truth herself. Determined to do just that, Lucy finds herself venturing out of her expected station and into raucous printers' shops, secretive gypsy camps, the foul streets of London, and even the bowels of Newgate prison on a trail that might lead her straight into the arms of the killer. In her debut novel Murder at Rosamund's Gate, Susanna Calkins seamlessly blends historical detail, romance, and mystery in a moving and highly entertaining tale.

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

After a student choir's practice session at a Helsinki villa turns deadly, Detective Maria Kallio finds herself in the middle of the action -- and her first murder case. Someone in the group wanted playboy Tommi Peltonen dead, but that's one song these suspects refuse to sing. Behind the choir's jovial facade lies bitter passion, and the victim's seemingly perfect life hid a host of sins that made him a target of almost everyone in the villa. As a young female -- and a redhead to boot -- Maria knows that solving this case will help her overcome her perceived shortcoming in the eyes of her colleagues. But as the case takes startling twists and turns, and friends and foes become interchangeable, will she be able to piece together the clues before the killer strikes again?

Deadly secrets hides among the stacks of a quaint English bookshop in this “entertaining, tense, suspenseful and so well-written” mystery novel (John Nicholl, author of Mr. Nice). When Tilly Edgely lands a position working at Ashton’s bookshop in Cambridge, England, she thinks she’s found her perfect job. But when she arrives to open the shop one winter’s morning, she discovers the body of her boss suspended from the ceiling, hanging by a rope around his neck. DCI Barrett and DI Palmer are called to the scene of appears to be an open and shut case of suicide. But nothing about this case is as simple as it first appears. Barrett and Palmer soon find themselves searching for a twisted killer whose identity and motive are nearly impossible to trace. And just when they think they have the murderer in their sights, another body shows up—throwing the case wide open once again. "A triumph of a mystery . . . Betsy Reavley has done it again!" —Anita Waller, author of 34 Days

In an unnamed country, in an unnamed year sometime in the future, Chief Inspector Jensen of the Sixteenth Division is called in after the publishers controlling the entire country's newspapers and magazines receive a threat to blow up their building, in retaliation for a murder they are accused of committing. The building is evacuated, but the bomb fails to explode and Jensen is given seven days in which to track down the letter writer. Jensen has never had a case he could not solve before, but as his investigation into the identity of the letter writer begins it soon becomes clear that the directors of the publishers have their own secrets, not least the identity of the 'Special Department' on the thirty first floor; the only department not permitted to be evacuated after the bomb threat.

"With few other options, African-American classical musician Gethsemane Brown accepts a less-than-ideal position turning a group of rowdy schoolboys into an award-winning orchestra. Stranded without luggage or money in the Irish countryside, she figures any job is better than none. The perk? Housesitting a lovely cliffside cottage. The catch? The ghost of the cottage's murdered owner haunts the place. Falsely accused of killing his wife (and himself), he begs Gethsemane to clear his name so he can rest in peace. Gethsemane's reluctant investigation provokes a dormant killer and she soon finds herself in grave danger. As Gethsemane races to prevent a deadly encore, will she uncover the truth or star in her own farewell performance?"--Jacket.