“Smart, entertaining, and laugh-out-loud funny!”—Liliana Hart, New York Times Bestselling Author Valentine Beaumont is back in her second hair-raising mystery, this time, trying to find out who had it in for an elderly nun. Only trouble is there are others standing in her way: hot but tough Detective Romero, sexy new stylist Jock de Marco, and some zany locals who all have a theory on the nun’s death. Making things worse: the dead nun’s secret that haunts Valentine, another murder, car chases, death threats, mysterious clues, an interfering mother, and a crazy staff. Between brushing off Jock’s advances and splitting hairs with handsome Detective Romero, Valentine struggles to comb through the crime, utilizing her tools of the trade in some outrageous situations. Question is, will she succeed? “MURDER, CURLERS, AND CANES is a beauty of a read. The quirky characters are fun, the mystery is well-plotted, and the romance is sizzling. Arlene McFarlane’s sleuth Valentine teases out every clue. It’s the perfect read for the beach or under the hair dryer. Delightful!” ~ Denise Swanson, New York Times Bestselling Author of mysteries and romances

A weekend visit to Rueland’s multicultural fair turns sour when beautician Valentine Beaumont comes face to face with a corpse wearing a kilt. What’s worse, she learns the victim was a target of foul play, her #1 nemesis is on the case, and no one is who they seem. Despite warnings from hot, hard-headed Detective Romero to leave things to the police, Valentine sets off to snag the killer. While on the case, she crashes into sexy, Herculean stylist Jock de Marco, rattles an old foe, wrestles with family issues, and tangles with secretive clan members. Will Valentine catch the murderer before she becomes the weekend’s next target? Or are her fair days numbered?

In eight stories, a master of the form extends and magnifies her great themes—the vagaries of love, the passion that leads down unexpected paths, the chaos hovering just under the surface of things, and the strange, often comical desires of the human heart. Time stretches out in some of the stories: a man and a woman look back forty years to the summer they met—the summer, as it turns out, that the true nature of their lives was revealed. In others time is telescoped: a young girl finds in the course of an evening that the mother she adores, and whose fluttery sexuality she hopes to emulate, will not sustain her—she must count on herself. Some choices are made—in a will, in a decision to leave home—with irrevocable and surprising consequences. At other times disaster is courted or barely skirted: when a mother has a startling dream about her baby; when a woman, driving her grandchildren to visit the lakeside haunts of her youth, starts a game that could have dangerous consequences. The rich layering that gives Alice Munro's work so strong a sense of life is particularly apparent in the title story, in which the death of a local optometrist brings an entire town into focus—from the preadolescent boys who find his body, to the man who probably killed him, to the woman who must decide what to do about what she might know. Large, moving, profound, these are stories that extend the limits of fiction.

Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

An employee’s sudden disappearance brings dark secrets to light. Can this impetuous beautician crack a secret code and find her employee before time runs out? When beautician Valentine Beaumont’s star employee, Jock de Marco, goes missing, Valentine fears the worst. Jock could turn a Plain Jane into a knockout with the mere touch of his comb. But despite his talents in the salon, this tame career might not be enough to distance himself from a dangerous past that may be coming back to haunt him. Valentine will stop at nothing until she finds out what happened to this Argentinean Hercules, but other things are getting in her way: an elusive assailant, a cryptic email, an infuriating employee, and one hot detective who is pressuring her to give up her search for the sexy stylist. Can this impulsive heroine uncurl the mystery and save Jock? Or will she be too late and live a lifetime filled with regret?

Of Mice and Men es una novela escrita por el autor John Steinbeck. Publicado en 1937, cuenta la historia de George Milton y Lennie Small, dos trabajadores desplazados del rancho migratorio, que se mudan de un lugar a otro en California en busca de nuevas oportunidades de trabajo durante la Gran Depresión en los Estados Unidos.

“Laugh-out-loud humor & top-notch mysteries! Absolute MUST-READS!”—Darynda Jones, New York Times/USA TodayBestselling Author of the Charley Davidson Series “Smart, entertaining, and laugh-out-loud funny!”—Liliana Hart, New York Times Bestselling Author In her first action-packed mini mystery, beautician Valentine Beaumont is stalked by an escaped felon she once helped put behind bars. As she strives to stay one step ahead and stop this maniac before he kills her, she stumbles onto a dead body, unearths secret plots, struggles with family obligations, and is tackled in more ways than one. With a string of beauty disasters, two sexy heroes, a ticking clock, and a little help from her friends, can Valentine solve this case before the killer gets his revenge, or will this be her last? Murder, Curlers & Kegs is book 4 in the Murder, Curlers series and the first in Valentine’s shorter-length mini mysteries.

Sam McCready serves Britain as Chief of Covert Operations for the Secret Intelligence Service. He's competent, dedicated, in his prime. Why then this push to get him out? The options are painful -- early retirement or an administrative backwater. But he has one other option: it's a wild card, confrontational, risky. Risky because McCready knows too much. He senses the move is more about destabilizing SIS than settling a score with him. Who wants him out, and why? And what happens if he refuses to go quietly?