Examines the introduction of Mexican muralism to the United States in the 1930s, and the challenges faced by the artists, their medium, and the political overtones of their work in a new society.

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.

Most people imagine "home" as a safe, warm place with four walls. But for child refugees Lam and Dee Dee escaping Vietnam, "home" is ever-changing and often doesn't have any walls at all. "A moving and thought-provoking picture of a refugee experience filled with both tragedy and hope."--School Library Journal Eleven-year-old Lam escapes from Vietnam with Dee Dee during the Vietnamese Boat People Exodus in 1979, when people from Vietnam, Laos, and Cambodia fled their homelands for safety. For a refugee, the trip is a long and perilous one, filled with dangerous encounters with pirates and greedy sailors, a lack of food and water, and even the stench of a dead body onboard. When they finally arrive at a refugee camp, Lam befriends Dao, a girl her age who becomes like a sister-a welcome glimmer of happiness after a terrifying journey. Readers will feel as close to Lam as the jade pendant she wears around her neck, sticking by her side throughout her journey as she experiences fear, crushing loss, boredom, and some small moments of joy along the way. Written in verse, this is a heartfelt story that is sure to build empathy and compassion for refugees around the world escaping oppression.

Truly devoted to the idea of public art, Haring created murals wherever he went.

In Belfast: Toward a City Without Walls Vicky Cosstick tells the story of Belfast s 100 sectarian walls and interfaces, now the last in Europe, which remain fifteen years after the Good Friday Agreement of 1998, and she asks for how much longer these physical signs and symbols of sectarianism and the Troubles will disfigure the cityscape.The walls are important as both memorials to the conflict and a reminder of the unfinished nature of the peace process; however, in May 2013, the First Minister and deputy First Minister of Northern Ireland made a commitment to bring them down by 2023. This book tells the compelling stories of the complex network of people and the different communities and agencies that are involved in maintaining peace at the interfaces and working towards a city without walls, and draws an intricate picture of how peace is being worked out in the current life of the city.This uniquely researched portrait of a post-conflict peace process provides a real time picture of the complex process by which constructive change is happening.Fascinating in their variety, the walls and fences at the center of this story are illustrated by the evocative and insightful photography of Frankie Quinn.REVIEWS "Her book examines how progress could be made through dialogue, regeneration, through art and architecture, with the help of the communities, the former paramilitaries, the politicians, the churches, and through business and tourism...Wearing her academic hat she refers to complexity theory which, she says, points to 'small, gradual changes resulting in big effects'." - Gerry Moriarty, The Irish Times"

This DIY book teaches wall painting techniques for the creative home-dec enthusiast who wants to create colorful graphic and wallpaper-like designs, including lettering, geometrics, marbling, and more.

This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.

With vivid images and words, The Wall of Respect: Public Art and Black Liberation in 1960s Chicago tells the story of the mural on Chicago's South Side whose creation and evolution was at the heart of the Black Arts Movement in the United States.

Exploring three major hubs of muralist activity in California, where indigenist imagery is prevalent, Walls of Empowerment celebrates an aesthetic that seeks to firmly establish Chicana/o sociopolitical identity in U.S. territory. Providing readers with a history and genealogy of key muralists' productions, Guisela Latorre also showcases new material and original research on works and artists never before examined in print. An art form often associated with male creative endeavors, muralism in fact reflects significant contributions by Chicana artists. Encompassing these and other aspects of contemporary dialogues, including the often tense relationship between graffiti and muralism, Walls of Empowerment is a comprehensive study that, unlike many previous endeavors, does not privilege non-public Latina/o art. In addition, Latorre introduces readers to the role of new media, including performance, sculpture, and digital technology, in shaping the muralist's "canvas." Drawing on nearly a decade of fieldwork, this timely endeavor highlights the ways in which California's Mexican American communities have used images of indigenous peoples to raise awareness of the region's original citizens. Latorre also casts murals as a radical force for decolonization and liberation, and she provides a stirring description of the decades, particularly the late 1960s through 1980s, that saw California's rise as the epicenter of mural production. Blending the perspectives of art history and sociology with firsthand accounts drawn from artists' interviews, Walls of Empowerment represents a crucial turning point in the study of these iconographic artifacts.