The story of the tormented and glamorous star, Joan Crawford, struggling to survive in a cutthroat world, succumbing to a rage leading to alcoholism and child abuse.

After a somewhat long and, at times, strange courtship, Claire Malloy -- a single, widowed mother of a teenage daughter and a bookseller in Farberville, Arkansas - has finally said 'I do' to her swain, Lt. Peter Rosen of the Farberville Police Department. Now they are on their honeymoon in Luxor, Egypt. Well, Claire is on her honeymoon - accompanied by Caron, her teenaged daughter, and Inez, Caron's best friend and frequent partner in adventure. Peter is mostly away on various mysterious consultations with equally mysterious government agencies is his new, completely undiscussed, role in law enforcement. Staying at the glamorous Winter Palace in Luxor, Claire is intent on a quiet, uneventful honeymoon involving shopping, tourist sites, and, when it can't avoided, drinks with the local British expatriate contingent. But despite her determined efforts to avoid any involvement in criminous events, the tenor of the trip quickly switches from bucolic to creepy. First, Caron and Inez are chased through darkened deserted alleys by persons unknown. Then a blond college student of their recent acquaintance is kidnapped by two young men on horseback in a scene reminiscent of a Rudolf Valentino film. Something is clearly afoot in this tourist paradise, and now Claire will stop at nothing to find out what.

A fragmented, lyrical essay on memory, identity, mourning, and the mother. Writing is how I attempt to repair myself, stitching back former selves, sentences. When I am brave enough I am never brave enough I unravel the tapestry of my life, my childhood. —from Book of Mutter Composed over thirteen years, Kate Zambreno's Book of Mutter is a tender and disquieting meditation on the ability of writing, photography, and memory to embrace shadows while in the throes—and dead calm—of grief. Book of Mutter is both primal and sculpted, shaped by the author's searching, indexical impulse to inventory family apocrypha in the wake of her mother's death. The text spirals out into a fractured anatomy of melancholy that includes critical reflections on the likes of Roland Barthes, Louise Bourgeois, Henry Darger, Theresa Hak Kyung Cha, Peter Handke, and others. Zambreno has modeled the book's formless form on Bourgeois's Cells sculptures—at once channeling the volatility of autobiography, pain, and childhood, yet hemmed by a solemn sense of entering ritualistic or sacred space. Neither memoir, essay, nor poetry, Book of Mutter is an uncategorizable text that draws upon a repertoire of genres to write into and against silence. It is a haunted text, an accumulative archive of myth and memory that seeks its own undoing, driven by crossed desires to resurrect and exorcise the past. Zambreno weaves a complex web of associations, relics, and references, elevating the prosaic scrapbook into a strange and intimate postmortem/postmodern theater.

Sabrina travels back in time and observes her archaeologist mother at a dig site in Egypt.

The truth is out there. Way, way, way out there! Drew Lawson is racing against the clock. He's got a twenty-four-hour window to authenticate the mummy of Princess Merneith. If he's not at his boyfriend's garden party when that window closes, it'll be the final nail in their relationship coffin. The last thing he needs traipsing on the final shred of his patience is brash, handsome reality show host Fraser Fortune, who's scheduled to film a documentary about the mummy's Halloween curse. The opportunity to film a bona-fide professor examining the mummy is exactly the aura of authenticity Fraser needs. Except the grumpy PhD is a pompous ass on leave from his ivory tower. Yet something about Drew has Fraser using a word he doesn't normally have to draw upon: please. With no time to waste—and a spark of attraction he can't deny—Drew reluctantly agrees to let Fraser follow his every move as he unwraps the mummy's secrets. Soon they're both making moves behind the scenes that even the dead can't ignore!

From the best-selling author of Hamnet and The Marriage Portrait comes a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. "An exquisitely sensual tale of love, motherhood, and other forms of madness, The Hand That First Held Mine will unsettle, move, and haunt you." —Emma Donoghue, author of Room Lexie Sinclair is plotting an extraordinary life for herself. Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories—these two women—something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Praised by The Washington Post as a “breathtaking, heart-breaking creation,” The Hand That First Held Mine is a gorgeous and tenderly wrought story about the ways in which love and beauty bind us together. It is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

Beyond Mommie Dearest—the inspiring and shattering sequel to the groundbreaking #1 New York Times bestseller. At publication the world as I knew it blew up in my face. Christina Crawford’s Mommie Dearest cast a spotlight on the unspoken horrors of family violence and exorcised the demons of her childhood. But in the years following the controversial bestseller’s publication, the author’s resilience was tested in ways she never expected. Crawford was forced to brave a stunning backlash intended to shame her, a film adaptation that bastardized her story and compounded the trauma, a descent into alcoholism, a divorce that ruined her financially, and a massive stroke that left her paralyzed. Staying true to her fighting spirit, she made a remarkable comeback. More than a personal memoir of triumph over tragedy, Survivor—now with a new preface for its 30th anniversary—is an enlightening spiritual roadmap to recovery for anyone who has suffered the ordeals of physical and emotional abuse, devastating illness, or seemingly insurmountable despair. Crawford’s story is not just about the will to survive; it is about the unparalleled joy of coming out on the other side, finding calm, and celebrating a fulfilling life. “The author of Mommie Dearest . . . hits her stride with this strong account of her simultaneous tragedies. . . . One closes this fine, moving read with great respect for Christina Crawford.” —Kirkus Reviews

"The unlikely hosts of the National Geographic Channel's popular 'Mummy road show' recount their adventures both in front of the camera and behind the scenes as they travel the world in a converted Charles Chips delivery van"--P. [4] of cover.

"Mesmerizing... A portrait of something familiar gone wildly, tragically awry." —The New York Times “Sometimes, a child is born to a parent who can’t be a parent, and, like a seedling in the shade, has to grow toward a distant sun. Ariel Leve’s spare and powerful memoir will remind us that family isn’t everything—kindness and nurturing are.” —Gloria Steinem Ariel Leve grew up in Manhattan with an eccentric mother she describes as “a poet, an artist, a self-appointed troublemaker and attention seeker.” Leve learned to become her own parent, taking care of herself and her mother’s needs. There would be uncontrolled, impulsive rages followed with denial, disavowed responsibility, and then extreme outpourings of affection. How does a child learn to feel safe in this topsyturvy world of conditional love? Leve captures the chaos and lasting impact of a child’s life under siege and explores how the coping mechanisms she developed to survive later incapacitated her as an adult. There were material comforts, but no emotional safety, except for summer visits to her father’s home in South East Asia-an escape that was terminated after he attempted to gain custody. Following the death of a loving caretaker, a succession of replacements raised Leve—relationships which resulted in intense attachment and loss. It was not until decades later, when Leve moved to other side of the world, that she could begin to emancipate herself from the past. In a relationship with a man who has children, caring for them yields a clarity of what was missing. In telling her haunting story, Leve seeks to understand the effects of chronic psychological maltreatment on a child’s developing brain, and to discover how to build a life for herself that she never dreamed possible: An unabbreviated life.

Diary kept by Rutanya Alda, who played the part of Carol Ann, during the filming of the 1981 movie Mommie Dearest.