This journey into a child's imagination begins with the question, "What did you do on your vacation?" Not one to be upstaged by her "worldly" classmates, Shirley spins a wild tale of Egyptian adventure, which utilizes rock and roll and rap to explore the amazing value of one's imagination.

Excellent beginning readers series. Col. illus. larger print. Egyptian mummies have an adventure from their pyramid.

"In the 1980s, Denver Museum of Nature & Science acquired two ancient Egyptian mummies and coffins. The mummies are from an unknown locale and have been subject of unpublished scientific and unscientific analyses. The DMNS staff scientists decided to reexamine the mummies and coffins using new and innovative techniques"--

This gently spooky read-aloud treat is also a satisfying bedtime book — sure to delight the youngest reader on many a deep, dark night. Little Baby Mummy wants just one more game of hide-and-shriek with Big Mama Mummy before bedtime. The night is deep and dark, full of friendly creatures that click their clacky teeth and whoosh past on flippy-floppy wings. But who will comfort Little Baby Mummy if a small, scritchy-scratchy someone gives him a scare? Big Mama Mummy, of course! Fresh, comical illustrations complement this ever-so-slightly suspenseful story with a satisfying ending.

Shaggy, Scooby-Doo, and the rest of the gang visit the movie set of an Eygptian film, but when everything seems to go wrong, it is rumored that a mummy's curse is sabotaging the production. Original.

Mummies, Cannibals and Vampires charts in vivid detail the largely forgotten history of European corpse medicine, when kings, ladies, gentlemen, priests and scientists prescribed, swallowed or wore human blood, flesh, bone, fat, brains and skin against epilepsy, bruising, wounds, sores, plague, cancer, gout and depression. One thing we are rarely taught at school is this: James I refused corpse medicine; Charles II made his own corpse medicine; and Charles I was made into corpse medicine. Ranging from the execution scaffolds of Germany and Scandinavia, through the courts and laboratories of Italy, France and Britain, to the battlefields of Holland and Ireland, and on to the tribal man-eating of the Americas, Mummies, Cannibals and Vampires argues that the real cannibals were in fact the Europeans. Medicinal cannibalism utilised the formidable weight of European science, publishing, trade networks and educated theory. For many, it was also an emphatically Christian phenomenon. And, whilst corpse medicine has sometimes been presented as a medieval therapy, it was at its height during the social and scientific revolutions of early-modern Britain. It survived well into the eighteenth century, and amongst the poor it lingered stubbornly on into the time of Queen Victoria. This innovative book brings to life a little known and often disturbing part of human history.

Scooby-Doo and his friends look for stolen rare coins at a shopping mall

After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.

A Scooby-riffic mystery series! The Gang get ready for some serious shopping when they head to the Happy Valley Mega Mall. Daphne, Fred, Velma, and even Scooby and Shaggy want to check out the new store, Dr. Yuckenstein's Make-A-Monster Laboratory where they can make their own customized monster dolls! But - ruh-roh - a mega-sized monster has come to life and is scaring away all the customers! It's a monster of a mystery that only Scooby-Doo and Mystery, Inc. can solve!