Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.

In the 16th century the Mughal emperors of India were among the greatest and most magnificent rulers of the East. Their arts of painting and architecture were peerless, their wealth fabulous, their courts renowned for culture and refinement, their jewels incomparable. This book follows the rise of Mughal dynasty in the 16th century, its heyday in the 17th, and its decline in the 19th. Fabled India: here we meet the legendary emperors Babur and Akbar the Great; we enter splendid courts and discover their political schemes and ambitions, ytheir marvelous artists, their lavish ceremonies, their high learning. The Mughal kingdoms comprised both Muslim and Hindu lands and ranged from Kashmir to Afghanistan to Samarkand, Art, science, craftmanship0, political policy, and military strategy: all are here, echoing in the vast spaces of the Taj Mahal and the scented gardens of Shalimar.--book cover.

The definitive biography of the eldest son of Emperor Shah Jahan, whose death at the hands of his younger brother Aurangzeb changed the course of South Asian history. Dara Shukoh was the eldest son of Shah Jahan, the fifth Mughal emperor, best known for commissioning the Taj Mahal as a mausoleum for his beloved wife Mumtaz Mahal. Although the Mughals did not practice primogeniture, Dara, a Sufi who studied Hindu thought, was the presumed heir to the throne and prepared himself to be India’s next ruler. In this exquisite narrative biography, the most comprehensive ever written, Supriya Gandhi draws on archival sources to tell the story of the four brothers—Dara, Shuja, Murad, and Aurangzeb—who with their older sister Jahanara Begum clashed during a war of succession. Emerging victorious, Aurangzeb executed his brothers, jailed his father, and became the sixth and last great Mughal. After Aurangzeb’s reign, the Mughal Empire began to disintegrate. Endless battles with rival rulers depleted the royal coffers, until by the end of the seventeenth century Europeans would start gaining a foothold along the edges of the subcontinent. Historians have long wondered whether the Mughal Empire would have crumbled when it did, allowing European traders to seize control of India, if Dara Shukoh had ascended the throne. To many in South Asia, Aurangzeb is the scholastic bigot who imposed a strict form of Islam and alienated his non-Muslim subjects. Dara, by contrast, is mythologized as a poet and mystic. Gandhi’s nuanced biography gives us a more complex and revealing portrait of this Mughal prince than we have ever had.

"At its peak, the Mughal Empire stretched from Kabul in the northwest and covered most of the South Asian subcontinent. Descendants of Timur (Tamerlane), the Mughal emperors ruled over the land from the 16th century through to the late 17th century and are credited with producing some of the most beautiful artefacts and architecture in India. During this period, the rulers encouraged artistry, reformed government and accelerated the development of Indian transport and communications. The Mughals were a Muslim dynasty descended from the famous Mongol ruler Genghis Khan. The dynasty was founded when a ruler from Turkestan, known as Babur, defeated the Sultan of Delhi in 1526 and began to expand his influence. His grandson Akbar further secured the throne and encouraged greater unity between Muslims, Hindus and Christians, while also promoting the arts and education. It was during Akbar's reign that India began its relationship with Britain, a relationship that still exists today and has contributed to both countries immeasurably. The influence of the Mughals began to dwindle in the early 17th century following intolerance between religious groups and numerous rebellions. By the 18th century, large portions of India were under the control of the British. The British Library's Mughal India exhibition is the first to document the entire period, from the 16th to the 19th centuries, through more than 200 exquisite objects. Visitors can see authentic artefacts from the period and gain an insight into the arts and culture of the empire."--Publisher's website.

In the early modern world, the Safavid, Ottoman, and Mughal empires sprawled across a vast swath of the earth, stretching from the Himalayas to the Indian Ocean to the Mediterranean Sea. The diverse and overlapping literate communities that flourished in these three empires left a lasting legacy on the political, religious, and cultural landscape of the Near East and India. This volume is a comprehensive sourcebook of newly translated texts that shed light on the intertwined histories and cultures of these communities, presenting a wide range of source material spanning literature, philosophy, religion, politics, mysticism, and visual art in thematically organized chapters. Scholarly essays by leading researchers provide historical context for closer analyses of a lesser-known era and a framework for further research and debate. The volume aims to provide a new model for the study and teaching of the region’s early modern history that stands in contrast to the prevailing trend of examining this interconnected past in isolation.

"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--

Profiles rulers from the thirteenth through the twentieth centuries whose reigns and lands were affected by Mughal power throughout Iran, Central Asia, Afghanistan, and north and central India, in a series of biographical portraits that includes coverage of Timur, Shah Abbas the Great, and Akbar the Great.

"Metalwork has always been to India what ceramics are to China. During the fabled Mughal age, the craftsmen of the Sultans and Rajahs of India produced an astonishing variety of objects in gold and gold enamel, silver, brass, bronze, gilt copper and the Deccani alloy known as bidri. The finest of these are among the most striking and poetic utilitarian wares ever made, in addition to being of the most outstanding technical refinement." "This, the first book on the metalwork of Mughal India, illustrates all the great surviving objects, the majority of which have never been published before and are unknown to the western connoisseur."--Jacket.

Nur Jahan was one of the most powerful and influential women in Indian history. Born on a caravan traveling from Teheran to India, she became the last (eighteenth) wife of the Mughal emperor Jahangir and effectively took control of the government as he bowed to the effects of alcohol and opium. Her reign (1611-1627) marked the highpoint of the Mughal empire, in the course of which she made great contributions to the arts, religion, and the nascent trade with Europe. An intriguing, elegantly written account of Nur Jahan's life and times, this book not only revises the legends that portray her as a power-hungry and malicious woman, but also investigates the paths to power available to women in Islam and Hinduism providing a fascinating picture of life inside the mahal (harem).