The buildings of Mughal India constitute one of the world's greatest architectural traditions. Whether it is the Taj Mahal in Agra, the Red Fort in Delhi or the palaces of Fatehpur Sikri, these and other similarly well-preserved monuments of the 16th and 17th centuries testify to the refined taste and unlimited resources of a line of powerful patrons, notably the emperors Akbar, Jahangir and Shah Jahan. Mughal architecture is a remarkable hybrid that fuses building forms, techniques and decorative schemes imported from Iran and Central Asia with long-established Indian materials and techniques. The results are both structurally innovative and aesthetically spectacular, a testament to the genius of Indian masons and craftsmen. The first comprehensive survey of the subject in more than 20 years, this lavish volume documents nearly 100 Mughal sites and monuments in India, Pakistan and Bangladesh. Mughal Architecture and Gardens is enhanced by over 250 stunning colour photographs by Amit Pasricha, one of the most talented architectural photographers working today. His photographs are accompanied by over 80 specially commissioned building plans and site layouts. Sumptuously illustrated with a text by renowned architectural historian George Michell, this book is of interest to students and scholars as well as travellers and general readers. AUTHOR: George Michell is an architectural historian, specialising in ancient Indian architecture. He obtained his PhD from the School of Oriental African Studies, University of London, has directed courses on Asian architecture at the Architectural Association, London, and was co-editor of the journal Art and Archaeology Research Papers from 1972 to 1982. Since the 1980s, he has co-directed an international team of scholars and students at Vijayanagara, the medieval Hindu site in Karnataka. George Mitchell has also lectured at universities and museums throughout the USA, Europe, India and Australia. Among his many publications are The Royal Palaces of India, Islamic Heritage of the Deccan, Architecture of the Islamic World: Its History and Social Meaning and Palaces of Rajasthan. Amit Pasricha lives in New Delhi and comes from a family of photographers. A well-known architectural and social documentary photographer, his work has been exhibited in India, London and New York. His photographs have also been published in several books, including Dome over India: Rashtrapati Bhavan, Horizons: The Tata-India Century and India: Then and Now. Pasricha's most recent publication is the panoramic collector's edition, The Monumental India Book, winner of the Indian Tourism Award, 2008. SELLING POINTS: The first comprehensive survey of the subject in more than 20 years, this lavish volume documents nearly 100 Mughal sites and monuments in India, Pakistan and Bangladesh ILLUSTRATIONS: 270 colour

The Mughal dynasty (1526-1858) began with the visionary garden builder and conqueror, Zahir and Din Muhammad Babur. As he conquered new lands, he would build gardens to mark the beauty of the natural landscape and to lay claim to the new territory; the role of garden design and meaning thereafter evolved with each Mughal ruler.

Comprising ten papers which critically examine the field of garden history, presented at the twenty-first Dumbarton Oaks Colloquium on the History of Landscape Architecture. Topics include changes in approaches to garden history and architectural studies over time and new historical investigations and discoveries in Italian and Mughal gardens. Good

This book unites new information and surprising results from the last fifteen years of garden research, at a remove from the clichés of Orientalism. Garden archaeology reveals the economic importance of Judean gardens in Roman times and the visual complexity of gardens created and transformed in Moorish Spain. More contemporary approaches unravel the cultural continuities, variations, and differences between gardens in the Middle East since Roman times and in the Islamic world.

The first-ever adult coloring book from India brings the romance of Mughal gardens alive, through the classic patterns created by India s best-known design company, Good Earth. Using lush details from its eclectic design directory, Good Earth takes you on a journey of discovery in Bagh-e-Bahar: A Mughal Garden. With its trademark combination of Persian, Central Asian and indigenous Indian styles, it narrates the story of these beautiful gardens, full of immortal quotes from the mystical Sufi poet, Rumi. Sumptuously designed, this delightful book is a design classic and the perfect gift, both to yourself as well as to others seeking to de-stress and explore their creative self.

The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions. In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.

Brigitte Singh first came to Sanganer, Jaipurs hand blockprinting centre, as a student of miniatures, and today, 30 years later, the visual almanac of her work gives us a truly alternate way to read medieval and modern civilisational encounters through the evolution and transmission of motifs and craft techniques over centuries. Singhs exquisite work with blockprints is a form of re-enacted design history, rendered in visual rather than textual terms. Uncovering and reaching down to the purer forms, to the composite aesthetic of the 18th century, it offers a singular source of access to a seminal epoch in design. This volume illustrates how Singh has approached her craft with an archaeological devotion, peeling off dusty layers from the long-obscured story of blockprinting in the subcontinent. Her work yields a truly Indian aesthetic, fully formed and yet open to influences, full of grand narratives but so dense with detail and meaning that in every telling, something new and essential is revealed both to the raconteur and the audience. With Introduction by Laila Tyabji, and contributions by Jasleen Dhamija, Rosemary Crill, Jacqueline Thom� Jacqu�, Michel Biehn, Sheela Reddy, Paola Manfredi, Chandramani Singh, Sunil Menon and Aleta Bartel.

Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India. Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra. Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections. Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.

This book presents a set of new and innovative essays on landscape and garden culture in precolonial India, with a special focus on the Deccan. Most research to date has concentrated on the comparatively well preserved gardens and built landscapes of the celebrated Mughal empire, giving the impression that they have been lacking in other times and regions. Not only does this volume provide a corrective to such assumptions, it also moves away from traditional art-historical approaches by posing new questions and exploring hitherto neglected source materials. The contributors understand gardens in two related ways: first as real or imagined spaces and manipulated landscapes that are often invested with pronounced semiotic density; and second as congeries of institutions and practices with far-reaching social ramifications for the constitution of elite societies. The essays here present a multi-disciplinary approach to the study of garden culture in precolonial India, and together suggest several new and exciting directions of enquiry for those working in the Deccan, Mughal India, and beyond.