In this fascinating study, Partha Mitter traces the history of European reactions to Indian art, from the earliest encounters of explorers with the exotic. East to the more sophisticated but still incomplete appreciations of the early twentieth century. Mitter's new Preface reflects upon the profound changes in Western interpretations of non-Western societies over the past fifteen years.

A revised and updated edition of a classic work originally published by the Clarendon Press in 1977, in this fascinating study Partha Mitter traces the history of European reactions to Indian art, from the earliest encounters of explorers with the exotic East to the more sophisticated but still incomplete appreciations of the early twentieth century.

The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.

This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.

Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.

So attached was the author Patricia Highsmith to snails that they became her constant travelling companions. Often hidden in a large handbag, they provided her with comfort and companionship in what she perceived to be a hostile world. Theirs was perhaps an unusual relationship; for most of us the tentacled snail with his sticky trail might be a delicious treat served up in garlic butter but certainly not an affectionate pet. As well, for many a gardener, opinions on the snail and slug (which is a just a snail without a shell) have been shaped by the harm they inflict on vegetable plants and seedlings. With Snail, Peter Williams wishes to change our perspectives on this little but much-maligned creature. Beginning with an overview of our relationship with snails, slugs, and sea snails, Williams moves on to examine snail evolution; snail behavior and habitat; snails as food, medicine, and the source of useful chemicals and dyes; snail shells as collectible objects; and snails in literature, art, and popular culture. Finally, in this appreciative account of the snail, Williams offers a plea for a reconsideration of the snail as a dignified, ancient creature that deserves our respect. Containing beautiful illustrations and written in an approachable, informal style, Snail will help readers get beyond the shell and slime to discover the fascinating creature inside.

" ... Presents an overview of the animals that have the greatest impact on our lives, from the creatures that eat our crops to the ones that invade our homes and those that transmit diseases"--Publisher description.

The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art history, religious studies, history, classics, and cultural and media studies. The companion will offer scholars and graduate students the first comprehensive and authoritative review of this emergent field.

An original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophiles Alberto Manguel, in a style both charming and erudite, examines how literary characters live with us from childhood on. Throughout the years, they change their identities and emerge from behind their stories to teach us about the complexities of love, loss, and the world itself. Manguel's favorite characters include Jim from Huckleberry Finn, Phoebe from The Catcher in the Rye, Job and Jonah from the Bible, Little Red Riding Hood and Captain Nemo, Hamlet's mother, and Dr. Frankenstein's maligned Monster. Sharing his unique powers as a reader, Manguel encourages us to establish our own literary relationships. An intimate preface and Manguel's own "doodles" complete this delightful and magical book.

In this impressionistic account of the sixteen months he spent in a small town in Bihar, Vijay Nambisan, tries to discover the forces that drive or thwart the most populous and the most damned state in the Indian Union. 'A biting story of broken promises, institutional rot and exploitation...' --Biblio 'In a brutally transparent narrative Vijay Nambisan questions the very edifice on which Indian democracy stands even as he is startled by the divine chaos that Bihar is trapped in.' --The Pioneer