Let this book help you to know that: A crisis does not need to destroy you. Worry wrinkles diminish with a clear conscience. Friendships are worth all they cost. A good attitude opens many doors. Cherished memories add spice to life. Smiles do what wrinkles cannot do. Forgiveness creates a healthy body and soul. What you say to yourself can make or break you. Your body is a gift worthy of good care. The upward look brings a Divine Helper. " ...he here brings together lessons from his "prayer of dominant desire." He has answered many a call from church and community, with a humble: Here am I, send me. I cannot think of anyone, regardless of age or station, who will not be enlightened and inspired by reading this book. I am honored to recommend it." -- Rev. O. Gerald Trigg, PhD "What leaves an impression are the experiences of a man with an underlying happy heart, ever glad to be of service to God and others." --Philip Green Jr. "I wrote this book at my age because I felt led to do so. This book has much to say about what God has done through me." --Philip Green Sr.

Dr. William Plumley writes about Sydney M. Kleeman's first book of poems, "these reflections are not exactly poems and not exactly meditations." The same can be said of this second collection of poems, in which Sydney Kleeman revisits the themes of the aging process, social justice, man's inhumanity to man, and his hope for a more just world. At times he writes profound commentary on man's egregious treatment of his fellow man, urging his readers to raise their voices to make a difference. Other poems, such as A Rare Moment, show the author's lighter, more personal side as he meets his great-granddaughter for the first time. Finally, these poems are the work of a wise nonagenarian, imparting the wisdom gained through a life full of work, travel, and community service, as he faces the inevitability of aging, but never stops striving to make his voice heard.

By almost any reckoning, the Ninety-Five Theses ranks as the most important text of the Reformation, if not in substance at least in impact. As the anniversary of its posting on the church door in Wittenberg approaches, what better way to remember and recognize the occasion than to make this important text more easily understood by twenty-first-century readers? Timothy J. Wengert, one of the best-known interpreters of Luther and Lutheranism active today, sets his newly translated Ninety-Five Theses in its historical context with a detailed introduction and illuminating study notes. To help the reader understand the context and the import of the Ninety-Five Theses more deeply, Wengert provides two more related and essential documents: Luthers Letter to Archbishop Albrecht of Mainz (to which he appended a copy of the Theses) and Luthers 1518 Sermon on Indulgences and Grace (written to inform the German-speaking public of his view of indulgences). The book is simply constructed with introductions and notes for each of the writings, as well as a study guide with questions for individual or group reflection and conversation.

The author's discovery of a brief 16mm film shot by his grandfather during a 1938 visit to his soon-to-be-extinguished birthplace in Poland unfolds like a detective story. Now the basis for the documentary Three Minutes: A Lengthening. Named one of the best books of 2014 by NPR, The New Yorker, and The Boston Globe When Glenn Kurtz stumbles upon an old family film in his parents' closet in Florida, he has no inkling of its historical significance or of the impact it will have on his life. The film, shot long ago by his grandfather on a sightseeing trip to Europe, includes shaky footage of Paris and the Swiss Alps, with someone inevitably waving at the camera. Astonishingly, David Kurtz also captured on color 16mm film the only known moving images of the thriving, predominantly Jewish town of Nasielsk, Poland, shortly before the community's destruction. "Blissfully unaware of the catastrophe that lay just ahead," he just happened to visit his birthplace in 1938, a year before the Nazi occupation. Of the town's three thousand Jewish inhabitants, fewer than one hundred would survive. Glenn Kurtz quickly recognizes the brief footage as a crucial link in a lost history. "The longer I spent with my grandfather's film," he writes, "the richer and more fragmentary its images became." Every image, every face, was a mystery that might be solved. Soon he is swept up in a remarkable journey to learn everything he can about these people. After restoring the film, which had shrunk and propelled across the United States; to Canada, England, Poland, and Israel; and into archives, basements, cemeteries, and even an irrigation ditch at an abandoned Luftwaffe airfield as he looks for shards of Nasielsk's Jewish history. One day, Kurtz hears from a young woman who had watched the video on the Holocaust Museum's website. As the camera panned across the faces of children, she recognized her grandfather as a thirteen-year-old boy. Moszek Tuchendler of Nasielsk was now eighty-six-year-old Maurice Chandler of Florida, and when Kurtz meets him, the lost history of Nasielsk comes into view. Chandler's laser-sharp recollections create a bridge between two worlds, and he helps Kurtz eventually locate six more survivors, including a ninety-six-year-old woman who also appears in the film, standing next to the man she would later marry. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. "I began to catch fleeting glimpses of the living town," Kurtz writes, "a cruelly narrow sample of its relationships, contradictions, scandals." Originally a travel souvenir, David Kurtz's home movie became the most important record of a vibrant town on the brink of extinction. From this brief film, Glenn Kurtz creates a poignant yet unsentimental exploration of memory, loss, and improbable survival--a monument to a lost world.

An intellectual and professional biography of one of Canada's most prominent artists.

"The Others' Mistakes manuscript having been sent for publication during the fall into winter holiday season of 2010 for January 2011 publication - the story begun actually during the Indian summer and beginning to take place in late fall of 2025 - continues in this spring into summer 2027 adventure. This time not through emails across twenty year spans of time, but now between physical distances... From Canada, back at The Estuary Estate, and heading south on a mystery tour the bizarre bazaar of ideas continues. The curtain of time will indeed again be opened -- even torn in an adventurous way -- in the physical sense as this amazing second installment in the Johnny 54 Project series moves along in fast paced, high energy level description of the few decades future... and how that time relates to ours now!"