A year or two into her marriage, Elizabeth Darcy has much on her mind: she has still not produced an heir for Mr Darcy, there are preparations to be made for the Pemberly summer ball, and her youngest sister Lydia has been abducted by aliens. As Regency England sleepwalks towards tentacled oblivion, will she be able to reunite with her old foe Wickham and put a stop to their evil plans? Meanwhile, in the East End of London, the repulsive Mr Collins is running a Mission for fallen women whilst his poor wife Charlotte has fallen under the malign spell of Lord Byron and is now a laudanum addict. But is everything at the Mission all that it seems? What is Mr Darcy doing there? And why are there strange lights in the sky over Lady Catherine de Bourgh's seat at Rosings? This is probably the most unconventional sequel to a Jane Austen novel ever written. It is certainly the funniest.

In this enchanting debut novel, Galen Beckett weaves a dazzling spell of adventure and suspense, evoking a world of high magick and genteel society—a world where one young woman discovers that her modest life is far more extraordinary than she ever imagined. Of the three Lockwell sisters—romantic Lily, prophetic Rose, and studious Ivy—all agree that it’s the eldest, the book-loving Ivy, who has held the family together ever since their father’s retreat into his silent vigil in the library upstairs. Everyone blames Mr. Lockwell’s malady on his magickal studies, but Ivy alone still believes—both in magic and in its power to bring her father back. But there are others in the world who believe in magick as well. Over the years, Ivy has glimpsed them—the strangers in black topcoats and hats who appear at the door, strangers of whom their mother will never speak. Ivy once thought them secret benefactors, but now she’s not so certain. After tragedy strikes, Ivy takes a job with the reclusive Mr. Quent in a desperate effort to preserve her family. It’s only then that she discovers the fate she shares with a jaded young nobleman named Dashton Rafferdy, his ambitious friend Eldyn Garritt, and a secret society of highwaymen, revolutionaries, illusionists, and spies who populate the island nation of Altania. For there is far more to Altania than meets the eye and more to magick than mere fashion. And in the act of saving her father, Ivy will determine whether the world faces a new dawn—or an everlasting night. . . .

Brilliant, handsome, and born into a world of class and wealth, Fitzwilliam Darcy learns early that giving his heart comes with a price even he could not afford to pay in this romantic comedy inspired by the characters of Jane Austen's "Pride and Prejudice."

Something doesn't add up about Archie and Pye ... After a disastrous day at work, disillusioned junior PR executive Tom Winscombe finds himself sharing a train carriage and a dodgy Merlot with George Burgess, biographer of the Vavasor twins, mathematicians Archimedes and Pythagoras, who both died in curious circumstances a decade ago. Burgess himself will die tonight in an equally odd manner, leaving Tom with a locked case and a lot of unanswered questions. Join Tom and a cast of disreputable and downright dangerous characters in this witty thriller set in a murky world of murder, mystery and complex equations, involving internet conspiracy theorists, hedge fund managers, the Belarusian mafia and a cat called μ. Praise for Jonathan Pinnock: ‘Lovely stuff.’ Ian Rankin 'A series of humorous, riotous mathematical mysteries.' David Nicholls ‘He makes funny and self-deprecating company.’ The Herald ‘Jonathan Pinnock writes compelling tales with a deliciously wicked glint in his eye.’ Ian Skillicorn, National Short Story Week ‘Jonathan Pinnock is Roald Dahl’s natural successor.’ Vanessa Gebbie “Funny, clever, and sometimes brilliantly daft. A comedy that I am sure would have made Pythagoras, Archimedes and Douglas Adams all laugh out loud.” Scott Pack on The Truth About Archie and Pye

This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.

Jane Austen's career as a novelist began in 1811 with the publication of Sense and Sensibility. Her work was finally adapted for the big screen with the 1940 filming of Pride and Prejudice (very successful at the box office). No other film adaptation of an Austen novel was made for theatrical release until 1995. Amazingly, during 1995 and 1996, six film and television adaptations appeared, first Clueless, then Persuasion, followed by Pride and Prejudice, Sense and Sensibility, the Miramax Emma, and the Meridian/A&E Emma. This book traces the history of film and television adaptations (nearly 30 to date) of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art. The first of seven chapters explains why the novels of Jane Austen have become a popular source of film and television adaptations. The following six chapters each cover one of Austen's novels: Sense and Sensibility, Pride and Prejudice, Emma, Mansfield Park, Persuasion, and Northanger Abbey. Each chapter begins with a summary of the main events of the novel. Then a history of the adaptations is presented followed by an analysis of the unique qualities of each adaptation, a comparison of these adaptations to each other and to the novels on which they are based, and a reflection of relevant film and literary criticism as it applies to the adaptations.

With warmth and humor, lifelong Janeite Deborah Yaffe opens the door on the quirky, thriving subculture of Jane Austen fandom.

Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.

Will their love survive their in-laws? The newlyweds of Derbyshire-formerly Mr. Darcy and Miss Elizabeth Bennet-barely have time to enjoy each other's company before unexpected visitors descend upon Pemberley. To Elizabeth's horror, her mother and father have invited themselves and their two married daughters to stay with the Darcys, and their departure date remains as elusive as Mrs. Bennet's manners. Elizabeth feels torn between her duties as a hostess and her desire to throttle her mother to have a moment's peace. Worse, the quest to discover the Bennets' true motives for being there threatens the deep affection she and her husband have for each other. When Mr. Darcy learns the shocking cause of this impromptu visit, he must devise a plan with his wife to save her family from ruin... again. But first, he must save his marriage.

Despite dying in relative obscurity, Jane Austen has become a global force as different readers across time, space and media have responded to her work. This volume examines the ways in which her novels affect individual psychologies and how Janeites experience her work, from visiting her home to public re-enactments to films based on her writings.