Lee Smith is a "teller of tales for tale tellers to admire and envy . . . [and] a reader’s dream" (Houston Chronicle). A celebrated and bestselling writer with a dozen novels under her name, including Fair and Tender Ladies, Oral History, and The Last Girls, she is just as widely recognized for her exceptional short stories. Here, in Mrs. Darcy and the Blue-Eyed Stranger, Smith collects seven brand-new stories along with seven of her favorites from three earlier collections. The result? A book of dazzling richness. As the New York Times Book Review put it, "In al- most every one of [her stories] there is a moment of vision, or love, or unclothed wonder that transforms something plain into something transcendent."

Lee Smith is a "teller of tales for tale tellers to admire and envy . . . [and] a reader’s dream" (Houston Chronicle). A celebrated and bestselling writer with a dozen novels under her name, including Fair and Tender Ladies, Oral History, and The Last Girls, she is just as widely recognized for her exceptional short stories. Here, in Mrs. Darcy and the Blue-Eyed Stranger, Smith collects seven brand-new stories along with seven of her favorites from three earlier collections. The result? A book of dazzling richness. As the New York Times Book Review put it, "In al- most every one of [her stories] there is a moment of vision, or love, or unclothed wonder that transforms something plain into something transcendent."

This literary companion surveys the works of Lee Smith, a Southern author lauded for her autobiographical familiarity with Appalachian settings and characters. Her dialogue captures the distinct voices of mountain people and their perceptions of local and world events, ranging from the Civil War to ecology and modernization. Mental and physical disability and the Southern cultural norm of including the disabled as both family and community members are recurring themes in Smith's writing. An A to Z arrangement of entries incorporates specific titles, and themes such as belonging, healing and death, humor, parenting and religion.

Featuring the work of twenty-five fiction writers and poets, this anthology is a captivating introduction to the finest of contemporary Appalachian literature. Here are short stories and poems by some of the region’s most dynamic and best-loved authors: Barbara Kingsolver, Ron Rash, Nikki Giovanni, Robert Morgan, Lisa Alther, and Lee Smith among others. In addition to compelling selections from each writer’s work, the book includes illuminating biographical sketches and bibliographies for each author. These works encompass a variety of themes that, collectively, capture the essence of Appalachia: love of the land, family ties, and the struggle to blend progress with heritage. Readers will enjoy this book not just for the innate value of good literature but also for the insights it provides into this fascinating area. This book of fiction is an enlightening companion to non-fiction overviews of the region, including the Encyclopedia of Appalachia and A Handbook to Appalachia: An Introduction to the Region, both published by the University of Tennessee Press in 2006. In fact the five sections of this book are the same as those of the Encyclopedia. Educators and students will find this book especially appropriate for courses in creative writing, Appalachian studies and Appalachian literature. Editor George Brosi’s foreword presents an historical overview of Appalachian Literature, while Kate Egerton and Morgan Cottrell’s afterword offers a helpful guide for studying Appalachian literature in a classroom setting. George Brosi is the editor of Appalachian Heritage, a literary quarterly, and, along with his wife, Connie, runs a retail book business specializing in books from and about the Appalachian region. He has taught creative writing, Appalachian studies and Appalachian literature. Kate Egerton is an associate professor of English at Berea College. She has taught Appalachian literature and published scholarship in that field as well as in modern drama. Samantha Cole majored in Appalachian Studies and worked for Appalachian Heritage while a student at Berea College. Morgan Cottrell is a West Virginia native who took Kate Egerton's Appalachian literature class at Berea College.

Centrat en les obres de Kate Chopin, Elizabeth Madox Roberts, Zora Neale Hurston, Lillian Smith, Eudora Welty, Alice Walker, Llegix Smith, Jill McCorkle i Bobbie Ann Mason, aquest llibre analitza el retrat ambivalent de l'espai domèstic descrit per les escriptores del sud. Les qüestions més profundes de gènere, raça i classe en una societat tradicional com la del sud americà es manifesten precisament dins l'esfera domèstica, on l'espai és sovint un mitjà crucial de dominació. Les escriptores contemporànies del sud sovint han utilitzat la transformació de la llar i els seus significats com una nova font per a la ficció. Han estat explorant formes noves i antigues d'imaginar el que podria ser una llar i la seva narrativa diu molt de la manera en la qual el treball, els llocs i la família contribueixen a la creació d'un altre en el sud contemporani.

"I mean, what is a woman? I assure you, I do not know. I do not believe that you know. I do not believe that anybody can know until she has expressed herself in all the arts and professions open to human skill."—Virginia Woolf, Professions for Women Writing The Woman Artist is a collection of essays that explores the ways in which women writers portray women painters, sculptors, writers, and performers. Surveying the works of a variety of women writers—from the nineteenth and twentieth centuries, from different ethnic, national , racial, and economic backgrounds—this book treats their revisions of the Künstlerroman and their perceptions of the relationships between muse, artist, and audience in other genres. Suzanne W. ]ones and her collaborators seek to understand how representations of women artists and their poetics and politics are mediated by social and historical factors, including literary movements and theories of language. In doing so, they make an important contribution to the field of feminist scholarship, and generate new ways of understanding how the dynamics of creativity intersect with the dynamics of gender. Contributors to the volume are Ann Ardis, Alison Booth , Kathleen Brogan, Lynda Bundtzen, Pamela Caughie, Mary DeShazer, Linda Dittmar, Josephine Donovan, Susan Stanford Friedman , Gayle Greene, Linda Hunt, Katherine Kearns, Holly Laird, Estella Lauter, Z. Nelly Martinez, Jane Atteridge Rose, Margaret Diane Stetz, Renate Voris, and Mara Witzling. Writing The Woman Artist is a valuable new resource for scholars and students working in the fields of European and American literature and women's studies.

The world fell apart for author Daniel de Roulet the moment his son was diagnosed with autism. In Finding Your Plot in a Plotless World, de Roulet takes a closer look at those devastating moments in everyone's lives and the journey that follows. What do we do when our sense of God's plan for our lives crumbles around us? How do we find our plots in a seemingly plotless world? For answers, de Roulet looks to stories--those of our own culture and the Bible. Along the way, de Roulet encourages readers to be authentic as they tell their own stories and leaves them with hope that God reveals himself through our messy lives. EXCERPT Let me make something clear: I am convinced that for Christians, even in the darkest night, there is joy in the morning. God does work all things together--however unlikely the parts--for good for those who love him. But the roads of our progress from darkness to light will often be through murky or unpleasant waters, and our discoveries may not be as whole or as resounding as one could hope. But talking about the whole journey--darkness and light--is being honest to the condition of being human, and perhaps we can help others to begin to make the leap between the difficulties of the now and the promises of the not yet. Successful storytellers and teachers tend to meet their audiences where they are--not where they want them to be. There are times for all of us, Christian and non-Christian alike, when the world seems dark and senseless and morning seems far off, and these times are often when God's plot is the most relevant. And so this book talks about a journey from plotlessness to plot. Its chapters are meant to be guides for both reading God's stories: narratives that I think God uses to reach down into our own experiences and tell us about himself, and our own stories: the words that we use to tell our experiences to each other and, I believe, to God.

Includes story by Minnesota author Thomas M. Disch.

A NEW YORK TIMES NOTABLE BOOK “Extremely powerful…Me and My Baby View the Eclipse is about striving and the secret nobility of people who live in a small-town American South. In these stories—thank heaven—not everything fits: they are loose, they are sometimes awkward, but just about every one shines with revelation and awe in the face of momentary greatness and tragedy.…Nearly every one of these stories could move a reader to tears, for in almost every one of them there is a moment of vision, or love, or unclothed wonder that transforms something plain into something transcendent.”—The New York Times Book Review “Remarkable…Lee Smith is a Southern storyteller in the very best tradition, combining an unmistakable voice with an infallible sense of story.… Her craft is so strong it becomes transparent, and, like the best storytellers, she knows how to get out of the way so the story can tell itself.”—San Francisco Chronicle “From its wonderful title to its final sentence, this book brims with the poetry of the South.”—Los Angeles Times Book Review “Marvelously entertaining…These are stories you want to read again to catch all the things you missed the first time around."—The Boston Globe

In this important study, Rebecca Smith (no relation to the author of this study) uses language theory and feminist critical theory to examine Lee Smith's "critique" of gender ideology in her fiction. This book charts Lee Smith's fictional exploration of the cultural devaluation of women and of the traditional romance plot. An in-depth look at Smith's appropriation of male myth, images and language, all of which she uses to deconstruct traditional gender arrangements, the work chronologically covers Lee Smith's first nine novels and her two short story collections.