Drama, on the love of Carudatta, an impoverished merchant, for Vasantasena, a hetaera.

This little work has been done on the aesthetics of wonder; the writers on Sanskrit poetics have had little to say about this most attractive sensation. This work examines, in great depth, the excitants of the sense of wonder and the various purposes for which poets harness it and presents the concepts, for the first time in the history of Sanskrit aesthetics, embellished with ddlectable examples drawn from the whole of Sanskrit literature. The crowning achievement of the author is the startlingly new discovery about the nature and the role played by wonder which will revolutionize the existing concept of the sensation. The most attractive and unusual feature of the book is the high readability achieved through a scintillating style of presentation distinguished by sparkling wit and humour. An epoch-making book which scholars and lay lovers of literature alike would love to read.

List of members in each volume.

This book gives a detailed critical introduction to Mrcchakatika, a popular and widely translated Sanskrit play. Mrcchakatika is based on the elegant love story of Carudatta and Vasantasena with other subplots the romantic episode of Sarvilaka and Madanika. In addition, a political revolution against a tyrant ruler. The characters, so living, real and lovable, represents manifold strata of Indian society right from kings to thieves.

This book considers the popular cinema of North India (Bollywood) and how it recasts literary classics. It addresses the socio-political implications of popular reinterpretations of elite culture, exploring gender issues and the perceived sexism of popular films and how that plays out when literature is reworked into film.