Mr Peabody has invented the WABAC, a time-travelling machine that he and his adopted boy Sherman use to explore history. Examining the making of the DreamWorks comedy animation, this book goes behind the scenes in order to shed light on the creative process involved in bringing the film to fruition.

Boys and girls 4-6 will love learning to read in this Step 2 Step into Reading leveled reader that retells some of Mr. Peabody and Sherman's most exciting time-travelling adventures from the DreamWorks Animation hit movie Mr. Peabody & Sherman.

DreamWorks Animation brings Jay Ward's classic cartoon Mr. Peabody & Shermanto the big screen in an all-new comedy adventure for the whole family. Mr. Peabody is the world's smartest person who happens to be a dog. When his "pet" boy, Sherman, uses their time-traveling WABAC machine without permission, the events in history spiral out of control to disastrous and comical results! It's up to this most unexpected of father-son teams to put things back on track. Children ages 3–7 will enjoy this full-color Pictureback storybook that retells one of the movie's most exciting time-traveling adventures.

Originally published as Mr. Peabody & Sherman issues #1-4.

For use in schools and libraries only. When Mr. Peabody's "pet" boy Sherman uses their time-traveling machine without permission, the events in history spiral out of control to disastrous and comical results.

A visual celebration of DreamWorks Animation's 20th anniversary, featuring concept art, pre-production designs and character sketches from all 30 of the studio's films.

Being a good mom isn't about doing everything right to create a set of perfect trophy children--though every mom has felt the pressure to do just that and to do it all on her own. To ask for help feels like defeat. Yet when we try to do it all by our own strength, we end up depleted, lonely, and ineffective. Heather MacFadyen wants you to know that you are not meant to go it alone. Sharing her most vulnerable, hard mom moments, she shows how moms can be empowered by God, supported by others, and connected with their children. With encouragement and insight, she helps you foster the key relationships you need to be the mom you want to be. Whether you work or stay home, whether you have teenagers or babes in arms, you'll find here a compassionate friend who wants the best--not just for your kids but for you.

Your source for cinebriation - this compilation combines more than 60 reviews from Alcohollywood's written film review columns Fresh Pour and Rare & Vintage from 2013 into a single volume. - Since 2011, Jared and Clint of the Alcohollywood podcast made new drinking games for movies each week - new or old, good or bad, they toasted to it all. In 2013, they added two new columns to supplement their award-nominated podcast, adding even more acerbic wit and in-depth analysis to the world of online film criticism. Every witticism and criticism is included in this single-volume compendium of more than 60 reviews form 2013's output of Alcohollywood's two written columns - Fresh Pour, Clint's weekly review of two new releases, and Rare & Vintage, Jared's archaeological foray into lost forgotten filmic gems. If you're searching for your perfect source for cinebriation, look no further.

One animation empire was built on a mouse, another was built on a rabbit. This one was built on the unlikely combination of a moose and squirrel. It began in the late 1940's, when Jay Ward and his lifetime friend, Alex Anderson, joined forces to create a cartoon series for the fledgling medium of television with a budget that would make "shoestring" look generous. The result was Crusader Rabbit, which debuted on a local NBC affiliate in Los Angeles in mid-summer of 1950. The cheaply produced and minimally animated series became the inauspicious and unlikely beginning of a TV animation powerhouse with a defiantly innovative-and influential-brand of humor that shaped animated comedy for decades. As the 1950's drew to a close, Ward, with now-former partner Anderson's blessing, took two characters from an unsold series they had developed together, teamed with writer Bill Scott and a couple of freelance UPA artists, and created a short pilot film starring a flying squirrel and a hapless but hilarious moose. That pilot, Rocky The Flying Squirrel, launched an animation studio that turned out the funniest, hippest and most satirical cartoons on television and creating a comic vocabulary for generations of children and their parents. The shows produced at Jay Ward Productions featured the wittiest writing in the medium, some of the best character voice work, and ... some of the worst animation. Assembling a staff of first rate writers and artists, Jay Ward was undermined by the cheapest budgets in what was already a low-budget medium. And it showed. In one of the earliest examples of runaway production, Ward was forced to send the animation out of the country. But what was happening with the art off the screen revealed a fascinating dichotomy of the brilliant draftsmanship on the drawing boards and the crude but effective work that was aired. This behind-the-scenes artwork was never meant to be seen by the general public but was merely a means to an end. Now, for the first time anywhere, we are provided an in-depth look at the comic artistry of a talented group of designers, storytellers and directors who created such fondly remembered shows as Rocky and His Friends, Fractured Fairy Tales, Peabody's Improbable History, Dudley Do-right, George of the Jungle and Super Chicken.

A boy learns a lesson about the destructive power of gossip.