"There is magic in the air around them as Mpumi and Jabu play. The sign and laugh as the become friends. "Oh, what fun!" they say"--Back cover.

"The beads jingle and jangle and sparkle. The girls all giggle with glee! Mpumi and her friends discover the magic in her hair and what begins as an ordinary school day in Joburg is suddenly full of adventure everywhere!"--Page 4 of cover.

"Kwezi is a young city dweller who discovers he has super human abilities. His journey starts off as a self serving narcissist who only uses his abilities to further his social status. This is until he is tracked down by three individuals who exhibit similar evolutionary talents. It's not long until Kwezi is confronted with the truth about his powers and is faced with an important decision; to carry out his life serving no particular purpose, or joining his new companions on a journey to discover who he really is and what he is destined to be"--Back cover, volume [1].

Encapsulates the intensely intimate relationship that the author shared with leopard cubs Little Boy and Little Girl during the year she spent filming them and researching their behavior.

Roger de Sa is known for having played soccer for major South African Clubs Moroka Swallows and Mamelodi Sundowns, both of which he captained as well. He has also played for Bafana Bafana, was a member of the squad that won the African Cup of Nations in 1996 and played 17 games for the national indoor team. Roger de Sa is his autobiography as told to Ernest Landheer and recounts a story which starts with his destitute family's arrival in South Africa after fleeing from Mozambique in the early seventies. It is a story of success, born in dire poverty and driven by determination and guts, with the primary focus on de Sa's experiences during his soccer carrer, including plenty 'behind-the-scene' anecdotes. With a foreword by Aziz Pahad, who is well known in soccer circles.

Gather round for soup fit for the king in this vibrant twist on a classic fable. With brightly colored art and engaging characters, this retelling of the well-known Stone Soup story will captivate young readers. Noko the traveling porcupine arrives in a village. He's denied food and a place to sleep by all the animals he meets. Finally he's granted a fire and a large pot of water. He adds a few of his quills to make his famous quill soup, which he says the king loves! Slowly but surely, everyone contributes ingredients--carrots, beans, and more. Will the soup feed them all?

South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.

Discover the exhilarating diversity of the African continent in storyteller Atinuke’s kaleidoscopic nonfiction guide to the people, flora, and fauna of all fifty-five countries. A Nigerian storyteller explores the continent of Africa country by country: its geography, peoples, animals, history, resources, and cultural diversity. The book is divided into five distinct sections—South, East, West, Central, and North—and each country is showcased on its own bright, energetic page brimming with friendly facts on science, industry, food, sports, music, wildlife, landscape features, even snippets of local languages. The richest king, the tallest sand dunes, and the planet’s largest waterfall all make appearances along with drummers, cocoa growers, inventors, balancing stones, salt lakes, high-tech cities, and nomads who use GPS! Atinuke’s lively and comprehensive introduction to all fifty-five African countries—a celebration scaled to dazzle and delight even very young readers—evokes the continent’s unique blend of modern and traditional. Complete with colorful maps, an index, and richly patterned and textured illustrations by debut children’s book artist Mouni Feddag, Africa, Amazing Africa is both a beautiful gift book and an essential classroom and social studies resource.

Echoes of Slavery: Voices from our Past is a collection of true stories, each chosen to illuminate a particular facet of Cape slavery in its mature form. The book concentrates on the final 30 years of slavery in order to place the least distance between Cape slaves and their modern descendants.