An exploration of Mozart’s strong ties to Freemasonry and how its principles profoundly shaped his musical work • Reveals how Mozart structured his music on Masonic ritual and ceremony to provide a musical lexicon of Masonic symbols • Shows that Freemasonry plays the same role in Mozart’s work as Lutheran Christianity plays in that of Bach Thanks to recently discovered documents, we now have a fuller picture of the esoteric influences on the life and work of Wolfgang Amadeus Mozart. Musicologist Jacques Henry shows that the Masonic influence on Mozart goes beyond those pieces, such as The Magic Flute, that fulfilled a ritual purpose for the composer. His works actually provide a complete musical lexicon of Masonic symbols inspired by the principles of the craft and the spirit of the Masonic quest. Mozart constructed his Masonic compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. His understanding of the use of symbol allowed him to create music that would lead the listener into a harmony that transcended earthly existence. A number of musicologists believe that the place of the Masonic spiritual vision in Mozart’s work is comparable to that held by Lutheran Christianity in the work of Johann Sebastian Bach. Mozart wed his deep understanding of music to the esoteric wisdom he gained as a Freemason. He shows that when we lose ourselves in the expression of pure harmony, it is the same as the symbol being lost in what it symbolizes. Jacques Henry provides a rigorous and original analysis of Mozart’s works that reveals their inner meaning as shaped by the composer’s profound embrace of the spiritual principles of Freemasonry.

Insiders call it the Craft. Discover the fascinating true story of one of the most influential and misunderstood secret brotherhoods in modern society. Founded in London in 1717 as a way of binding men in fellowship, Freemasonry proved so addictive that within two decades it had spread across the globe. Masonic influence became pervasive. Under George Washington, the Craft became a creed for the new American nation. Masonic networks held the British empire together. Under Napoleon, the Craft became a tool of authoritarianism and then a cover for revolutionary conspiracy. Both the Mormon Church and the Sicilian mafia owe their origins to Freemasonry. Yet the Masons were as feared as they were influential. In the eyes of the Catholic Church, Freemasonry has always been a den of devil-worshippers. For Hitler, Mussolini and Franco, the Lodges spread the diseases of pacifism, socialism and Jewish influence, so had to be crushed. Freemasonry's story yokes together Winston Churchill and Walt Disney; Wolfgang Mozart and Shaquille O'Neal; Benjamin Franklin and Buzz Aldrin; Rudyard Kipling and 'Buffalo Bill' Cody; Duke Ellington and the Duke of Wellington. John Dickie's The Craft is an enthralling exploration of a the world's most famous and misunderstood secret brotherhood, a movement that not only helped to forge modern society, but has substantial contemporary influence, with 400,000 members in Britain, over a million in the USA, and around six million across the world.

A Stanford University Press classic.

This volume gathers together a cross-section of essays and book chapters dealing with the ways in which musicians and their music have been pressed into the service of political, nationalist and racial ideologies. Arranged chronologically according to their subject matter, the selections cover Western and non-Western musics, as well as art and popular musics, from the eighteenth century to the present day. The introduction features detailed commentaries on sources beyond those included in the volume, and as such provides an invaluable and comprehensive reading list for researchers and educators alike. The volume brings together for the first time seminal articles written by leading scholars, and presents them in such a way as to contribute significantly to our understanding of the use and abuse of music for ideological ends.

Chailley, a professor of music history at the Sorbonne, reveals the coherence of the opera and the hidden significance of its characters and situations. The author relates each of these elements to the esoteric tradition from which they emanate and to Mozart's own involvement with the Masonic brotherhood.

From the author of 1791: Mozarts Last Year and general editor of The Mozart Compendium, this international bestseller has received widespread critical acclaim. Entertainingly and authoritatively written, and richly illustrated with contemporary paintings and engravings, it provides a vivid account of the last decade of Mozarts short but amazingly prolific career one of the most remarkable periods in the entire history of Western music.

Award-winning author Matt Rees takes readers to 18th centuryAustria, where Mozart’s estranged sister Nannerl stumblesinto a world of ambition, conspiracy, and immortal music while attempting touncover the truth about her brother’s suspicious death. Did Mozart’s life endin murder? Nannerl must brave dire circumstances tofind out, running afoul of the secret police, the freemasons, and even theAustrian Emperor himself as she delves into a scandal greater than she had everimagined. With captivating historical details, compelling characters, and areal-life mystery upon which everything hinges, Rees—the award-winning authorof the internationally acclaimed Omar Yussefcrime series—writes in the tradition of Irvin Yalom’sWhen Nietzsche Wept, Louis Bayard’s The Pale Blue Eye, andPhillip Sington’s The Einstein Girl to achievethe very best in historical fiction with Mozart’s Last Aria.

An exploration of how modern Freemasonry enabled Isaac Newton and his like-minded contemporaries to flourish • Shows that Freemasonry, as a mystical order, was conceived as something new--an amalgam of alchemy and science that had little to do with operative Freemasonry • Reveals how Newton and his friends crafted this “speculative,” symbolic Freemasonry as a model for the future of England • Connects Rosslyn Chapel, Henry Sinclair, and the Invisible College to Newton and his role in 17th-century Freemasonry Freemasonry, as a fraternal order of scientists and philosophers, emerged in the 17th century and represented something new--an amalgam of alchemy and science that allowed the creative genius of Isaac Newton and his contemporaries to flourish. In Isaac Newton’s Freemasonry, Alain Bauer presents the swirl of historical, sociological, and religious influences that sparked the spiritual ferment and transformation of that time. His research shows that Freemasonry represented a crossroads between science and spirituality and became the vehicle for promoting spiritual and intellectual egalitarianism. Isaac Newton was seminal in the “invention” of this new form of Freemasonry, which allowed Newton and other like-minded associates to free themselves of the church’s monopoly on the intellectual milieu of the time. This form of Freemasonry created an ideological blueprint that sought to move England beyond the civil wars generated by its religious conflicts to a society with scientific progress as its foundation and standard. The “science” of these men was rooted in the Hermetic tradition and included alchemy and even elements of magic. Yet, in contrast to the endless reinterpretations of church doctrine that fueled the conflicts ravaging England, this new society of Accepted Freemasons provided an intellectual haven and creative crucible for scientific and political progress. This book reveals the connections of Rosslyn Chapel, Henry Sinclair, and the Invisible College to Newton’s role in 17th-century Freemasonry and opens unexplored trails into the history of Freemasonry in Europe.

An exploration of Freemasonry and its history, philosophy, symbols and practices.

Today some six million Freemasons around the world continue to perform their rituals regularly – an enormous legacy of spiritual endeavour, kept largely in secret. In Britain alone there are over 7,000 lodges, with a quarter of a million members. What is this wealth, this appeal, and how did the philosopher and spiritual scientist Rudolf Steiner reinterpret or reconstruct Freemasonry’s time-worn legacy? Unless one is a Freemason, the masonic world, with its arcane conventions and language, remains largely unknown: an obscurity that is almost impossible to fathom. Yet understanding its traditions and style are invaluable when approaching Goethe, Mozart, Herder, Lessing and Novalis – as well as Rudolf Steiner. Steiner himself renewed the ‘Royal Art’ of Freemasonry from 1906 to 1914 through his ritual work known as Mystica Æterna. When Steiner invigorated education, medicine, the social order and religion, he fully intended that committed and professional individuals should assume responsibility for the new initiatives. But this was not the case with the Masonic Order he founded, whose leadership he took upon himself. Even the celebration of his passing in 1925, led by Marie Steiner, was entirely Masonic in character. In the context of continuing resistance and misrepresentation, N.V.P. Franklin uncovers the living heart of Freemasonry and reveals why it was – and still is – immensely relevant to anthroposophy. With profound research into its older rituals and teachings, this detailed and conscientious study is a unique contribution to comprehending freemasonry and anthroposophy – both historically and in the present day.