“A fascinating story, rich in emotion.” —Diana Gabaldon, New York Times bestselling author of the Outlander series North Carolina, 1793 Ian Cameron, a Boston cabinetmaker turned frontier trapper, has come to Mountain Laurel hoping to remake himself yet again—into his planter uncle’s heir. No matter how uneasily the role of slave owner rests upon his shoulders. Then he meets Seona—beautiful, artistic, and enslaved to his kin. Seona has a secret: she’s been drawing for years, ever since that day she picked up a broken slate to sketch a portrait. When Ian catches her at it, he offers her opportunity to let her talent flourish, still secretly, in his cabinetmaking shop. Taking a frightening leap of faith, Seona puts her trust in Ian. A trust that leads to a deeper, more complicated bond. As fascination with Seona turns to love, Ian can no longer be the man others have wished him to be. Though his own heart might prove just as untrustworthy a guide, he cannot simply walk away from those his kin enslaves. With more lives than his and Seona’s in the balance, the path Ian chooses now will set the course for generations of Camerons to come. A story of choice and consequence, of bondage and freedom, of faith and family.

Bestselling author Jude Deveraux spins a rollicking story of a mismatched couple who unearth a sparkling, irresistible passion across the rugged West! Captain Ring Montgomery was handsome, a skilled rider, a crack shot, popular with the men and their ladies. That was reason enough for a jealous, surly colonel to saddle Montgomery with a most peculiar assignment: to escort an opera singer into the Colorado gold fields. Ring’s plan was to scare the little lady enough so that she’d hightail it for home. After all, a Civil War was brewing! But LaReina, The Singing Duchess—as Maddie was called—didn’t scare easily. And she didn’t intend to explain her reasons for coming West to any high and mighty soldier. Captain Montgomery might be smart enough to figure out that she was no European duchess, and gentleman enough not to take advantage of her. But he’d have to go on thinking she had some insane desire to sing opera to a bunch of ragtag miners—for she didn’t dare trust him with the truth…

Laruel Mountain Laruel: the title is a sort of rough palindrome, appropriate for Jake Reinhart's vision, in which time is reflected upon itself and the end is also the beginning (and is also the end). The transient and the enduring are revealed to be one and the same. These photographs - somehow both tender and unsparing - were made in Southwest Pennsylvania, in the Youghiogheny region. One surviving translation has it that "Yough" means four, and "henné" means stream. "I've been along those four streams, and I've seen how they come together," Reinhart says, "losing their specificity yet retaining what is inherent to each - creating something larger and joining places and people that would otherwise appear disjointed and separate." As for the streams, so for the images in Laruel Mountain Laurel: individual pictures exist essentially, while together they bind both space and time - the eternal and the geological brought into a semblance of coherence with the fragile and the human. We see that, despite our best efforts to erase and exploit, the land will ultimately have its own way, and on its own schedule. --

A close look at the aftereffects of the Mount Laurel affordable housing decision Under the New Jersey State Constitution as interpreted by the State Supreme Court in 1975 and 1983, municipalities are required to use their zoning authority to create realistic opportunities for a fair share of affordable housing for low- and moderate-income households. Mount Laurel was the town at the center of the court decisions. As a result, Mount Laurel has become synonymous with the debate over affordable housing policy designed to create economically integrated communities. What was the impact of the Mount Laurel decision on those most affected by it? What does the case tell us about economic inequality? Climbing Mount Laurel undertakes a systematic evaluation of the Ethel Lawrence Homes—a housing development produced as a result of the Mount Laurel decision. Douglas Massey and his colleagues assess the consequences for the surrounding neighborhoods and their inhabitants, the township of Mount Laurel, and the residents of the Ethel Lawrence Homes. Their analysis reveals what social scientists call neighborhood effects—the notion that neighborhoods can shape the life trajectories of their inhabitants. Climbing Mount Laurel proves that the building of affordable housing projects is an efficacious, cost-effective approach to integration and improving the lives of the poor, with reasonable cost and no drawbacks for the community at large.

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In 1928 New York native Muriel Earley Sheppard moved with her mining engineer husband to the Toe River Valley -- an isolated pocket in North Carolina between the Blue Ridge and Iron Mountains. Sheppard began visiting her neighbors and forming friendships in remote coves and rocky clearings, and in 1935 her account of life in the mountains -- Cabins in the Laurel -- was published. The book included 128 striking photographs by the well-known Chapel Hill photographer, Bayard Wootten, a frequent visitor to the area. The early reviews of Cabins in the Laurel were overwhelmingly positive, but the mountain people -- Sheppard's friends and subjects -- initially felt that she had portrayed them as too old-fashioned, even backward. As novelist John Ehle shows in his foreword, though, fifty years have made a huge difference, and the people of the Toe River Valley have been among its most affectionate readers. This new large-format edition, which makes use of many of Wootten's original negatives, will introduce Sheppard's words and Wootten's photography to a whole new generation of readers -- in the Valley and beyond.

a collection of original lyric, poetry

Includes discussion questions and an excerpt from the next book in the series.

Journey into the Blue Ridge Mountains of 1918 where Laurel McAdams endures the challenges of a hard life while dreaming things can eventually improve. But trouble arrives in the form of an outsider. Having failed his British father again, Jonathan Taylor joins is uncle’s missionary endeavors as a teacher in a two-room schoolhouse. Laurel feels compelled to protect the tenderhearted teacher from the harsh realities of Appalachian life, even while his stories of life outside the mountains pull at Laurel’s imagination. Faced with angry parents over teaching methods, Laurel’s father’s drunken rages, and bad news from England, will Jonathan leave and never return, or will he stay and let love bloom?