As the struggle to protect Northwest salmon runs and the urgency of the fight against environmental deterioration escalates, Mountain in the Clouds remains an important and illuminating story, as timely now as when it was first written. The 1995 edition includes a selection of historical photographs.

A nail-biting tale of survival and brotherhood atop one of the world's most dangerous mountains. This fast-paced, three-part narrative takes readers on three expeditions over 15 years to K2, one of the deadliest mountains on Earth. Roped together, these teams of men face perilously high altitudes and battering storms in hopes of reaching the summit. As each expedition sets out, they carve new paths along icy slopes and unforgiving rock, creating camps on ledges so narrow they fear turning over in their sleep. But disaster strikes -- in 1939, four men never make it down the mountain. Fourteen years later, a man develops blood clots in his legs at 25,000 feet, leaving his team with no safe path off the mountain. Filled with displays of incredible strength and heart-stopping danger, Into the Clouds tells the incredible stories of the men whose quest to conquer a mountain became a battle to survive the descent.

Sam is a student, happy to drift through life with little care for his actions or the feelings of others. But when Paul Dales, a former school-friend dies, his final wish is that Sam and three other old friends visit Paul's parents in their house on the west coast of Scotland.A few days are all they have to see how Paul lived and what he saw in the world, to share with his parents their memories. As the days go by, Sam is challenged in ways he can't understand by the simple beauty of Paul's short life and the ideas of Paul's father Daniel. As Sam is finally confronted by the inadequacy of his own life, the mountains hold the path to change him for good.

From one of India’s most accomplished writers, an illuminating novel about identity, family, and mythology set in a rapidly changing, modern India. Recently divorced psychotherapist Farhad Billimoria realizes he will never find love again in Bombay and prepares for a move to San Francisco. On a farewell tour throughout the city, his mind crackles with bittersweet memories and giddy dreams. But is love about to bloom for Farhad just as he has given up on the city? And if it does, will he bring to it the man that he is, or the one he wants to become? Elsewhere in Bombay, the tribal youth Rabi remains stuck as the caretaker to his parents, two ailing and cranky old Brahmins. Rabi comes from the remote Cloud people of eastern India, a sky-watching tribe that observes the Cloudmaker—the mercurial God who drifts and muses in the skies—and that is dragged into the modern world when a mining company invades their sacred mountain. Rabi’s mentor Bhagaban, a forward-thinking filmmaker, leads their resistance. But will Rabi follow Bhagaban or his parents, who reassert a golden Indian past? From one of India’s most celebrated young writers, Clouds illuminates the inner lives of characters forging their own paths in the great metropolis and shows a vast, prismatic portrait of modern India in all its tumult and glory.

The Architecture of Clouds describes in a visual, poetic, and personal way how clouds are related to our everyday life and the weather. It expertly details how the art and science of clouds are interconnected with straightforward scientific explanations of the meteorological context in which clouds appear and why they form, alongside in-depth descriptions of the visual and artistic aspects of clouds. The air motion dynamics, cloud microphysics and thermodynamics discussed are written in a style accessible to all readers. The clouds showcased within the text range from placid ground fog to smoothly sculpted, stationary, mountain-wave clouds to violent clouds associated with convective storms, tornadoes, and hurricanes. Clouds are classified as whether they are buoyant or not, and if they are, how deep they extend through the atmosphere. An exhaustive and impressive compilation of photos taken from all over the world, including photographs taken from satellites, are featured in each chapter. Radar depictions of the inside of some clouds and storms provide a unique addition. This book provides an abundance of detail and photography that will be appreciated by scientists, students, and any reader interested in exploring beyond the aesthetics of clouds.

This book provides a fundamental understanding of clouds, from microphysics to climate, with supplementary problem sets and questions.

Today was the big day when school was finally over. Today was the day they were going up the mountain to the waterfall.

How did poets from the "Rivers and Lakes," a realm defined by its remoteness from the central government, navigate and transform the field of classical poetry, a "high" genre of the scholar-officials class? What did it mean for them to "make a living" out of poetry? Zhang Hongsheng answers those questions in this comprehensive study of the Rivers and Lakes Poetry Movement (Jianghu shipai).

Religion is universal human culture. No phenomenon is more widely shared or more intensely studied, yet there is no agreement on what religion is. Now, in Faces in the Clouds, anthropologist Stewart Guthrie provides a provocative definition of religion in a bold and persuasive new theory. Guthrie says religion can best be understood as systematic anthropomorphism--that is, the attribution of human characteristics to nonhuman things and events. Many writers see anthropomorphism as common or even universal in religion, but few think it is central. To Guthrie, however, it is fundamental. Religion, he writes, consists of seeing the world as humanlike. As Guthrie shows, people find a wide range of humanlike beings plausible: Gods, spirits, abominable snowmen, HAL the computer, Chiquita Banana. We find messages in random events such as earthquakes, weather, and traffic accidents. We say a fire "rages," a storm "wreaks vengeance," and waters "lie still." Guthrie says that our tendency to find human characteristics in the nonhuman world stems from a deep-seated perceptual strategy: in the face of pervasive (if mostly unconscious) uncertainty about what we see, we bet on the most meaningful interpretation we can. If we are in the woods and see a dark shape that might be a bear or a boulder, for example, it is good policy to think it is a bear. If we are mistaken, we lose little, and if we are right, we gain much. So, Guthrie writes, in scanning the world we always look for what most concerns us--livings things, and especially, human ones. Even animals watch for human attributes, as when birds avoid scarecrows. In short, we all follow the principle--better safe than sorry. Marshalling a wealth of evidence from anthropology, cognitive science, philosophy, theology, advertising, literature, art, and animal behavior, Guthrie offers a fascinating array of examples to show how this perceptual strategy pervades secular life and how it characterizes religious experience. Challenging the very foundations of religion, Faces in the Clouds forces us to take a new look at this fundamental element of human life.