The northern Chinese mountain range of Mount Wutai has been a preeminent site of international pilgrimage for over a millennium. Home to more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees. Mount Wutai explores how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries. Wen-Shing Chou examines a wealth of original source materials in multiple languages and media--many never before published or translated—such as temple replicas, pilgrimage guides, hagiographic representations, and panoramic maps. She shows how literary, artistic, and architectural depictions of the mountain permanently transformed the site's religious landscape and redefined Inner Asia's relations with China. Chou addresses the pivotal but previously unacknowledged history of artistic and intellectual exchange between the varying religious, linguistic, and cultural traditions of the region. The reimagining of Mount Wutai was a fluid endeavor that proved central to the cosmopolitanism of the Qing Empire, and the mountain range became a unique site of shared diplomacy, trade, and religious devotion between different constituents, as well as a spiritual bridge between China and Tibet. A compelling exploration of the changing meaning and significance of one of the world's great religious sites, Mount Wutai offers an important new framework for understanding Buddhist sacred geography.

The northern Chinese mountain range of Mount Wutai has been a preeminent site of international pilgrimage for over a millennium. Home to more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees. Mount Wutai explores how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries. Wen-Shing Chou examines a wealth of original source materials in multiple languages and media--many never before published or translated—such as temple replicas, pilgrimage guides, hagiographic representations, and panoramic maps. She shows how literary, artistic, and architectural depictions of the mountain permanently transformed the site's religious landscape and redefined Inner Asia's relations with China. Chou addresses the pivotal but previously unacknowledged history of artistic and intellectual exchange between the varying religious, linguistic, and cultural traditions of the region. The reimagining of Mount Wutai was a fluid endeavor that proved central to the cosmopolitanism of the Qing Empire, and the mountain range became a unique site of shared diplomacy, trade, and religious devotion between different constituents, as well as a spiritual bridge between China and Tibet. A compelling exploration of the changing meaning and significance of one of the world's great religious sites, Mount Wutai offers an important new framework for understanding Buddhist sacred geography.

The Transnational Cult of Mount Wutai explores the pan-East Asian significance of sacred Mount Wutai from the Northern Dynasties to the present.

By the tenth century CE, Mount Wutai had become a major pilgrimage site within the emerging culture of a distinctively Chinese Buddhism. Famous as the abode of the bodhisattva Ma�ju r (known for his habit of riding around the mountain on a lion), the site in northeastern China�s Shanxi Province was transformed from a wild area, long believed by Daoists to be sacred, into an elaborate complex of Buddhist monasteries. In Building a Sacred Mountain, Wei-Cheng Lin traces the confluence of factors that produced this transformation and argues that monastic architecture, more than texts, icons, relics, or pilgrimages, was the key to Mount Wutai�s emergence as a sacred site. Departing from traditional architectural scholarship, Lin�s interdisciplinary approach goes beyond the analysis of forms and structures to show how the built environment can work in tandem with practices and discourses to provide a space for encountering the divine. For more information: http://arthistorypi.org/books/building-a-sacred-mountain

In The Five-Colored Clouds of Mount Wutai: Poems from Dunhuang, Mary Anne Cartelli introduces a significant corpus of Chinese Buddhist poems from the Dunhuang manuscripts celebrating Mount Wutai. They offer important literary evidence for the transformation of the mountain into the earthly paradise of the bodhisattva Mañju?r? by the Tang dynasty.????

The Buddhist master Fazang is regarded as one of the greatest metaphysicians in medieval Asia. This study aims at correcting misinterpretations and shedding light on neglected areas, opening up for discussion the various structures of medieval East Asian monastic biography.

In The Five-Colored Clouds of Mount Wutai: Poems from Dunhuang, Mary Anne Cartelli examines a set of poems from the Dunhuang manuscripts about Mount Wutai, the most sacred mountain in Chinese Buddhism. Dating from the Tang and Five Dynasties periods, they reflect the mountain’s transformation into the home of the bodhisattva Mañjuśrī, and provide important literary evidence for the development of Buddhism in China. This interdisciplinary study analyzes the poems using Buddhist scriptures and pilgrimage records, as well as the contemporaneous wall-painting of Mount Wutai in Dunhuang cave 61. The poems demonstrate how the mountain was created as a sacred Buddhist space, as their motifs reflect the cosmology associated with the mountain by the Tang dynasty, and they vividly portray the experience of the pilgrim traveling through a divinely empowered landscape.

The rise of Spatial Humanities has spurred a digital revolution in the field of Chinese studies, especially in the study of religion. Based on years of data compilation and analysis of religious sites, this book explores the formation of Regional Religious Systems (RRS) in Greater China in unprecedented scope and depth. It addresses quantitatively the enduring historical and contemporary issues of China’s deep-rooted regionalism and spatially variegated cultural and religious landscape. A range of topics are explored: theoretical discussions of the concept of RRS; case studies of regional and local religious institutions; the formation of local cults and pilgrimage network; and the spread of religious networks to overseas Chinese communities and the Bon religion in Tibet. The book also considers long-standing challenges of researching with spatial data for humanities and social science research, such as data collection, integration, spatial analysis, and map creation. This book will be of interest to students and scholars in Religious Studies, Cultural Studies, Chinese Studies, Digital Humanities, Human Geography and Sociology.

This book sheds light on the structure of “a unity with diversity” developed in the Qing imperial formation (1636–1912) by a case study of the Qing-Tibetan encounters in the eighteenth century. By analyzing historical and ethnographical materials, the book investigates the translation of Chinese histories and stone inscriptions into Tibetan, the transformation of the landscapes at Mount Wutai and Lhasa, and the transplantation of Chinese deities and medical practices to Tibet. It demonstrates the processes in which the cosmopolitan interlocutors reified imperial integrity while expressing their diverse longings and belongings. It concludes that the Qing’s rule over its cultural others was neither simply Sinicizing nor colonizing, but a translational process in which multivocalic actors shared narratives, landscapes, and practices, while the emperor and tantric masters performed cosmic power over humans and metahumans. This book cuts across the fields of anthropology, history, Chinese Studies, and Tibetan Studies. It reflects on the concepts of sovereignty and ethnicity, and it also extends the methodological horizon of historical anthropology.