My Parents became enraged by the white supremacist agenda. They were infuriated that Americans felt perilous because of their beliefs or skin color. They were outraged about the horrendous massacre of innocent men, women and children on the street and in their own homes. This fueled the fire for them to join an organization focused on the destruction of racism, poverty and disease and become assassins known as Killa Company Sons, targeting white and black supremacists. I soon followed. My name is Lorimore Bower and this is the first journey through my childhood and what molded me into becoming a Killa Company Son.

“This collection, because of its exceptional theoretical coherence and sophistication, is qualitatively superior to the most frequently consulted anthologies on Latin American women’s history and literature . . . [and] represents a new, more theoretically rigorous stage in the feminist debate on Latin American women.”—Elizabeth Garrels, Massachusetts Institute of Technology

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Jews and humor is, for most people, a natural and felicitous collocation. In spite of, or perhaps because of, a history of crises and living on the edge, Jews have often created or resorted to humor. But what is humor? And what makes certain types, instances, or performances of humor "Jewish"? These are among the myriad queries addressed by the fourteen authors whose essays are collected in this volume. And, thankfully, their observations, always apt and often witty, are expressed with a lightness of style and a depth of analysis that are appropriate to the many topics they cover. The scholars who contributed to this collection allow readers both to discern the common features that make up "Jewish humor" and to delight in the individualism and eccentricities of the many figures whose lives and accomplishments are narrated here. Because these essays are written in a clear, jargon-free style, they will appeal to everyone—even those who don't usually crack a smile!

Decolonizing Anarchism examines the history of South Asian struggles against colonialism and neocolonialism, highlighting lesser-known dissidents as well as iconic figures. What emerges is an alternate narrative of decolonization, in which liberation is not defined by the achievement of a nation-state. Author Maia Ramnath suggests that the anarchist vision of an alternate society closely echoes the concept of total decolonization on the political, economic, social, cultural, and psychological planes. Decolonizing Anarchism facilitates more than a reinterpretation of the history of anticolonialism; it also supplies insight into the meaning of anarchism itself. Praise for Decolonizing Anarchism: “Maia Ramnath offers a refreshingly different perspective on anticolonial movements in India, not only by focusing on little-remembered anarchist exiles such as Har Dayal, Mukerji and Acharya but more important, highlighting the persistent trend that sought to strengthen autonomous local communities against the modern nation-state. A superbly original book.”—Partha Chatterjee, author of Lineages of Political Society: Studies in Post-colonial Democracy “[Ramnath] audaciously reframes the dominant narrative of Indian radicalism by detailing its explosive and ongoing symbiosis with decolonial anarchism.”—Dylan Rodríguez, author of Suspended Apocalypse: White Supremacy, Genocide, and the Filipino Condition

This volume provides a key analysis of Asian children’s literature and film and creates a dialogue between East and West and between the cultures from which they emerge, within the complex symbiosis of their local, national and transnational frameworks. In terms of location and content the book embraces a broad scope, including contributions related to the Asian-American diaspora, China, India, Indonesia, Iran, Japan, Malaysia, the Philippines, South Korea, Sri Lanka, and Taiwan. Individually and collectively, these essays broach crucial questions: What elements of Asian literature and film make them distinctive, both within their own specific culture and within the broader Asian area? What aspects link them to these genres in other parts of the world? How have they represented and shaped the societies and cultures they inhabit? What moral codes do they address, underpin, or contest? The volume provides further voice to the increasingly diverse and fascinating output of the region and emphasises the importance of Asian art forms as depictions of specific cultures but also of their connection to broader themes in children’s texts, and scholarship within this field.

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Enchanting, powerful, horrific, beautiful, wise, deadly, compassionate, seductive. Women in Buddhist story and image are all these things and more. She takes the signs of the ancient goddess - the lotus, the sacred grove, the serpent, the sacrifice - and uses them in astonishing new ways. Her story is one of suffering and great trials, and through it all an unquenchable longing to be free. This beautifully illustrated work is as layered and subversive as mythology itself. Based directly on authentic Buddhist texts, and informed with insights from psychology and comparative mythology, it takes a fresh look at how Buddhist women have been depicted by men and how they have depicted themselves.