Classical literature is full of humans, gods, and animals in impressive motion. The specific features of this motion are expressive; it is closely intertwined with decisions, emotions, and character. However, although the importance of space has recently been realized with the advent of the 'spatial turn' in the humanities, motion has yet to receive such attention, for all its prominence in literature and its interest to ancient philosophy. This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as case-studies: Homer's Iliad, Ovid's Metamorphoses, Tacitus' Annals, Sophocles' Philoctetes and Oedipus at Colonus, Parmenides' On Nature, and Seneca's Natural Questions. The two narrative poems diverge rewardingly, as do the philosophical poetry and prose. Important in the philosophical poem and the prose history are metaphorical motion and the absence of motion; the dramas scrutinize motion verbally and visually. Each study first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period. This new and stimulating approach opens up extensive areas for interpretation; it can also be productively applied to the literature of successive eras.

Classical literature is full of humans, gods, and animals in impressive motion. The specific features of this motion are expressive; it is closely intertwined with decisions, emotions, and character. However, although the importance of space has recently been realized with the advent of the 'spatial turn' in the humanities, motion has yet to receive such attention, for all its prominence in literature and its interest to ancient philosophy. This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as case-studies: Homer's Iliad, Ovid's Metamorphoses, Tacitus' Annals, Sophocles' Philoctetes and Oedipus at Colonus, Parmenides' On Nature, and Seneca's Natural Questions. The two narrative poems diverge rewardingly, as do the philosophical poetry and prose. Important in the philosophical poem and the prose history are metaphorical motion and the absence of motion; the dramas scrutinize motion verbally and visually. Each study first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period. This new and stimulating approach opens up extensive areas for interpretation; it can also be productively applied to the literature of successive eras.

This book examines the birth of the scientific understanding of motion. It investigates which logical tools and methodological principles had to be in place to give a consistent account of motion, and which mathematical notions were introduced to gain control over conceptual problems of motion. It shows how the idea of motion raised two fundamental problems in the 5th and 4th century BCE: bringing together being and non-being, and bringing together time and space. The first problem leads to the exclusion of motion from the realm of rational investigation in Parmenides, the second to Zeno's paradoxes of motion. Methodological and logical developments reacting to these puzzles are shown to be present implicitly in the atomists, and explicitly in Plato who also employs mathematical structures to make motion intelligible. With Aristotle we finally see the first outline of the fundamental framework with which we conceptualise motion today.

Explains the physics of gravity and gravitational pull, offering information on the contributions made in this area by Copernicus, Galileo, and Newton.

During the first half of the 20th century, Japan was the dominant military & political force in East Asia. This study explores the transculturations of Japanese literature amongst the Chinese, Koreans, Taiwanese & Manchurians whose lives had come within the sphere of the Japanese Empire.

On dance and culture

The Greatest Works of Roman Classical Literature stands as a testament to the immense diversity and richness of literary styles that flourished in ancient Rome, ranging from epic poetry and satirical works to philosophical treatises and historical narrations. This collection encapsulates the vast array of human experience, thought, and expression that characterized Roman intellectual life, showcasing standout pieces that have significantly impacted the course of literary history and thought. The anthology succeeds in weaving together the diverse threads of Roman literary culture, providing readers with a panoramic view of its complexity and depth. The contributors to this anthology, including famed figures such as Seneca, Cicero, Vergil, and Pliny the Younger among others, bring with them backgrounds that are as varied as the empire itself. These authors collectively represent the philosophical, poetic, and political diversity of Roman society. Their works, which span the Republic to the decline of the Empire, offer insights into the evolution of Roman literature, reflecting various cultural, historical, and literary movements of their times. This anthology not only highlights individual genius but also how these voices collectively contribute to a broader understanding of Roman culture and thought. This collection promises an unparalleled opportunity for readers to immerse themselves in the world of Roman classical literature. By exploring the breadth of perspectives, styles, and themes presented, readers are invited to engage with the texts in a manner that is both educational and enlightening. The Greatest Works of Roman Classical Literature is an essential volume for those who wish to deepen their understanding of Roman civilization and its literary legacy, fostering a dialogue between the ancient texts and modern readers that is both enriching and reflective.

Applications not usually taught in physics courses include theory of space-charge limited currents, atmospheric drag, motion of meteoritic dust, variational principles in rocket motion, transfer functions, much more. 1960 edition.

Yale Classics - Roman Classical Literature represents a formidable assembly of some of the most pivotal figures and texts that have shaped the Western literary tradition. This anthology traverses an expansive terrain of themes - from the philosophical musings and stoic reflections in Senecas works to the epic narratives of Virgil, and the keen satirical voices of Juvenal and Persius. The collection highlights a stunning array of literary styles, from the eloquent orations of Cicero to the intricate verse of Catullus and the potent histories penned by Tacitus and Sallust. Such diversity not only underscores the richness of Roman literature but also provides readers with a comprehensive insight into the ancient world's complexities and contradictions. The anthology encapsulates the evolution of Roman thought, presenting works that reflect upon love, power, ethics, and the human condition, making it an indispensable resource for scholars and enthusiasts alike. The contributing authors, ranging from poets and philosophers to historians and statesmen, bring with them not just their literary talents but also a mosaic of backgrounds that illuminate the socio-political and cultural tapestry of ancient Rome. These figures were instrumental in heralding significant literary and intellectual movements, offering insights into everything from the decadence of the late Roman Republic to the philosophical inquiries of the Empires twilight. The anthology effectively captures the zeitgeist of an era that is at once ancient and remarkably resonant with contemporary themes, bridging millennia through the enduring relevance of its subjects. Together, these works and authors exemplify the height of Roman literary achievement and its lasting influence on subsequent generations. Yale Classics - Roman Classical Literature is essential reading for anyone seeking a deep and varied exploration of Roman intellectual and cultural life. This anthology is not just a testament to the historical importance of Roman literature but also an invitation to engage with the timeless questions and narratives that continue to captivate the modern imagination. Offering both breadth and depth, it promises to enrich ones understanding of not only the Roman world but also the enduring human themes that connect us across time. Scholars, students, and general readers alike will find in this collection a rare opportunity to immerse themselves in the rich tapestry of Roman thought, brought to life by some of historys most influential voices.

The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myth and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated since the second edition was published in 1989, the Companion acknowledges changes in the focus of scholarship over the last twenty years, through the incorporation of a far larger number of thematic entries such as medicine, friendship, science, freedom (concept of), and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature; after all, for many aspects of classical society the literature we have inherited is the primary (and sometimes the only) source material. Additions and changes have been made taking into account the advice of teachers and lecturers in Classics, ensuring that current educational needs are catered for. In addition to newly covered topics, the Companion still plays to its traditional strengths, with extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, encompassing everything in between; and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.