First published in 1880, Moths addresses such Victorian taboos as adultery, domestic violence, and divorce in vivid and flamboyant prose. The beautiful young heroine, Vere Herbert, suffers at the hands of both her tyrannical mother and her dissipated husband, and is finally united with her beloved, a famous opera singer. Moths was Ouida’s most popular work, and its melodramatic plot, glamorous European settings, and controversial treatment of marriage make it an important, as well as a highly entertaining, example of the nineteenth-century “high society” novel. This Broadview edition includes a critical introduction and a broad range of contextual documents, including contemporary reactions to Ouida’s fiction and a selection of nineteenth-century writings on marriage, feminism, and the aristocracy.

This eBook features the unabridged text of ‘Moths by Ouida - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Ouida’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Ouida includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Moths by Ouida - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Ouida’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

"This first full-length study of the works of best-selling Victorian novelist Ouida (pen name for Marie Louise Rame) examines the evolution of social, political, and gender issues in Ouida's fiction from her "high society" romances of the 1860s to her satirical exposes of contemporary society in the 1880s and 1890s." "This study places Ouida in the context of nineteenth-century debates over gender by exploring the contradictions between the vehement critiques of marriage in her fiction and the equally vehement anti-feminist sentiments of her journalism. Examining Ouida's revision of gender stereotypes such as the domestic angel, the adventuress, and the dandy, Schroeder and Holt establish Ouida as a significant predecessor of the 1890s New Woman."--BOOK JACKET.

This book opens the curtain on the crucial role played by Victorian and Edwardian novelists in changing views of domestic violence. Examining the mechanisms of domestic violence through the historical lenses of the law, crime, and economics, this study illuminates these novelists’ depictions of wife-battering, including scenes in which women witness their children being beaten or children witness their mothers’ beatings. This book also shows how these representations interacted with changing paradigms of masculinity and femininity at the time. Extending from the decades before the 1857 Divorce Act to the Suffrage era, the book details the changing circumstances of conjugal violence and divorce in England. William Makepeace Thackeray’s The Memoirs of Barry Lyndon, Esq. (1844) and Caroline Norton’s Stuart of Dunleath: A Story of Modern Times (1851) expose the impact of class on reactions to domestic violence. Wilkie Collins’s The Law and the Lady (1875) and Ouida’s (Marie Louise de la Ramé) Moths (1880) depict proto-New Women figures who resist domestic violence, while traditional wife figures continue to fall victim. In Mona Caird’s The Wing of Azrael (1889) and Sir Arthur Conan Doyle’s The Hound of the Baskervilles (1902) and “The Adventure of the Abbey Grange” (1904), protagonists exact their own justice on perpetrators of domestic violence. By the Edwardian period, it was clear that legislation alone could not solve the problems of domestic violence. Constance Maud’s No Surrender (1911) adroitly links wife-battering with public violence against suffragettes, exposing the underlying British socio-cultural system that maintained women’s subordination.

Based on close readings of five Victorian novels, Hallum presents an original study of the interaction between popular fiction, the marriage market and the aesthetic movement. She uses the texts to trace the development of aestheticism, examining the differences between the authors, including their approach, style and gender.

This comprehensive collection offers a complete introduction to one of the most popular literary forms of the Victorian period, its key authors and works, its major themes, and its lasting legacy. Places key authors and novels in their cultural and historical context Includes studies of major topics such as race, gender, melodrama, theatre, poetry, realism in fiction, and connections to other art forms Contributions from top international scholars approach an important literary genre from a range of perspectives Offers both a pre and post-history of the genre to situate it in the larger tradition of Victorian publishing and literature Incorporates coverage of traditional research and cutting-edge contemporary scholarship