"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly, thinking herself to be the last of her long-lost kind, practices the forbidden ancient healing art at constant risk of her life. Execution is the penalty if she is caught but her need to help those who are themselves in need is stronger than any fear for her own safety. "If I am the last, I will be a flame to the end." But her attempt to save the wife of a nobleman sworn to wipe out her kind plunges her into a conspiracy of deceit and a hidden power struggle more deadly than anything she has ever known. Her fight for survival may lead her to a love for the ages and, perhaps, to discover the surviving remnants of her people--if she lives.

"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly, thinking herself to be the last of her long-lost kind, practices the forbidden ancient healing art at constant risk of her life. Execution is the penalty if she is caught but her need to help those who are themselves in need is stronger than any fear for her own safety. "If I am the last, I will be a flame to the end." But her attempt to save the wife of a nobleman sworn to wipe out her kind plunges her into a conspiracy of deceit and a hidden power struggle more deadly than anything she has ever known. Her fight for survival may lead her to a love for the ages and, perhaps, to discover the surviving remnants of her people--if she lives.

Fifteen-year-old Carter Ellen Key has lived her entire life on the waves, traveling across oceans on the merchant ship known as the Adventurer, a ship that she calls home. Orphaned at age seven, she held tight to the memories of her father and stories of her mother, turning to them for advice even after their deaths. The Adventurer's crew became Carter's family, and Captain Rosten made it his personal duty to keep her safe. This protection kept Carter from ever exploring the land, or even sinking her feet into the sand that surrounded the ports. The discoveries and mysteries that awaited her there remained in her daydreams. As her position aboard the Adventurer climbed and her relationships with the crew began to strengthen, her dream of discovering life on the land came within her grasp. But this dream comes at a great cost. It may even cost Carter her life, or worse, the lives of the ones she loves. The fantasies in her books were just that, fantasies. The real world beyond her small merchant ship is crueler than anything she could imagine. Carter will need to adapt and learn to provide for her own safety. She must decide if she will trust in her father's words—that is, if dying for a dream is the most courageous act of all.

A beautiful reissue of a timeless classic.A child and her mother walk in the moonlight beside the sea. This night will become a memory as luminous and enduring as the moon itself. With unforgettable, silver-washed images and gentle, flowing words, The Big Big Sea portrays a bond between parent and child that makes even the dark sea safe and serene.

"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly was a secret healer who was betrayed by someone she had trusted. In SEA LARK'S SONG, exposed as a Shari'a healer, on the run and now aware of a secret truth about what had happened to her people--and in love with one who may put her life at risk even more--Brierly must hide in the mountains and sort her way through a tangle of secrets as she attempts to bring her lost people, and their magical, healing power, back into the world. Her true love faces an almost overwhelming challenge: he must struggle against centuries of fear, hatred, secrecy and conspiracy to turn his own people away from the commitment to destruction. If he does not, not only will Brierly and her people's survival be at risk but his own people may end up facing a similar fate, as destructive as the one they had wrought upon the Shari'a.

THE NEW YORK TIMES BESTSELLER “A mesmerizing new historical novel” (O, The Oprah Magazine) from Lisa See, the bestselling author of The Tea Girl of Hummingbird Lane, about female friendship and devastating family secrets on a small Korean island. Mi-ja and Young-sook, two girls living on the Korean island of Jeju, are best friends who come from very different backgrounds. When they are old enough, they begin working in the sea with their village’s all-female diving collective, led by Young-sook’s mother. As the girls take up their positions as baby divers, they know they are beginning a life of excitement and responsibility—but also danger. Despite their love for each other, Mi-ja and Young-sook find it impossible to ignore their differences. The Island of Sea Women takes place over many decades, beginning during a period of Japanese colonialism in the 1930s and 1940s, followed by World War II, the Korean War, through the era of cell phones and wet suits for the women divers. Throughout this time, the residents of Jeju find themselves caught between warring empires. Mi-ja is the daughter of a Japanese collaborator. Young-sook was born into a long line of haenyeo and will inherit her mother’s position leading the divers in their village. Little do the two friends know that forces outside their control will push their friendship to the breaking point. “This vivid…thoughtful and empathetic” novel (The New York Times Book Review) illuminates a world turned upside down, one where the women are in charge and the men take care of the children. “A wonderful ode to a truly singular group of women” (Publishers Weekly), The Island of Sea Women is a “beautiful story…about the endurance of friendship when it’s pushed to its limits, and you…will love it” (Cosmopolitan).

A riveting, tender debut novel, following a brother and sister whose paths diverge—one forced to leave, one left behind—in the wake of a nationalist coup in the South Pacific On a small Pacific island, a brother and sister tune in to a breaking news radio bulletin. It is 1985, and an Indian grocer has just been attacked by nativists aligned with the recent military coup. Now, fear and shock are rippling through the island’s deeply-rooted Indian community as racial tensions rise to the brink. Bhumi hears this news from her locked-down dorm room in the capital city. She is the ambitious, intellectual standout of the family—the one destined for success. But when her friendship with the daughter of a prominent government official becomes a liability, she must flee her unstable home for California. Jaipal feels like the unnoticed, unremarkable sibling, always left to fend for himself. He is stuck working in the family store, avoiding their father’s wrath, with nothing but his hidden desires to distract him. Desperate for money and connection, he seizes a sudden opportunity to take his life into his own hands for the first time. But his decision may leave him vulnerable to the island’s escalating volatility. Spanning from the lush terrain of the South Pacific to the golden hills of San Francisco, Mother Ocean Father Nation is an entrancing debut about how one family, at the mercy of a nation broken by legacies of power and oppression, forges a path to find a home once again.

National Bestseller "The Seas took me back to how I felt as a kid, when you’re newly falling in love with literature, newly shocked by its capacity to cast a spell..." ?Maggie Nelson (from the Introduction) A Most Anticipated Book of Summer at BuzzFeed, NYLON, and more. Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She’s often the subject of cruel local gossip. Her father, a sailor, walked into the ocean eleven years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid. True to myth, she finds herself in hard love with a land-bound man, an Iraq War veteran thirteen years her senior.The mesmerizing, fevered coming-of-age tale that follows will land her in jail. Her otherworldly escape will become the stuff of legend. With the inventive brilliance and psychological insight that have earned her international acclaim, Samantha Hunt pulls readers into an undertow of impossible love and intoxication, blurring the lines between reality and fairy tale, hope and delusion, sanity and madness.

A remarkable memoir by a mother and her autistic daughter who’d long been unable to communicate—until a miraculous breakthrough revealed a young woman with a rich and creative interior life, a poet, who’d been trapped inside for more than two decades. “I have been buried under years of dust and now I have so much to say.” These were the first words twenty-five-year-old Emily Grodin ever wrote. Born with nonverbal autism, Emily’s only means of communicating for a quarter of a century had been only one-word responses or physical gestures. That Emily was intelligent had never been in question—from an early age she’d shown clear signs that she understood what was going on though she could not express herself. Her parents, Valerie and Tom, sought every therapy possible in the hope that Emily would one day be able to reveal herself. When this miraculous breakthrough occurred, Emily was finally able to give insight into the life, frustrations, and joys of a person with autism. She could tell her parents what her younger years had been like and reveal all the emotions and intelligence residing within her; she became their guide into the autistic experience. Told by Valerie, with insights and stories and poetry from Emily, I Have Been Buried Under Years of Dust highlights key moments of Emily’s childhood that led to her communication awakening—and how her ability rapidly accelerated after she wrote that first sentence. As Valerie tells her family’s story, she shares the knowledge she’s gained from working as a legal advocate for families affected by autism and other neurological disorders. A story of unconditional love, faith in the face of difficulty, and the grace of perseverance and acceptance, I Have Been Buried Under Years of Dust is an evocative and affecting mother-daughter memoir of learning to see each other for who they are.

A moving account of a mother and daughter who visit Germany to face the Holocaust tragedy that has caused their family decades of intergenerational trauma, from the author of Brothers, Sisters, Strangers Finalist for the National Jewish Book Award In 1938, when Edith Westerfeld was twelve, her parents sent her from Germany to America to escape the Nazis. Edith survived, but most of her family perished in the death camps. Unable to cope with the loss of her family and homeland, Edith closed the door on her past, refusing to discuss even the smallest details. Fifty-four years later, when the void of her childhood was consuming both her and her family, she returned to Stockstadt with her grown daughter Fern. For Edith the trip was a chance to reconnect and reconcile with her past; for Fern it was a chance to learn what lay behind her mother's silent grief. Together, they found a town that had dramatically changed on the surface, but which hid guilty secrets and lived in enduring denial. On their journey, Fern and her mother shared many extraordinary encounters with the townspeople and—more importantly—with one another, closing the divide that had long stood between them. Motherland is a story of learning to face the past, of remembering and honoring while looking forward and letting go. It is an account of the Holocaust’s lingering grip on its witnesses; it is also a loving story of mothers and daughters, roots, understanding, and, ultimately, healing.