The adopted daughter of loving parents, Zara Phillips felt out of place since childhood. Although cherished, she grew up deeply insecure and alone, consumed by a void she found impossible to fill. Isolation led to alienation, until her talent brought her to the center of the heady London rock ‘n’ roll scene of the 1980s. Zara became lost in a downward spiral of drugs, alcohol and destructive relationships. An intense search for the truth of her birth led to an awakening and then to recovery. Zara’s activism for adoptee rights springs from a very personal passion. In the end, it was Zara’s experience of becoming a mother that revealed what being adopted really meant. For the first time, she gained deep understanding and compassion for both her birth mother and her adoptive mother and was able to start the healing process. Mother Me bravely illuminates the lifelong impact of adoption on every member of the adoption triad—adoptee, birth mother and adoptive mother—as well as the families of each. The tale of Zara’s search for her birth mother and her path to recovery is riveting, as are the stories of many people sharing her past.

The complex, deeply binding relationship between mothers and daughters is brought vividly to life in Katie Hafner’s remarkable memoir, an exploration of the year she and her mother, Helen, spent working through, and triumphing over, a lifetime of unresolved emotions. Dreaming of a “year in Provence” with her mother, Katie urges Helen to move to San Francisco to live with her and Zoë, Katie’s teenage daughter. Katie and Zoë had become a mother-daughter team, strong enough, Katie thought, to absorb the arrival of a seventy-seven-year-old woman set in her ways. Filled with fairy-tale hope that she and her mother would become friends, and that Helen would grow close to her exceptional granddaughter, Katie embarked on an experiment in intergenerational living that she would soon discover was filled with land mines: memories of her parents’ painful divorce, of her mother’s drinking, of dislocating moves back and forth across the country, and of Katie’s own widowhood and bumpy recovery. Helen, for her part, was also holding difficult issues at bay. How these three women from such different generations learn to navigate their challenging, turbulent, and ultimately healing journey together makes for riveting reading. By turns heartbreaking and funny—and always insightful—Katie Hafner’s brave and loving book answers questions about the universal truths of family that are central to the lives of so many. Praise for Mother Daughter Me “The most raw, honest and engaging memoir I’ve read in a long time.”—KJ Dell’Antonia, The New York Times “A brilliant, funny, poignant, and wrenching story of three generations under one roof, unlike anything I have ever read.”—Abraham Verghese, author of Cutting for Stone “Weaving past with present, anecdote with analysis, [Katie] Hafner’s riveting account of multigenerational living and mother-daughter frictions, of love and forgiveness, is devoid of self-pity and unafraid of self-blame. . . . [Hafner is] a bright—and appealing—heroine.”—Cathi Hanauer, Elle “[A] frank and searching account . . . Currents of grief, guilt, longing and forgiveness flow through the compelling narrative.”—Steven Winn, San Francisco Chronicle “A touching saga that shines . . . We see how years-old unresolved emotions manifest.”—Lindsay Deutsch, USA Today “[Hafner’s] memoir shines a light on nurturing deficits repeated through generations and will lead many readers to relive their own struggles with forgiveness.”—Erica Jong, People “An unusually graceful story, one that balances honesty and tact . . . Hafner narrates the events so adeptly that they feel enlightening.”—Harper’s “Heartbreakingly honest, yet not without hope and flashes of wry humor.”—Kirkus Reviews “[An] emotionally raw memoir examining the delicate, inevitable shift from dependence to independence and back again.”—O: The Oprah Magazine (Ten Titles to Pick Up Now) “Scrap any romantic ideas about what goes on when a 40-something woman invites her mother to live with her and her teenage daughter for a year. As Hafner hilariously and touchingly tells it, being the center of a family sandwich is, well, complicated.”—Parade

In What My Mother Gave Me, women look at the relationships between mothers and daughters through a new lens: a daughter’s story of a gift from her mother that has touched her to the bone and served as a model, a metaphor, or a touchstone in her own life. The contributors of these thirty-one original pieces include Pulitzer Prize winners, perennial bestselling novelists, and celebrated broadcast journalists. Whether a gift was meant to keep a daughter warm, put a roof over her head, instruct her in the ways of womanhood, encourage her talents, or just remind her of a mother’s love, each story gets to the heart of a relationship. Rita Dove remembers the box of nail polish that inspired her to paint her nails in the wild stripes and polka dots she wears to this day. Lisa See writes about the gift of writing from her mother, Carolyn See. Cecilia Muñoz remembers both the wok her mother gave her and a lifetime of home-cooked family meals. Judith Hillman Paterson revisits the year of sobriety her mother bequeathed to her when Paterson was nine, the year before her mother died of alcoholism. Abigail Pogrebin writes about her middle-aged bat mitzvah, for which her mother provided flowers after a lifetime of guilt for skipping her daughter’s religious education. Margo Jefferson writes about her mother’s gold dress from the posh department store where they could finally shop as black women. Collectively, the pieces have a force that feels as elemental as the tides: outpourings of lightness and darkness; joy and grief; mother love and daughter love; mother love and daughter rage. In these stirring words we find that every gift, ?no matter how modest, tells the story of a powerful bond. As Elizabeth Benedict points out in her introduction, “whether we are mothers, daughters, aunts, sisters, or cherished friends, we may not know for quite some time which presents will matter the most."

Relates how the author and her husband adopted a six-month-old boy from South Korea and the lessons they had to learn as parents, including how to incorporate aspects of another culture and how to discuss birth parents with their son.

The adopted daughter of loving parents, Zara Phillips nonetheless felt out of place in her family and a misfit in the world around her. Although cherished by a well-meaning mother and father, she grew up feeling deeply insecure and alone, consumed by a void she found impossible to fill. Isolation led to alienation, yet her talent brought her to the center of the thriving London rock 'n' roll scene of the 1980s. Her downward spiral fueled by its lifestyle, Zara became lost in drugs, alcohol and destructive relationships. An intense search for the truth of her birth led to an awakening and successful recovery. Yet, it was her experience of becoming a mother that revealed what being an adopted person really meant to her. For the first time, she gained deep understanding and compassion for both her birth mother and her adoptive mother and was able to start the healing process. The tale of Zara's search for her birth mother and her path to health is riveting, as are the stories of many people sharing her past. Zara's activism for adoptee rights springs from a very personal passion. Mother Me is a brave and compelling memoir that illuminates the lifelong impact of adoption on every member of the "adoption triad"--adoptee, birth mother and adoptive mother--as well as the families of each.

Motivated by a love of her Mexican American heritage, Patricia Preciado Martin set out to document the lives and memories of the women of her mother's and grandmother's eras; for while the role of women in Southwest has begun to be chronicled, that of Hispanic women largely remains obscure. In Songs My Mother Sang to Me, she has preserved the oral histories of many of these women before they have been lost or forgotten. Martin's quest took her to ranches, mining towns, and cities throughout southern Arizona, for she sought to document as varied an experience of the contributions of Mexican American women as possible. The interviews covered family history and genealogy, childhood memories, secular and religious traditions, education, work and leisure, environment and living conditions, rites of passage, and personal values. Each of the ten oral histories reflects not only the spontaneity of the interview and personality of each individual, but also the friendship that grew between Martin and her subjects. Songs My Mother Sang to Me collects voices not often heard and brings to print accounts of social change never previously recorded. These women document more than the details of their own lives; in relating the histories of their ancestors and communities, they add to our knowledge of the culture and contributions of Mexican American people in the Southwest.

Advice on feeding and exercises to assist the development of babies' mouth and facial muscles to ensure language development, good mouth structure and movement.

Through a series of letters from his parents' passionate World War II courtship, Morrison uncovers a startling, touching story. This follow-up to his critically acclaimed 1993 memoir paints the unforgettable picture of a quietly determined heroine and of a son's search to learn the truth about her.

A picture book for expectant mothers and already-mothers everywhere, perfect as a shower gift or for Mother's Day. I felt you. You were a pea. Then a lemon. Then an eggplant... In this beautiful celebration of motherhood, the universal message of unconditional love for a child shines through. Laurenne Sala's heartwarming text, accompanied by New York Times bestselling artist Robin Preiss Glasser's charming illustrations, creates a sweet and intimate look at the powerful bond between mother and child from pregnancy to birth and beyond.