Lorelle D. Semley explores the historical and political meanings of motherhood in West Africa and beyond, showing that the roles of women were far more complicated than previously thought. While in Kétu, Bénin, Semley discovered that women were treasurers, advisors, ritual specialists, and colonial agents in addition to their more familiar roles as queens, wives, and sisters. These women with special influence made it difficult for the French and others to enforce an ideal of subordinate women. As she traces how women gained prominence, Semley makes clear why powerful mother figures still exist in the symbols and rituals of everyday practices.

How did West African literature in English begin? What influences affected its birth and development? How much does it imitate European models? How is traditional African culture influencing modern writing? What kind of experiments are being tried? These are some of the questions, relevant to African writing throughout the continent, which this critical study discusses by examining the most significant work in verse, prose, drama, children's literature, journalism and political writing in West Africa. The author examines the writing of major figures such as Soyinka, Achebe, Okara, Clark, Tutuola and Ekwensi as well as that of authors whose work is not as widely known.

“Moore captures the children’s complicated mix of feelings: embarrassment, defiance, pride, appreciation and, most palpably, love.” —The New York Times Academy Award–winning actress and New York Times–bestselling author of the Freckleface Strawberry series Julianne Moore pays homage to all the Muttis, Mammas, and Mamans who are from another country. A foreign mom may eat, speak, and dress differently than other moms—she may wear special clothes for holidays, twist hair in strange old-fashioned braids, and cook recipes passed down from grandma. Such a mom may be different than other moms, but . . . she is also clearly the best! Vividly illustrated by Meilo So, this funny and heartwarming picture book about growing up in multiple cultures celebrates the diverse world in which we live.

This book is about being a woman, trying to be a mother, having a family, trying to make a family work, failing and succeeding. Essays run from family estrangement to reconciliation, adoption struggles and recognizing the other mothers of adopted children, strengthening family ties by fighting the rats in the basement together, and realizing that, fundamentally, we all have it in us to be mothers if that is what we want for ourselves. The book is short, just 15 essays, each chosen because it represents an important event or point of view. The stories are not all happy ones. Raising children is a long tale that, if honestly told, has many regrettable chapters. Those chapters have great value if for no other reason than they make the happy times truly remarkable instead of common.

When Maxine wakes up on the wrong side of the bed one morning, she wonders if the problem might be her mother. What if she could try out a new mom who doesn’t make her brush her teeth or comb her hair? Enlisting Mom to help her with the search, Maxine interviews various prospects to be her new mother at the park, the toy store, and the zoo. Unfortunately, these other mothers present a host of new problems and concerns. Maybe her “old mother” was the best mother of all? For every child who’s ever wondered if the grass is greener, The Best Mother affirms that there’s nothing better than your own mother’s love.

From Koren Zailckas, author of the iconic memoir SMASHED: an electrifying debut novel about a family being torn apart by the woman who claims to love them most Josephine Hurst has her family under control. With two beautiful daughters, a brilliantly intelligent son, a tech-guru of a husband, and a historical landmark home, her life is picture perfect. But living in this matriarch’s determinedly cheerful, yet subtly controlling domain hasn’t been easy for her family, and when her oldest daughter, Rose, runs off with a mysterious boyfriend, Josephine tightens her grip, gradually turning her flawless home into a darker sort of prison. Resentful of her sister’s newfound freedom, Violet turns to eastern philosophy, hallucinogenic drugs, and extreme fasting, eventually landing herself in a psych ward. Meanwhile, her brother, Will, recently diagnosed with Asperger's, shrinks further into a world of self-doubt. Their father, Douglas, finds resolve in the bottom of a bottle—an addict craving his own chance to escape. Josephine struggles to maintain the family’s impeccable façade, but when a violent incident leads to a visit from child protective services, the truth about the Hursts might finally be revealed. Now with Extra Libris material, including a reader’s guide and bonus content

"There's a little Jewish mother in every mother," as comedienne Judy Gold reveals in her achingly hilarious and poignant book For a Jewish girl who remembers the first book ever read to her as a child was the pop-up version of The Diary of Anne Frank, learning how to be a Jewish mother who wasnt a carbon copy of HER Jewish mother wasnt easy. Here, Emmy Awardwinning comedienne Judy Gold asks, "Are there any Jewish mothers out there like me, or are they all, G-d forbid, like my mother" In 25 Questions for a Jewish Mother, she incorporates her own adventures in Jewish motherdom and her memories of growing up Jewish in suburban New Jersey -- communicating with her mother by putting Ann Landers articles on the fridge ("Dear Ann, My mother wont let me walk alone to school and Im 16! Please help." "Dear Ann, The crossing guard drinks. Please help.") -- with the voices of the fifty other Jewish mothers, she and her co-author, Kathleen Moira Ryan, interviewed. They asked homemakers, lawyers, Holocaust survivors twenty-five questions, including: --Who's your favorite Jewish mother (Judy's is Barbra Streisand.)? --How many times a day do you talk to your children or mother (for Judy, it's anywhere from one to the high double digits)? --Are Jewish mothers really more paranoid (or, "Why do I have to write an entire itinerary with names, addresses, and phone numbers every time I leave the house")? And so on. The culmination of these extraordinary stories confirms that there is ultimately something strong, courageous, and loving in every Jewish mother -- a hopeful -- and very funny -- message to mothers and their children everywhere.

Shortly after Albert Cohen left France for London to escape the Nazis, he received news of his mother’s death in Marseille. Unable to mourn her, he expressed his grief in a series of moving pieces for La France libre, which later grew into Book of My Mother. Achingly honest, intimate, and moving, this love song is a tribute to all mothers. Cohen himself expressed, "I shall not have written in vain if one of you, after reading my hymn of death, is one evening gentler with his mother because of me and my mother."

An original, thought-provoking meditation on the corrosive legacy of slavery from the 16th century to the present.--Elizabeth Schmidt, "The New York Times."

In the latest body of work by author and photographer Claiborne Swanson Frank, the artist set out to explore what modern motherhood means in the 21st century. Turning her lens on 70 iconic families of mothers and children from such celebrated names as Delfina Figueras, Carolina Herrera, Lauren Santo Domingo, Anne Vyalitsyna, Aerin Lauder, and Patti Hansen, Swanson Frank’s stunning portraits capture the emotional bonds and beauty that frame the primal relationship of a mother and her child. Complementing her work is a series of questions-and-answers, in which Swanson Frank delicately tasks each mother to look within themselves and express what being a mother truly means to them. Their answers, while exceedingly thoughtful and introspective, are also amusing, fascinating, and moving. Each one of these deeply intimate and stunning portraits will captivate and inspire readers as they embark on this profound journey that reminds us all of the power of motherhood and the great gift of love.